New Books in Music

Jane Eisner is a widely published journalist who held leadership positions at the Philadelphia Inquirer and The Forward. She is the author of Taking Back the Vote. Eisner lives in New York City. In our wonderful interview we discuss her new book, Carole King: She Made the Earth, (Yale UP, 2025), and her thoughts on what made Carole King the start that she is. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure. Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now. Max on Instragram Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Minstrelsy is often called the first American popular entertainment form. Minstrel shows presented musical, dance, and entertainment styles that continue to resonate in US culture and they also reflected the complex, contradictory, deeply prejudiced attitudes towards race that characterized antebellum America, which are still part of American political and cultural discourses. Despite the voluminous scholarship on minstrel shows, there is relatively little work that deeply investigates the music of minstrelsy. Renee Lapp Norris’s critical edition called Opera Parody Songs of Blackface Minstrelsy (1844–1860) (A-R Editions, 2025) published as part of the Music of the United States of America series (A-R Editions, 2025) aims to help remedy this absence. In this volume, Norris gathers forty opera parody songs originally published as sheet music that illustrate different approaches to opera parodies taken by minstrel performers. She analyzes how minstrels parodied opera, what political and cultural agendas the music supported, and contextualizes the parodies within the history of antebellum minstrel shows. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria’s most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela’s complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela’s perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola’s website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin’s Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone (U Georgia Press, 2023) by Dr. Marc Sommers is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible.When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship.Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth. In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Michael Brown undertakes a thorough study of Eyeliner's Eyeliner's Buy Now (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s. Eyeliner's BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." BUY NOW epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center. Drawing on original interviews and the album's production archive, Eyeliner’s BUY NOW (Bloomsbury 2025) uses BUY NOW's story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world. Michael Brown on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Transformed American Opera (Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, The Martyr, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In this episode, we trace how the horse-head fiddle has evolved in the People’s Republic of China — from a traditional steppe instrument to a cultural symbol reshaped through state representation and modern performance. We discuss how it is made, taught, and performed in China, how it is portrayed in Chinese institutions, and how young Mongols today engage with the instrument as a way to express identity, creativity, and belonging in contemporary China. Our guest, Ying Song from Zhejiang University, is a PhD candidate in sociology whose research focuses on the horse-head fiddle and its role in shaping Mongolian identity. Beyond academia, she has also curated cultural exhibitions and organized numerous Mongolian music-sharing events, which you can find in the link below. Ning Ao is a PhD student at the Centre for East and South-East Asian Studies (ACE) at Lund University. Her research looks at generational differences among Chinese Mongols. Episode producer: Ning Ao Ying Song’s Rednote Page Ying Song’s Email: songying182@163.com Swedish physician and missionary Joel Eriksson in Inner Mongolia The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia) Asian studies, University of Helsinki (Finland) Centre for Asian Studies, Vytautas Magnus University (Lithuania) Centre for East and South-East Asian Studies, Lund University (Sweden) Centre for East Asian Studies, University of Turku (Finland) Norwegian Network for Asian Studies Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music