The WTF Bach Podcast

GUESS WHO'S BACK? BACK AGAIN? THE BACH STORE is in GERMANY March25-April8. Stream it here:Twitch.tv/wtf_BachLet's kick off this season discussing the fugue for violin in G minor BWV1001, and its arrangement for Organ BWV539. There is also one for lute (perhaps lute harpsichord) BWV1000. Donate to this podcast: https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbachLinks to music played in this episode:Milstein 1957Milstein 1975Robert Hill arranges the AdagioHelmut Walcha BWV539Narisco Yepes, LuteReitze Smits BWV539Email me at Bach at WTFBACH dot com  Get full access to WTF Bach at wtfbach.substack.com/subscribe

So! We've done it: Looked in depth at every fugue, every canon, solved the mysteries, busted the myths, sent the Bach heretics back to whence they came. And now? Let's just enjoy... Topics covered:The golden sections in other Bach pieces and how this could help us find the golden section here, even in this fugal fragment. 'God the Father' 'God the Spirit' 'God the Son' as three themes.--THE LAST PAGE ! CLICK HERE to see the 'corrupt' staves on which it would have been impossible to complete such a dense fugue. **Note the staff three from the bottom**--Koopman playing the B-flat minor, book two--Follow Evan on Instagram for even more Bachian content: www.instagram.com/WTFBachBECOME A PATRON OF EVAN'S:https://www.patreon.com/wtfbachSupport us:https://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbachSuggestions? Want Evan to analyze a specific piece of Bach? Have other questions for Evan about music or anything at all?Write us:bach@wtfbach.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

This is the final fugue of The Art of Fugue, the famous 'unfinished' fugue, number 14. We discuss how one could have understood this fugue to have been unfinished in earlier periods in musical history (it was finished) and what exactly is missing. THE LAST PAGE ! CLICK HERE to see the 'corrupt' staves on which it would have been impossible to complete such a dense fugue. **Note the staff three from the bottom**Topics covered:B+A+C+H = 14B-A-C-H as a melody and fugue subject.Where the missing, 4th theme, comes in this quadruple fugue. The final combination of all four themes and its 'note for note' inversion as mentioned in Bach's obituary of 1754. --Follow Evan on Instagram for even more Bachian content: www.instagram.com/WTFBachBECOME A PATRON OF EVAN'S:https://www.patreon.com/wtfbachSupport us:https://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbachSuggestions? Want Evan to analyze a specific piece of Bach? Have other questions for Evan about music or anything at all?Write us:bach@wtfbach.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

Guest Interview: Christoph Wolff, Former Head of the Bach Archive in Leipzig. I had the privilege of speaking to Christoph Wolff, certainly the most distinguished Bach scholar of the 20th century, even until today. From Jimi Hendrix to Rudolph Serkin, from the music Bach's composed which is lost, to the famous "Seal of 1722", this interview has it all folks. Take a listen!Browse Mr. Wolff's Books Here:--People / Topics Covered:Albert Schweitzer (His Bach biography, Volume 1)"Bach's Seal"Bach's Handexemplar of the Goldberg VariationsCaldara's Magnificat Other composers Bach performed: Palestrina, Frescobaldi, Froberger, Buxtehude, Handel, Porpura, PergolesiNeue Bach AusgabeSaint Mark PassionBach's ObituaryThe Zimmermann Coffee House-Follow Evan's instagram, because... well... it's the only one you should follow.- Support us:https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbach--Suggestions? Want Evan to analyze a specific piece of Bach? Have other questions for Evan about music or anything at all?Write us:bach@wtfbach.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

This is the eighth bonus episode.Was Bach dictating this? Blind? On his deathbed? Printed as the original conclusion to The Art of Fugue, "Wenn wir im höchsten Nöten sein" was not meant to be part of the work, but was meant to be compensation for the missing fugue. Even with this piece, there are myths surrounding it. Let's debunk.--Follow me on instagram: @wtfbach Thank you, THANK YOU, for listening.-evan Support us:https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbach Get full access to WTF Bach at wtfbach.substack.com/subscribe

Rather than moving on to the final fugue, we have a brief visit to the final canon of the four canons in "The Art of Fugue."Canon per Augmentationem in Contrario Motu (Canon in augmentation and contrary motion [inversion]). This form of this canon is very similar in construction to the previous ones, though rather than increasing the interval of imitation, the following voice appears in inversion and moving twice as slowly! A very complicated procedure.--Evan is every day on his instagram stories uploading the great works of J.S.B: Watch Check out Bach's 'gift canon' here: Find a playlist of the music here: https://open.spotify.com/playlist/1Ha250UDFktGqZjpt1hk7L?si=fIqZwtTUQJmzB9SYwskeYAFollow Evan on Instagram for even more content about Bach: www.instagram.com/WTFBachSupport us, or become a Patron of Evan's and receive his very private inner thoughts on a regular basis:https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbach Get full access to WTF Bach at wtfbach.substack.com/subscribe

This is the seventh bonus episode.Among the errors in the assembly of the first printing of The Art of Fugue was the inclusion of an arrangement of fugue number 13 for two harpsichords. We look at the music, how it differs from the original 13th counterpoint (for one harpsichord) and how such an error could have been committed. It appears under the title, 'Alio Modo' ...another way. It contains a fourth, newly composed, non-imitative voice. And yes, since fugue 13 is a mirror fugue, Bach made two arrangements with two newly composed voices. --Follow me on instagram: I am heavy into posting the solo works for violin and cello on a daily basis: @wtfbach Thank you, THANK YOU, for listening.-evan Support us:https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbach Get full access to WTF Bach at wtfbach.substack.com/subscribe

Question: If a piece of music is perfect both on its head and also its feet, which one is the inversion?In the previous fugue, fugue twelve, we saw Bach took four voices, a turned everything upside down: 1234 became 4321 and what went up came crashing down. Now, fugue 13 is again a 'mirror' fugue... or is it?This thirteenth fugue is in three voices and uses a technique almost identical to it's sister fugue, number 12, but is still more complicated. Topics Covered: Which comes first in number 13, the rectus or the inversus? --DUE TO PROBLEMS WITH INSTAGRAM (they think Bach's music is 'Branded Content' - yikes. Public domain y'all) I AM MOVING STREAMS TO TWITCH.TV/WTF_BACH PLEASE FOLLOW ME THEREFind a selected playlist of the music found and discussed in this podcast here: https://open.spotify.com/playlist/1Ha250UDFktGqZjpt1hk7L?si=fIqZwtTUQJmzB9SYwskeYA... have you seen: http://bachchurch.com ??? Support us!Why not join Evan's Patreon, where he unique Bach-related insights on a weekly basis:https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbach  Write us:bach@wtfbach.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

This is an interview with mandolinist/composer/singer Chris Thile. Our conversation on May 14, 2021 spanned many diverse topics from how he felt about growing up in a religious community, to his favorite barrel aged spirits. --Musicians/Bands mentioned (Alphabetically):Bach, Beethoven, Bela Fleck, Bill Monroe, Edgar Meyer, Glenn Gould, Mike Marshall, Mozart, Nickle Creek, Radiohead, Richard Green, Russel Sherman, Vivaldi, Yo-Yo Ma--Music/Books/Booze mentioned:Russel Sherman, 'Piano Pieces' Saint Anne's Reel: https://thesession.org/tunes/103What does a mandolin look like?Tolkien, 'The Lord of the Rings'Smith & Cross rumPlymouth Gin--Check out Chris' new album here: http://smarturl.it/laysongs--Follow Evan on Instagram for daily Bach: www.instagram.com/WTFBachBecome a patron of this show & how to support us:https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbach Suggestions? Want to sponsor an episode?Write us:bach@wtfbach.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

Question: If a piece of music is perfect both on its head and also its feet, which one is the inversion? A few important things I neglected to mention in the 11th counterpoint, but where to go after that 11th fugue anyhow? Into the mirror…Look into *CLICK* the mirror! Bach, not satisfied with creating a triple fugue whose subjects were the same three subjects of the previous triple fugue- inverted- now pens a four-voice fugue where the entire texture will be inverted to create a new composition altogether. It's like writing two fugues at once. This can be done with any piece of music, but only Bach could make such a complicated composition sound like beautiful and convincing music both right-side-up and upside-down.   --Follow Evan on Instagram for even more Bachian content: www.instagram.com/WTFBach Find a selected playlist of the music found and discussed in this podcast here: https://open.spotify.com/playlist/1Ha250UDFktGqZjpt1hk7L?si=fIqZwtTUQJmzB9SYwskeYA... have you seen: http://bachchurch.com ??? Support us!Did you enjoy the reading from Evan's practice diary? Why not join his Patreon, where he shares similar insights on weekly basis:https://www.patreon.com/wtfbachhttps://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbach  Write us:bach@wtfbach.com Get full access to WTF Bach at wtfbach.substack.com/subscribe