No Tags

What connects Adonis resident Grace Sands, the free party explosion of summer '91, Deleuzian dancefloor philosophy, and the annual Gloucestershire cheese-rolling competition?It's this episode of No Tags, obviously, but the connecting tissue goes much deeper, we promise. The last third of the show contains our recent conversation with Grace Sands – house DJ, free party originator, icon of London's queer underground – live in Sheffield on 9th May. In a compact Q&A before a screening of Free Party: A Folk History hosted by No Tags and local heroes Gut Level, she set out some of the early ideals of a scene which changed the course of British dance music.We talk about our own reactions to the film, a superb documentary charting the UK’s free party movement in the late ‘80s and early ‘90s, featuring members of UK soundsystems like Spiral Tribe, Bedlam and Grace's alma mater DiY.Before all that, for the first hour of the show we respond to some excellent listener feedback on recent pod topics, including who exactly goes to see Keinemusik and what makes the perfect night out. Inspired by one Taganista in particular, Chal expands her recent theory of rave with an important third axis from wiggy theorist Gilles Deleuze. Show us another podcast whose listeners write in about Plato and Love Island!As ever, if you want to support what we’re doing on No Tags, please do drop us a like and follow on Apple Podcasts, Spotify and Substack. You can also subscribe to our paid tier, which costs £5 per month. Planning, recording, editing and transcribing these regular podcasts is a pleasure but it’s also a lot of work, and your support truly does make a difference. Get full access to No Tags at notagspodcast.substack.com/subscribe

Rave royalty on No Tags this week as we’re joined by Paul Woolford.We’re both drawn to artists who are driven by a compulsion to put art into the world at all costs – and 25 years into his career, Woolford (AKA Special Request) seems to be more driven than ever. In the last six years he’s released six albums and countless singles and remixes, and he still tours relentlessly – from seasons in Ibiza to grubby late-nighters at the White Hotel.He’s also constantly collaborating – who else can you name who’s worked with Novelist, Diplo, Alison Goldfrapp and MK? And that’s how we introduced him on stage at the British Library earlier this year, where he joined us for a live conversation as part of AVA London.Housekeeping! If you’re into No Tags, you can show your support by liking our posts on Substack. Or why not forward this email to a friend who’d enjoy it? You can also leave us a review on Apple Podcasts or chuck us a like on Spotify. Or if you’re feeling particularly generous (or just flash – we’ll take either), consider subscribing to our paid tier, which costs less than a pint per month and gives us the financial and spiritual fuel to keep planning, recording, editing and transcribing these regular podcasts. Get full access to No Tags at notagspodcast.substack.com/subscribe

Join the discussion as two friends reminisce about their exhilarating bank holiday weekend and dissect what makes the ultimate night out. They dive into the contrasting vibes of clubbing and holiday camps, inspired by Nietzsche’s ideas on order and chaos. Listen as they reflect on unforgettable raves, the artistry of live DJing, and share memorable film critiques. Plus, don’t miss the chance to contribute your own transcendent party stories while gearing up for an exciting live event!

Derrick Gee, an Australian music enthusiast and content creator known for his captivating YouTube and Instagram channels, shares his love for diverse music genres. He discusses the art of navigating the music scene as a 'professional music fan' while balancing authenticity in content. Derrick dives into his unique experience testing audiophile sound systems, the evolution of music appreciation in today's digital landscape, and the joy of unearthing lesser-known artists. His passion is a reminder of music's power to connect communities beyond mainstream boundaries.

There was only one topic we could tackle this week. The argument boiling over around Boiler Room and the BDS movement is one of the most divisive and emotionally charged intra-scene disputes we’ve seen in a long time.There’s a lot being said in public and in the comments, with much of it relegated to Instagram Stories with a 24-hour timer. So in the spirit of our mission statement – chronicling underground music culture – we’ve attempted to document what’s been going on, provide some vital additional context, and offer our own thoughts on what’s at stake.In this episode we look at the relationship between Boiler Room and its owners – the global events company Superstruct and the private equity giant KKR – and their connections to Israeli tech firms and the Palestinian-led boycott movement. We talk about Boiler Room’s recent statement of solidarity with Palestine and the resulting backlash from fans, DJs and former BR employees, as well as Ben UFO’s defence of the platform, which triggered its own, unusually fierce backlash.Can Boiler Room consider itself part of the boycott on Israel? What’s the right way for DJs, fans and BR employees to show solidarity with Palestine? Why has BR received so much flak compared to the 70-odd other brands and festivals in Superstruct’s portfolio? Can dance music be mobilised into a force for change? And what can Boiler Room – or any of us – practically do in a landscape where private equity firms have their claws in everything?If you’re enjoying No Tags, thanks – we really enjoy making it. But we’d love you to help us out by leaving a review on your go-to podcast app, which really does help visibility. We’d also ask you to consider subscribing to our paid tier, which costs £5 a month and helps us continue planning, recording and editing these regular podcasts. It also gives you a discount on our book. Get full access to No Tags at notagspodcast.substack.com/subscribe

We’re pretty confident about slapping the “AOTY contender” badge on this one: aya’s second album hexed! is out on Hyperdub next week, and it has blown our tiny minds to pieces.The South London artiste joined us in the No Tags “studio” to reveal the pills, thrills and bellyaches behind the phenomenal follow-up to 2021’s im hole. We talked about shaking off the curse of drink and drugs, embracing her teen metalcore past, putting worms in your mouth in the name of Art, and just who is the best aya on Discogs?We also debated donk as worship music, her plans to be the next Prince, and of course her favourite film.Dive in – but before you do, final call for No Tags with Paul Woolford at AVA London tomorrow! We’ll be joined by AKA Special Request for a conversation at 1pm in the British Library’s Knowledge Centre. Taganistas get a 20% off code. Skive work and pop down? We’ll have a few No Tags books for sale too.If you’re enjoying No Tags, that’s just GREAT. We really love making it. Why not rate, review and subscribe on your podcast app of choice? We’d also ask you to consider subscribing to our paid tier, which costs £5 a month and helps us continue bringing you these regular podcasts (and it gives you a discount on our book.) Get full access to No Tags at notagspodcast.substack.com/subscribe

Delve into the evolving landscape of independent music, where major labels are swallowing up smaller distributors. Explore the shifting definitions of 'independence' in an industry dominated by streaming giants. Laugh along as the hosts share ghostly anecdotes and humorous cycling mishaps. Plus, reflect on the complexities of representation in independent film and the implications of recent Oscar wins. The discussion touches on the interplay between music and media, revealing profound insights into artist dynamics today.

Liz Pelly, a contributing editor at The Baffler and author of "Mood Machine," delves into her groundbreaking investigations into Spotify's practices. She reveals how mood-based playlists feature obscure, ghost artists diluting true artistic expression. Pelly discusses 'lean-back listening' and the troubling rise of algorithmic curation, which has shifted the landscape, affecting independent musicians. She also touches on Spotify's influence on music discovery and its implications for artist visibility and earnings in today's streaming era.

Still high off the fumes of January’s first Big Beat Cinema episode, we return to the scene of the crime this week for a follow-up film special with Finn, Manchester’s very own pope of trash.In this episode, we start by diving into your feedback, ranging from literary theory to eyewitness accounts from big beat OGs. We expand the official BBC canon with even more movies, including Go, Twin Town and The Bourne Identity.We then go deeper, asking what Big Beat Cinema tells us about life in the ‘90s and ’00s, how class fantasies and lad’s mags shaped the subgenre, and whether that UK government anti-piracy ad is a forgotten classic of the movement. Finally, we try to locate the last gasp of BBC and explain why Moby and Fatboy Slim fell out of favour with Hollywood.If you’re enjoying No Tags, please do rate, review and subscribe on your podcast app of choice. We’d also ask you to consider subscribing to our paid tier, which costs £5 a month and helps us continue braving some of history’s greatest slop to bring you these regular podcasts – not to mention honing our amateur Photoshop skills. Get full access to No Tags at notagspodcast.substack.com/subscribe

A jam-packed episode of No Tags this week, but we had a lot to catch up on. Central Cee’s debut album Can’t Rush Greatness is out (02:56) and it’s UK drill’s biggest album to date, almost by default. Eusexua (10:07) might be the record that finally sells us on FKA twigs? And we talk about the grey zones of desire in Babygirl over in film corner (18:32).But then onto the main event: we’re joined this week by NYC DJ and virtual pop architect umru (30:09). A key member of SoundCloud’s class of the mid-2010s, umru officially graduated to the hyperpop top tier in 2017 with his work on Charli XCX’s game-changing Pop 2 mixtape. He’s since worked with the likes of Hannah Diamond, Tommy Cash, Hyd, Dorian Electra and more while releasing his own music on PC Music and, this year, LuckyMe. He’s also one of our favourite DJs, with an anything-goes approach that feels firmly in the legacy of faves like Total Freedom, Evian Christ and Ryan Hemsworth. We also talked about his past life running parties on Minecraft, leak culture, pop’s Splice era, and the link between PC Music and Pirates of the Caribbean.A little housekeeping: after a small delay the second pressing of No Tags: Conversations on underground music culture should be arriving in the next week, so if you missed out the first time, head to Shopify to place your order.In the meantime, if you’re enjoying No Tags, please do rate, review and subscribe on your podcast app of choice. We’d also ask you to consider subscribing to our paid tier, which costs £5 a month and helps us continue planning, recording, editing and transcribing podcasts like this one. Get full access to No Tags at notagspodcast.substack.com/subscribe