Countercurrent: conversations with Professor Roger Kneebone

Sarah Angliss defies conventional definition. A multitalented creator of musical scores and an expert performer, she describes herself as a composer. With degrees in electroacoustics and robotics and a fascination with musical automata, Sarah's interests cut across orthodox categories.

Malcolm Love's career has included being a Baptist minister in London's Battersea, a freelance journalist in Nicaragua and El Salvador, a producer and presenter for the BBC, a leading science communicator and a mentor and coach in the changing landscape of public engagement. In this conversation we explore how our varied paths intersect, and discuss our shared fascination with making connections. http://www.malcolmlove.org

Andrea Sella is well known as a chemist, a teacher, a science communicator and broadcaster. In this podcast we discuss the nature of contemporary chemistry, talk about its development over the last couple of decades and explore issues of uncertainty and risk.

Aaron Williamon started his career as a trumpeter before changing direction and studying psychology. As one of the world's leading conservatoires, the Royal College of Music (RCM) attracts performers with extraordinary skill but who also work under extraordinary pressure. In this podcast we discuss our shared interests in expert performance, whether in music, medicine or the arts, and talk about the RCM-Imperial Centre for Performance Science which we jointly lead.

After a law degree at Oxford and an MA in Renaissance Studies at Birkbeck, Ian Blatchford trained as an accountant and worked at the Bank of England, the Arts Council and the Royal Academy of Arts. After a spell as Finance Director at the Victoria & Albert Museum he became its Deputy Driector. In 2010 he moved across the road the Science Museum as its Director. In this conversation we discuss Ian's fascination with science and scientists and how the various strands of his career have intertwined.

Saagar Patel and I discuss the technical, aesthetic and human challenges of dentistry and medicine. We explore how dentists carry out delicate work in a confined space using mirrors; how they combine dexterity, craftsmanship and a sensitivity to the subtleties of materials; and how they meet the challenges of ensuring that each patient has the best possible experience.

The distinguished couture hattist Susie Hopkins describes how she became entranced by hats while an art student in Vienna. After becoming a Master in Austria she moved to a Paris fashion house as their creative designer. Her subsequent career in London has included teaching at the London College of Fashion. Susie is not only a gifted designer and maker but an expert in creating bespoke hats for weddings and special occasions. This requires high levels of interpersonal skill, and her expertise has interesting parallels with my own experience as a clinician working with the complex family relationships and tensions of my patients. In this podcast we explore similarities and differences between our perspectives. http://www.aliceandco.co.uk/hatshop.html

Andrew Garlick is one of the UK's leading harpsichord makers and has been creating instruments for 45 years. In this conversation we explore what drew him to this specialised field, and how his skills as a craftsman, an artist and a creator of sound worlds have come together to create over 250 instruments. http://garlick-harpsichords.co.uk

Vicki Ambery-Smith is one of the country's leading silversmiths, with work in major collections around the world. She specialises in creating tiny, exquisitely beautiful sculptures of buildings that can be worn as jewellery. We discuss how she designs and creates these tiny works of art and explore how her skills in the workshop are an expression of the human relationships she develops with those who commission her work. In the process we uncover unexpected similarities with the world of medicine. http://www.vickiamberysmith.co.uk/index.html

Simon Chaplin's varied career has included studying history and philosophy of science, directing the Museum and Special Collections at the Royal College of Surgeons of England, heading the Wellcome Library and becoming Director of Culture and Society at Wellcome Trust and Director of the Wellcome Collection. We explore our different perspectives on anatomical museums and their contents, drawing on Simon's engagement with the physicality of anatomical specimens and my experience of dissection and prosection. The conversation ranges from the disciplines of close observation to the skills of maintaining old tractor engines before exploring what has prompted us both to take unexpected directions in our careers.