Countercurrent: conversations with Professor Roger Kneebone

Professor Ruth Morgan began her academic career studying geography. After a doctorate in forensic geoscience she became fascinated by forensic science more widely. Now she is Director of the University College London Centre for the Forensic Sciences. In this conversation we discuss the challenges of interpreting evidence within a criminal context and the intersection between laboratory science and human interaction in this complex and rapidly evolving field.

Flora Smyth-Zahra trained as a dentist and has a special interest in periodontology. In this podcast we explore the nature of clinical care, whether in dentistry and medicine, sharing our perspectives and experiences of surgery in different domains. Alongside her clinical practice, Flora has expertise in education, literature and the arts and has pioneered dental humanities as an emerging part of the dental curriculum. In our conversation we discuss how cross-disciplinary exploration can enrich clinical practice.

David Owen QC has developed parallel careers as a barrister (now specialising in mediation and arbitration for complex business disputes) and a magician and member of the Magic Circle. In this podcast we explore similarities and differences between our worlds of medicine and the law, and explore performative aspects of our work and interests.

Thomas Schlich’s career spans clinical medicine and the history of medicine. In this conversation we explore similarities and differences between these two approaches, including how the idea of ‘taking a history’ plays out in different contexts. We discuss how the perspectives of clinical practice and historical scholarship complement one another before talking about Thomas’s seminal work documenting the Swiss ‘osteosynthesis’ movement (fixing broken bones with screws and plates) in the mid twentieth century.  https://www.mcgill.ca/ssom/staff/schlich  

Fabrice Ringuet has been a hair stylist for 35 years. Initially trained in France, he has made his career in the UK, first as a stylist and then as a teacher and hair styling coach. In this podcast we explore unexpected parallels between hair styling and medicine, where technical expertise must be matched by sensitivity, performance and interpersonal skill.

Richard Jones is one of the UK’s most well-known directors of theatre and opera. His productions have been staged all over the world and he has a reputation for challenging expectations and disrupting traditional boundaries. In this conversation we compare the dramatic theatre and the operating theatre, discuss where theatre and opera intersect and explore our experiences of success and failure. 

Bridget Bailey is a leading textile artist and designer who co-founded the Bailey Tomlin brand, creating and producing millinery for major labels. In this conversation we explore ideas around inspiration, precision and perfectionism. Over the years Bridget has moved from creating ‘trim’ for hats to more abstracted work which has echoes of the natural world. bridgetbailey.co.uk

In this conversation the distinguished medical artist Phil Wilson and I explore how expertise in illustration allows medical artists to convey the essence of a clinical procedure or anatomical idea. We dissect the notion of visual narrative and discuss how Phil’s perspectives as an artist and my perspectives as a clinician intersect and overlap. Phil describes how the shift from pen and watercolour to working in the digital arena entails radical new techniques, but how the essentials of close observation remain unchanged. http://www.medart.co.uk  

Jeremy Herbert’s career has taken many unexpected swerves. He is fascinated by the aesthetics and the practicalities of design, both in theatre and outside. An expert maker with a strong sense of the mechanical, he creates imaginative landscapes for a wide range of productions. In this conversation we discuss how our different perspectives on practicality overlap and intersect. 

Jane Dorner’s first career was in publishing. From art editor for Longman’s and then as fiction reader for Penguin. After thirty years she fell in love with glass-making and developed a parallel career designing and making art works in glass. In this conversation we discuss the similarities and differences between our worlds of medicine, publishing and the arts.