Johan Esterhuizen studied drama in South Africa before spending time in the United Kingdom. After returning to Cape Town he was involved in experimental and political theatre at a time of huge upheaval and change. A longstanding commitment to applied theatre took him to the townships and schools of South Africa, working with a wide variety of communities. Later in his career he turned to lecturing at Stellenbosch University, while continuing to develop his career as an actor and director. In this conversation we discuss how our careers have changed directions and how early experiences have shaped our later professional direction. 

Pete Atkin’s collaboration with Clive James led to six ground-breaking LPs in the 1970s, starting with Beware of the Beautiful Stranger. Narrowly avoiding stardom, Pete’s career then took a different direction and he became a radio producer for the BBC. He is perhaps best known for his series This Sceptr’d Isle on BBC Radio 4, which ran to 396 fifteen minute episodes and covered British history from 55 BC to the present. https://www.peteatkin.com

Sam Cooper writes speeches for leading figures in the Corporation of London and other institutions. Building on his understanding of language and metaphor and his PhD in English, he crafts speeches that recreate the rhythms and nuances of a speaker so they sound entirely natural - a form of bespoke. We discuss the challenges of writing when there are ‘many hands on the pen’ and the need to combine creativity, diplomacy and technical mastery in a under-recognised area of expertise. www.drsamcooper.com  

Professor Ruth Morgan began her academic career studying geography. After a doctorate in forensic geoscience she became fascinated by forensic science more widely. Now she is Director of the University College London Centre for the Forensic Sciences. In this conversation we discuss the challenges of interpreting evidence within a criminal context and the intersection between laboratory science and human interaction in this complex and rapidly evolving field.

Flora Smyth-Zahra trained as a dentist and has a special interest in periodontology. In this podcast we explore the nature of clinical care, whether in dentistry and medicine, sharing our perspectives and experiences of surgery in different domains. Alongside her clinical practice, Flora has expertise in education, literature and the arts and has pioneered dental humanities as an emerging part of the dental curriculum. In our conversation we discuss how cross-disciplinary exploration can enrich clinical practice.

David Owen QC has developed parallel careers as a barrister (now specialising in mediation and arbitration for complex business disputes) and a magician and member of the Magic Circle. In this podcast we explore similarities and differences between our worlds of medicine and the law, and explore performative aspects of our work and interests.

Thomas Schlich’s career spans clinical medicine and the history of medicine. In this conversation we explore similarities and differences between these two approaches, including how the idea of ‘taking a history’ plays out in different contexts. We discuss how the perspectives of clinical practice and historical scholarship complement one another before talking about Thomas’s seminal work documenting the Swiss ‘osteosynthesis’ movement (fixing broken bones with screws and plates) in the mid twentieth century.  https://www.mcgill.ca/ssom/staff/schlich  

Fabrice Ringuet has been a hair stylist for 35 years. Initially trained in France, he has made his career in the UK, first as a stylist and then as a teacher and hair styling coach. In this podcast we explore unexpected parallels between hair styling and medicine, where technical expertise must be matched by sensitivity, performance and interpersonal skill.

Richard Jones is one of the UK’s most well-known directors of theatre and opera. His productions have been staged all over the world and he has a reputation for challenging expectations and disrupting traditional boundaries. In this conversation we compare the dramatic theatre and the operating theatre, discuss where theatre and opera intersect and explore our experiences of success and failure. 

Bridget Bailey is a leading textile artist and designer who co-founded the Bailey Tomlin brand, creating and producing millinery for major labels. In this conversation we explore ideas around inspiration, precision and perfectionism. Over the years Bridget has moved from creating ‘trim’ for hats to more abstracted work which has echoes of the natural world. bridgetbailey.co.uk