Looking Sideways Action Sports Podcast

Why is direct action important? Why is there such apathy as our democratic right to protest is being removed? How can the outdoor community and industry enact a more impactful and effective type of protest and activism? All topics I discussed with snowboarder, activist and campaigner for Just Stop Oil Calum Macintyre. You might not know Calum, but he has a vital story to tell about how our democratic right to protest is carefully being steadily and stealthily dismantled in the age of the climate emergency, and I implore you to listen to what he has to say. I first met Calum in Lofoten back in 2019 on a Patagonia activist camp. We became friends and stayed in touch, and since then I’ve watched with great interest as Calum has become more and more immersed in the world of direct action. It was Calum who wrote my most popular ever guest blog - last year’s thought-provoking 5 Reasons Why Our Community Does Not Engage, in which he was politely yet forcefully critical of the outdoor and action sports community’s approach to protest and activism. We’ve spent much time over the last year discussing these ideas, which has helped inform and shape my own thinking as I’ve been working on The Announcement, my forthcoming podcast documentary series about Yvon Chouinard’s September 2022 decision to give away Patagonia. Calum’s participation in this movement has also given him a minor role in a wider, much more important story - the way that climate protest is being weaponised by a government intent on criminalising protest for their own nakedly political ends. Which was why, in March 2024, after Calum successfully defended himself in court after being arrested for taking part in a slow march for Just Stop Oil, I decided to ask him to come on the podcast to discuss these topics. This is a vital conversation about the climate crisis, the notion of protest, effective activism, and how the climate emergency is being weaponised as part of the culture wars. It’s also about how Calum has found a little untouched snowboarding paradise in one of Europe’s last wildernesses, which might make you want pack up and head for the hills. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

Use LOOKINGSIDEWAYS for 15% off any Db snowboard bag - and click here to see my other discount codesEric Blehm is a journalist and author who has had one of the most interesting and quietly-influential careers in snowboarding.As one of the original and most high-profile American snowboard journalists, he certainly had an influence on my own career.His work at Transworld Snowboarding, in particular, where he combined a none-more-geeky passion for snowboarding with an insatiable curiosity about the wider world, inspired me to think it might be a path that I could also follow.Eric’s storytelling talent meant he soon outgrew our little world, and these days he’s an acclaimed none-fiction writer in the Krakauer/Grann mould. But with his latest book, The Darkest White, he’s returned to his sideways roots to tell one of the most important stories of all - the life and death of Craig Kelly.I have no hesitation in saying that The Darkest White is the best book ever written about snowboarding. It is a subtly structured and truly brilliant piece of work that, like all the best none-fiction, is about much more than its ostensible subject matter.Of course, it a lovingly and respectfully put together biography of Craig, Eric’s friend and mentor who clearly had a huge personal impact on his life. But it is also the grown-up history of snowboarding we’ve been crying out for, which sheds new light on the key phases of our culture’s development.And it is also a dispassionate, forensic and at times enraging (for me, anyway) look at what actually happened to Craig, and which cast the entire sorry episode in a completely new light.Myself and Eric have plenty of mutual friends and have known of each other for years. But this is the first time we’d actually connected, which made this one a real pleasure. This one covers a lot: the books, of course, but also Eric’s own remarkable career. Hope you enjoy our conversation.Buy The Darkest White here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

Use LOOKINGSIDEWAYS for 10% off any Finisterre purchase - and click here to see my other discount codes If you’ve been following Looking Sideways for a while, you’ll know that I’ve covered the conversation around chloroprene rubber and Yulex extensively over the last year or so - through my conversation with Big Sea documentary film-makers Chris Nelson and Lewis Arnold (below), for example, as well as blogs such as this one. If you aren’t yet aware of the connection between neoprene and higher rates of cancer among one hugely impacted Louisiana community, find out more by clicking those links.It’s through those conversations that I first made contact with Liz Bui, CEO of Yulex, the natural rubber alternative to neoprene and so-called limestone neoprene, which is touted by Yulex and partner brands such as Patagonia and Finisterre as a natural alternative to these materials and is, according to Yulex ‘proven equal or better when compared to neoprene in all applications’.So when my pals at Finisterre invited me to host a live q&a with Liz and Yulex founder Jeff Martin at Finisterre’s London store in February 2024, I was in. Particularly because, whenever this conversation comes up among surfers, you always hear the same (to put it politely) received wisdom about Yulex. It’s too expensive. It’s not flexible enough. It’s just as bad for the environment as neoprene. (And that’s just some from some of the surf industry’s trade bodies).Here was an opportunity to put these very questions to Liz and Jeff in person, as well as find out more about the basics of the Yulex process, while also exploring some of this issue’s more contentious talking points.So that’s what I did, and the result was a fascinating, insightful and revealing conversation with two people who understand this topic, with all its nuances, intimately. Huge thanks to my Finisterre family for getting me involved, and to Liz and Jeff for answering everything with such clarity and transparency. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

It's a return visit for friend-of-the-show Thomas Campbell this week, who is, as I said last year, ‘one of surfing and skateboarding’s most important influences thanks to classic films such as The Seedling, and a singular aesthetic and approach that has an outsized influence on what it means to be creative in our world’.I think it’s fair to say myself and Thomas got on pretty well first time around, and we’ve stayed in touch over the months.This redux episode came about after I asked him if he’d be up for taking part on one of my Open Threads, in which guests (such as the great Jeremy Jones, here) answer questions from listeners and readers.Thomas was up for it, but asked if we could just do it as another conversation. Which I thought was a great idea, and is exactly what we did.The result was yet another brilliantly entertaining, discursive chat about life, art, surfing, music, creativity and the rest of the good stuff. As it was originally supposed to be a written piece, you can find the transcription for the entire episode here as well.Huge thanks to everybody who contributed questions for this one. I’d love to know what everybody thinks of this new format - let me know by either leaving a comment on my Insta or Substack 🤙 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

Photographer Skin Phillips, this week’s guest, has had one of the most extraordinary careers in British skateboarding. Completely self-taught, and driven by a thirst for knowledge and a desire to experience life behind the borders of his hometown of Swansea, Skin came up in the late 80s and early 90s. Initially published in RaD and mentored by the great Tim Leighton-Boyce, he soon followed in footsteps of Bod Boyle, Steve Douglas and Don Brown by heading to the States, where he embarked upon a truly remarkable career in the US industry. He was a staff photographer at Transworld, and eventually ended up running the entire thing during that institution’s undoubted heyday. Later, he took a role as team manager at adidas Skateboarding. An amazing CV -but this brief overview really doesn’t do justice to Skin’s outsized influence on global skate culture during this period. He shot with absolutely everybody - and I mean everybody - and has the tales and respect that go with such an outsized CV, as a quick look at the comments of any his recent Instagram posts will demonstrate. So far, so legendary, and if you checked out Skin’s Nine Club chat from the other year, you’re probably familiar with that part of his story. What hasn’t been so well documented is the way things changed quickly for Skin after he was diagnosed with bipolar disorder. Finding himself unable to stay in the States, he returned home to Swansea where he’s spent the intervening years coping with the new realities of his life. I went to see Skin in Swansea early in January 2024. We cover the history, sure. But we also cover plenty of themes that aren’t discussed too frequently in the skate, surf and snow industries: how quickly his career in the industry unravelled, and how he’s coped with such an abrupt change of circumstances, with all the mental challenges this has entailed. This is a tale about the challenges of dealing with a diagnosis that changes your life overnight, when there’s no safety net in place, and you’re left to work it out. It’s also about the last thirty years of the UK, and the political manoeuvring that has wrought such havoc during that time, as epitomised by Skin’s South Wales home turf. And it’s about British working class culture, and how things such as skateboarding, football, music and art are the light in the darkness. It’s an important one, this. Big thanks to Skin for this poignant and powerful conversation (and to listener Marc Evans for the help setting it up). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

Ah, Christmas. A time of friends, family and tradition - which in Looking Sideways world means the much loved Festive Special with my close pals and stalwart podcast supporters Tim and Gendle!Yep, we’re back once again with our very own addition to the Christmas canon -even if, this year, we managed not to get blind drunk while recording this one. Apart from that, it was the usual story - our highlights of the year, our hopes for 2024, the usual quiz (spoiler alert: I lost yet again), and a freewheeling catch for our annual Yuletide review.As ever, wherever you’re listening to this, grab a festive drink and a mince pie, don the Santa hat, and join us as we wax festive for a couple of hours. I’ve been fortunate enough to enjoy another brilliant Looking Sideways year, so huge thanks for listening and supporting what I do. I’ll be back refreshed, rested and ready to go once again in 2024 - in the meantime, have a brilliant break 🎄 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

The roadshow continues! Following my recent Roundtable live, recorded at the Kendal Mountain Festival, I’m back with yet another special panel discussion, this one recorded live at the London Surf Film Festival in November 2023.I was lucky enough to be official media partner for this year’s festival, part of which was hosting this special workshop with four brilliant film-makers and creatives: Rebecca Coley, director of the brilliant Point of Change, which scooped Best British Film; Maddie Meddings, director of Yama, which won Best International Short; Chris Nelson, writer and producer of The Big Sea; and Owen Tozer, my creative right hand man and director of the beautiful, unsettling Blood Type Plastic.A word of warning: there’s a LOT of background noise in this one. But I hope you can bear with me, because there’s some proper gold in here from these four - film-making, storytelling, creativity, and all the other good stuff that makes the Looking Sideways world go round.They’re all at different points in their careers, each with very distinct style and approaches, which is what I think gave this chat such depth and resonance.MASSIVE thanks to Chris and Demi at the London Surf Film for getting me involved, to the panellists for being such good sports, and to the audience for being so engaged and up for it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

Welcome to an extra-special episode of Roundtable, free for all subscribers, and a collaboration with my pal and podcasting peer Matt Pycroft of the brilliant Adventure Podcast, recorded live in front of an audience at the 2023 Kendal Mountain Festival.This conversation came about when Kendal founder and friend of the show Steve Scott asked myself and Matt to pull together a panel for a discussion on the topic of The Power of Storytelling - New Perspectives. We invited our pals Adam Rajah, Soraya Abdel-Hadi and Roundtable regular Lauren MacCallum to join us, and this conversation is the result.In this episode, we discussed, among other things, the following topics:- Vulnerability in storytelling.- How do we take climate storytelling out of the echo chamber?- Is longform dying?This one was really special. I’m really grateful to Steve and Matt for being such great collaborators; to Adam, Lauren and Soraya for their trust and openness; and to the audience for being so engaged and receptive to this format and conversation. Let’s do it again!As usual, I’d love to hear what you think about this episode. And make sure you follow Matt and his brilliant podcast. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

If you follow what I do at all closely, whether through my newsletter or my podcast, you’ll know that ‘how we talk about activism and the climate’ has been a bit of a preoccupation for me these last few months.I’m loosely connected to what you might call the wider activism movement, which has become a proper industry these days. And much of it leaves me cold. From my slightly remote perspective, it seems to be an echo chamber full of impenetrable language, where activism tends to be cast as a personal journey or - worse - a nakedly commercial business opportunity: as opposed to a genuine attempt to invoke change that will benefit everybody, and not just those that trade in the same wonky jargon.Fumblingly exploring these ideas is why I’ve published stories by Calum McIntyre and Lesley McKenna this year, why I am careful about which events I attend and which causes I personally lend my name to, and why I was so keen to speak to Gavin Fernie-Jones for this episode of the podcast.You probably haven’t heard of Gavin. But for me, this is one of the most insightful and important conversations I’ve hosted this year. Gav lives in the French Alps, and originally his story was a well worn one - Brit skier moves to the mountains, embraces the seasonaire lifestyle, and ends up staying put.And yet, over the last few years, Gavin has been slowly but surely changing his life in response to the climate crisis he can see unfolding around him, and impacting his local environment and community.He’s quit the lucrative, ski season job that enabled him to work a mere few months a year; started a local grassroots community group called Re-Action; embraced a slower, more purposeful life; and has begun actively living as a ‘citizen’ rather than a consumer.Why is this important? Because change is coming, and mountain communities like Gavin’s will be at the forefront of this change. Personally, I also feel that the type of ‘activism’ that Gav and his Re-Action peers are engaged in - local, grassroots, community-based, circular, symbolic, and undeniably impactful - is the type of quietly revolutionary approach that has the power to drive real change. Where the work has an impact on real people, is forward-thinking and inclusive, and will actually help real communities address the challenges they’re going to face.So that’s why I asked Gavin to come on the podcast, and why I really implore you to check out this episode. Inevitably, because Gav is just an ordinary bloke rather than a massive name, these episodes tend to get much less traction. But I’m hoping that if you do give this a listen, it’ll give you as much food for though as it did me. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe

I go back 25 years with these Adam Gendle and Johno Verity, my guests this week. We met back in the late 90s through snowboarding. But looking back, making things and creativity were equally as important. Music and writing in my case; film-making and art for Gend and Johno.I’ve had a ringside seat as they’ve developed as artists and film-makers over the last two-and-a-half decades, so to see them have a hit on their hands with their new film Here, Hold My Kid, which they’ve just made with Jackie Paaso and Elyse Saugstad, is a really proud moment.Here, Hold My Kid has a lot of interesting things to say about motherhood, parenthood, and the different ways men and women are treated in the industry. It’s funny, too.And it’s also a really great combination of the pair’s talents, as well as the culmination of all the ideas, dreams, occasional dead-ends, and risks that go into the average creative career.With all that in mind, it was such a treat to sit down with Johno and Gend to discuss the new film and all of the above. Hope you enjoy our conversation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wearelookingsideways.com/subscribe