Nostalgia Trap

This week Justin Rogers-Cooper joins us to celebrate our 200th episode with a deep dive into the political, economic, and cultural significance of the “Joker” character. What are the origins of the Joker image and mythology? How has the character evolved over time? And what does this archetype’s ubiquitous presence tell us about our historical moment? This episode is dedicated in loving, living memory of Laszlo Scott Kehoe. 

Asad Haider is a founding editor at Viewpoint Magazine and the author of Mistaken Identity: Race and Class in the Age of Trump. In this conversation he explains how the history of anti-racist struggle in the United States provides a compelling set of ideas for a dynamic, anti-capitalist emancipatory practice. Along the way, we discuss the value of reading Marx in 2020, our distorted view of 1960s and 1970s radicalism, the significance of the Black Lives Matter moment, and much more.

Paul Renfro is a professor of history at Florida State University and the author of Stranger Danger: Family Values, Childhood, and the American Carceral State. In this conversation he explains how fears of child abduction fueled a hysterical campaign in the 1970s and 1980s that produced a wave of new laws, structures of punishment, and ideas about family, security, and sexuality that continue to haunt American life. 

Ken Layne is the creator of Desert Oracle, a magazine and radio show/podcast all about the strange inhabitants and culture of the Mojave Desert. Layne’s trajectory through the world of alternative media winds through the 1990s and 2000s, when he was present at the creation of the Gawker media empire and subsequently took the reins of their influential politics outlet Wonkette. In this conversation, we talk about the evolution of underground culture through layers of toxic capitalism, as we trace Layne’s path from the fast lane of LA/New York/DC digital media to the burgeoning psychedelic scene in the California desert.   

Our series on the rapidly evolving politics of COVID-19 continues this week, with Justin Rogers-Cooper warning that the logic of finance capital may force a premature “re-opening” on the American public in the summer of 2020. In this conversation we talk about recent armed anti-lockdown protests, the movie Parasite as a window into the cultural zeitgeist around class inequality, and the potential for social violence as America plunges into an unprecedented depression.    

Arash Azizi is a writer and scholar currently completing a Ph.D. in History and Middle Eastern Studies at NYU; his work focuses on the left in Iran and in the wider Islamic world. In this conversation, making frequent reference to cinema and pop culture, he discusses the global dimensions of anti-capitalist and anti-imperialist movements, tracing a narrative from the Cold War to the 21st century.

Drew Morton is an Assistant Professor of Mass Communication at Texas A&M University-Texarkana. He is the co-editor and co-founder of [in]Transition: Journal of Videographic Film and Moving Image Studies, the first peer-reviewed academic journal focused on the visual essay, drawn from a wide range of scholars (including Drew himself). In this conversation he describes his education in film, both as a casual viewer and fan and later as a graduate student in Cinema and Media Studies at UCLA, as we explore how the central questions, ideas, and methodologies of the discipline are evolving in a hyper-accelerated media landscape. 

Yasmin Nair returns to the Trap for a deep dive into the film Rise of the Planet of the Apes (2011), a conversation that helps us frame ideas about prison abolition, animal rights, environmentalism, pandemics, and the tactical elements of a grassroots revolution. 

As we continue our series on the politics of COVID-19, Justin Rogers-Cooper takes aim at the absurd ideology of “sacrifice,” as we explore how American sentimental mythology allows us to justify capitalism’s indifference to deaths of its "essential" workers.

Mistress Snow, Ph.D. is an academic in the humanities who was abruptly rejected by her mentor after coming out to her as a working dominatrix, an experience she documents in a recent Chronicle piece. In this conversation, she explains how her story connects with larger issues of class in academia, from the collapse of the job market and the humiliations of the adjunct hustle to the student loan nightmare and endless financial precarity. In the context of an accelerating economic and biological meltdown, we try to salvage what we love about academic work and the university, while looking ahead to a rapidly shifting future.