Anne Balay is the author of two extraordinary works of social history: Steel Closets: Voices of Gay, Lesbian and Transgender Steelworkers and Semi Queer: Inside the World of Gay, Trans, and Black Truck Drivers. Her work investigates the intersection of queer and working class identities, and shows us how industrial, blue collar working environments are undergoing profound structural and social transformations in the 21st century. In this conversation, she shares stories and insights from the incredible people she’s encountered in her research, and reflects on the intersection of personal identity, working class culture, and neoliberal capitalism.

Justin Rogers-Cooper helps us takes a deep dive into the aesthetic and political legacy of Kurt Cobain, who died of suicide 25 years ago this month. Cobain is an iconic pop cultural figure for a number of reasons, but this conversation focuses on his personal politics, and how his band Nirvana expressed an organic, biologically-obsessed form of anti-capitalism. Emerging from the working class hell of the 1980s deindustrialized Pacific Northwest, Cobain’s art explored how an empty, impoverished society literally tears human bodies to pieces. From drugs to guns to misogyny, racism, violence, and capitalism itself, if you want to understand the inner contours of the American nightmare, Kurt Cobain’s life story and artistic output remain as critical as ever.  

This week’s guest runs the website and podcast The Blockchain Socialist, which seeks to investigate the intersection of blockchain technology and left politics. In this conversation, we talk about the basics of blockchain, crypto, and NFTs, and try to imagine if/how these tools might be used to create a more democratic political and economic system. For full episode, go to patreon.com/nostalgiatrap. 

Joe Clark (author of News Parade: The American Newsreel and the World as Spectacle) returns to the show to talk about the ugly elephant in the room for young academics: the total collapse of full-time teaching jobs at the university. In this conversation, we take on some undeniably depressing realities, but wait! It’s not all doom and gloom. Joe offers a number of different ideas and scenarios for those souls forging paths outside the tenure track, as we game out the landscape of future possibilities for the highly-educated and precariously employed. 

Courtenay Stallings is a writer, historian, and the author of Laura’s Ghost: Women Speak about Twin Peaks. The book explores how Laura Palmer, whose death lies at the center of David Lynch’s epic television series Twin Peaks, became an icon of strength and hope for women who have experienced similar abuse and trauma. In this conversation, Stallings discusses the origins of the project, why Laura’s story resonates specifically with women, the diversity of the Twin Peaks fan community, and the particular ways that Lynch’s work engages challenging ideas about gender, desire, and violence. 

Tom O’Neill’s mind-blowing book CHAOS: Charles Manson, the CIA, and the Secret History of the Sixties sent me down so many unbelievable rabbit holes, made me feel so paranoid and obsessed, that I absolutely had to hear what my friend Justin Rogers-Cooper thought about it. Having now finished the book, he joins us this week for an exploration of O’Neill’s twisted story, as we consider both the content of his investigations and his very Nostalgia Trap-like research methodologies. Was Manson a spook? Did Bush really do 9/11? As we discover again and again, the search for the Truth is a long walk down a hall of mirrors. For full episode subscribe at patreon.com/nostalgiatrap.

Reality Bites (dir. Ben Stiller, 1994) is a film that attempts to condense the entirety of the Gen X experience into a 100 minute romantic comedy in which Winona Ryder faces the unfortunate predicament of simultaneously dating Ben Stiller and Ethan Hawke. Our good friends KJ Shepherd and Bill Black join us to discuss what Reality Bites is really saying about its cultural moment, and how the film’s conventional romantic plot reflects real anxieties about art, selling out, and sexuality that transcend our often narrow generational distinctions. Troy or Michael? Your answer says a lot!

This week Claudia and I watched American Beauty (dir. Sam Mendes, 1999), a film that had a major cultural impact upon its release but hits significantly different in 2021. From the awkward screen presence of Kevin Spacey to the endless permutations of middle class suburban ennui, we explore how American Beauty’s story and characters reflect the zeitgeist of a very specific political and economic moment, one that seems firmly lodged in the late 1990s. So why did we fall so hard for this movie? And does its critique of American society still make any sense? To listen to the whole episode, subscribe at patreon.com/nostalgiatrap. 

Richard Kent Evans is the author of MOVE: An American Religion, a groundbreaking history of the MOVE organization, a black radical group whose founding members were killed alongside their children when the Philadelphia police, working alongside federal agents, attacked their headquarters in 1985. What was MOVE? What were its founding principles? And why were state authorities so intent on violently destroying it? As Evans explains in this conversation, the MOVE bombing, as the incident came to be known, was the culmination of a much longer story that touches on deep, lingering questions about religious freedom, race, and state terror.    

Eric Nusbaum is the author of Stealing Home: Los Angeles, the Dodgers, and the Lives Caught in Between, which tells the story of a neighborhood’s struggle to maintain their community against the tidal wave of powerful forces aligned to seize it from them. In this conversation, Nusbaum explains how the construction of Dodger Stadium in the late 1950s somehow encompassed the entirety of Los Angeles’ political, economic, and cultural history, and offers an opportunity to reflect on the intersection of sports culture, housing rights, radical politics, and popular democracy.