Backlisted

In this episode we discuss the controversial and ground-breaking novel, Esther Waters by the Irish novelist George Moore.  We are joined by Tom Crewe, author of the prize-winning New Life (Chatto & Windus) and one of this year’s crop of Granta’s Best of Young British Novelists. Esther Waters was first published in 1894 and is told almost entirely from the point of view of an illiterate working-class woman, who falls pregnant by a fellow servant, is abandoned by him, and decides to raise their child on her own. Telling her story allows Moore to catalogue the glamour and sordidness of 1890s London society in astonishing detail and his refusal to judge his heroine led to it being banned from W.H. Smith’s railway bookstores. Despite (or because of) this, it sold over 24,000 copies in its first year and has been in print ever since. We examine what sets Moore apart from other writers of the time, including Émile Zola, Thomas Hardy and George Gissing, why it has had such a positive influence on later admirers like James Joyce, Jean Rhys and Colm Tóibín, and how its simplicity of style and detailed presentation of Esther’s inner life feel so surprisingly contemporary.* To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.* For information about everything mentioned in this episode visit www.backlisted.fm*If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlistedEsther Waters plot summary (from Swift Editions)The story of the life of a “fallen woman”, Esther Waters caused a sensation when it was first published in the late nineteenth century. Calls for it to be banned on account of its sexual frankness were rejected by Gladstone himself.The plot follows the misfortunes of Esther, driven from home by a drunken stepfather and forced into domestic service at the age of seventeen. Esther is seduced by a fellow servant who deserts her, causing her to lose her position and descend into a life of poverty, hardship and humiliation in London, where she is forced to fend for herself and her baby boy. Her fortunes change for the better when she marries, but her husband is a bookmaker and publican operating outside the law and their luck is destined not to last . Set against a backdrop of horseracing, and the gambling and drinking that goes with it. Learn more about your ad choices. Visit megaphone.fm/adchoices

2023 Booker Prize Winner Shehan Karunatilaka and the hosts discuss Kurt Vonnegut's 'Galapágos', its significance in Vonnegut's career, its timeless relevance, and its impact on Karunatilaka's work. They also explore Vonnegut's popularity with readers and his fluctuating critical reputation.

Author and illustrator Rose Blake and writer and musician Bob Stanley (Saint Etienne) joined Andy and John at the Greenman festival in Wales on August 18th 2023 to discuss Barry Hines's second novel A Kestrel for a Knave (1968) and, inevitably, the film adaptation Kes (1969), directed by Ken Loach from a screenplay by Hines himself. This episode was recorded in front of a large crowd of festivalgoers, most of whom had either read the book or seen the film, or both. Why does this apparently simple story of a boy and a bird continue to speak to us nearly 60 years after it was written? And what does that say about the changes in British society in the same period - or lack of them? Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, to mix things up a little, it’s our annual round-up of books, old and new, you might enjoy over the summer. John, Andy and Backlisted’s producer Nicky discuss: O Caledonia by Elspeth Barker (W&N Essentials); Sheep’s Clothing by Celia Dale (Daunt Books); The Stirrings: A Memoir in Northern Time by Catherine Taylor (Weidenfeld & Nicolson); Old God’s Time by Sebastian Barry (Faber); A Spell of Good Things by Ayobami Adebayo (Canongate); and The KLF: Chaos, Magic and the Band Who Burned a Million Pounds (Weidenfeld and Nicolson). Learn more about your ad choices. Visit megaphone.fm/adchoices

The hosts discuss 'A Passage to India' at the Byline Festival, exploring relationships, unity, faith, and unresolved events. They also cover the success and adaptations of the novel, as well as the complexities of history and art.

Novelist Linda Grant and critic and editor Lucy Scholes return to Backlisted for a discussion of Margaret Drabble's third novel The Millstone, a book which has remained in print ever since it was first published in 1965, when Drabble was 26 years old; it was adapted for the screen by the author herself in 1969 as A Touch of Love, starring Sandy Dennis, Eleanor Bron and, making his film debut, Sir Ian McKellen. This story of a shy but determined young woman's decision to keep her baby and raise the child alone remains as relevant as ever. But The Millstone also speaks volumes of the era in which it was written, during which Margaret Drabble was a rising star in the literary firmament; and Andy, John, Linda and Lucy were delighted to have the opportunity to celebrate both novel and author, who is now 84.* To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.* For information about everything mentioned in this episode visit www.backlisted.fm*If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined on this episode by authors Jennifer Egan (A Visit from the Goon Squad) and Nell Stevens (Briefly, A Delicious Life), who last featured on Backlisted #170 discussing North and South by Elizabeth Gaskell. This time the talk turns on The Eustace Diamonds by Anthony Trollope, the third instalment of the Palliser sequence. We explore the ways in which this novel and Trollope’s work in general confound expectation at every turn, a surprise perhaps when one considers the author’s reputation as a spokesman for the establishment. * To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.*If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted* For information about everything mentioned in this episode visit backlisted.fm Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by the crime novelist Mark Billingham to discuss his favourite book, The Maltese Falcon by Dashiell Hammett. First serialised in Black Mask magazine in 1929 and published the following year in book form by Alfred A. Knopf, it is widely considered to have inaugurated the hard-boiled genre of detective fiction. It introduces the tough, abrasive and morally ambiguous private detective, Sam Spade, who sent Dorothy Parker ‘mooning about in a daze of love such as I had not known for any character in literature since I encountered Sir Lancelot.’ The labyrinthine plot turns around the eponymous falcon of the title – a statuette so valuable that three people are killed in the search to retrieve it. But, as the discussion reveals, it is not the plot that has made the book a classic. Hammett’s San Francisco, filled with sharp-tongued dames, wise-cracking gumshoes, cops on the take and thugs on the lam, spawned a whole genre of noir novels and movies – including John Huston’s classic adaptation starring Humphrey Bogart and Mary Astor in 1941. In 1995, the Mystery Writers of America voted The Maltese Falcon the third greatest crime novel of all time. In this episode, illuminated by Mark’s own long experience of writing in the genre, we try to find out why.Timings (after any advert's):08:43 - The Maltese Falcon by Dashiell Hammet* To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.*If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted* For information about everything mentioned in this episode visit backlisted.fm Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode we are joined by the critic and former literary editor of the Independent on Sunday, Suzi Feay and the novelist and former Deputy Literary Editor of the Observer, Stephanie Merritt. Both are fans of the history-cum-detective story, Giordano Bruno and the Embassy Affair, by the late great historian of English Catholicism, John Bossy.The book was a departure from Bossy’s weightier academic publications – in it he attempts to pin down the identity of the shadowy Elizabethan spy known only as ‘Henry Fagot’. As well as creating a vivid picture of the complex and treacherous world of London during the Elizabethan ‘cold war’ in the years leading up to the Armada, Professor Bossy makes a persuasive case for Henry Fagot being none other than the Italian philosopher, poet, cosmological theorist and dabbler in the hermetic arts, Giordano Bruno, who spent two years in London between 1583 and 1585, during which he wrote his most important books and became friends with Sir Philip Sidney and the magus, John Dee. First published in 1991 by Yale University Press, Giordano Bruno and the Embassy Affair went on to win both the 1991 Wolfson History Prize and the Crime Writer’s Association Gold Dagger for Non-Fiction.As well as discovering how Bossy’s Bruno inspired Steph Merritt to launch her career as a novelist, we also discuss how the role of a literary editor for a national newspaper has changed over the past three decades.* To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.*If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted* For information about everything mentioned in this episode visit backlisted.fm Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

The whole of the next hour and a bit is dedicated to the work of Graham Greene – a writer we have long wanted to tackle. We cover several representative pieces – not necessarily the most famous of Greene’s work – and try to apply a fresh perspective to his long and sometimes controversial career.We start somewhere near the beginning with The Name of Action from 1930, a book Greene himself wanted suppressed…The books featured (with rough timings where they appear in the show) are:The Name of Action, 1930 (11'34)The Ministry of Fear, 1943 (18'15)The Quiet American, 1955 (30'32)May We Borrow Your Husband? & Other Comedies of the Sexual Life, 1967 (45'46)Lord Rochester’s Monkey, 1976 (58'01)* To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops.*If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted* For information about everything mentioned in this episode visit backlisted.fm Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices