Seriously...

What does it take to succeed if you are born into poverty and neglect? Two people who have done just that explore whether it was down to personality, circumstances or plain luck. Why do so few people manage it?Byron Vincent, a writer and poet, and Dr Anna Woodhouse, a university lecturer and outreach worker, talk to experts to try and discover if their own triumph over lives that were blighted by abuse, drug addiction, homelessness and hunger could have been predicted. They talk to experts about the sort of traits an individual needs to overcome adversity, things like resilience, grit and will power, and discover the latest thinking on what really helps. They explore the way science is looking at the role of genes in determining character. And they look at the importance of outside forces; education, family support, mentors and the role of the Government. At the end, they discuss what they have found with former Welfare Minister and current Chair of the Work and Pensions Select Committee Frank Field, to see what government can do to help lift individuals out of poverty and get them to turn their lives around.Producer: Jenny Sneesby.

Grammy Award-Winning songwriter Amy Wadge fell in love with the harmonica after winning one in a fancy dress competition (she was dressed in a bin liner!). Now she investigates the history and potential of the diatonic instrument, a European the toy which in the hands of expert players became the iconic sound of the Mississippi Delta and the Chicago Blues. Not bad for what was originally a child's toy produced then, as now, in Germany!As music historian Christoph Wagner explains, the very first example of the instrument goes back to Vienna. But millions would soon find their way to the USA, taken there by German emigres fleeing poverty. The poor person's introduction to music, the harmonica would soon find its way to around the globe, from Britain to Australia and even China. But it was in America that it scored its biggest success. And it was there that harmonica technique underwent a transformation, as Chicago -based Joe Filisko explains. Instead of exhaling air, blues players would draw air in, and bend notes to achieve the characteristic sounds of the blues.Amy tries her hand at bending, under the expert tutelage of Steve Lockwood - one of very few people to have studied the harmonica to degree level, and she speaks to one of Britain's best-known players, Paul Jones.It may be the sound of the amplified harmonica popularised the instrument in the 1950s and 1960s, but has it moved on from Chicago Blues and Beatles covers? Canadian beat-boxer Benjamin Darvill - "Son of Dave" - has explored new possibilities with the instrument, and with an original sound that's been heard in edgy TV dramas and commercials. Just going to prove that for all its limitations - 10 holes and 3 octaves - there's life yet the harmonica.

Kate Mossman tells the story of the long-overlooked female pop and rock writers of the 1960s.As a music journalist herself, when Kate entered the profession she found herself surrounded by men - men who had very definite ideas about how it should be done... writing for monthly magazines that were aimed at men and covering artist who were mainly men. The whole industry of writing about 'serious' popular music seemed to have been established in the late 1960s and the mid-1970s with the writer-characters of Rolling Stone and our own New Musical Express.But there was a time before all this - a time when the newly invented teenagers were finding their feet... and a new kind of journalism was emerging to chronicle the rapidly changing time. A journalism spearheaded by women.There was Nancy Lewis, who wrote for Fabulous and the NME; June Harris, who wrote for Disc, then went to New York and contributed to Rave (as well as marring legendary rock agent and promoter Frank Barsalona); Maureen O'Grady who began her career as a music journalist at Boyfriend and progressed onto Rave, where she also joined Dawn James. And the doyennes of them all was the Evening Standard's Maureen Cleave, to whom John Lennon claimed that the Beatles were bigger than Jesus.Kate Mossman meets them and celebrates the tone of their writing that was so fascinatingly different from rock journalism as we came to know it, and yet captured all the confusion, excitement and social changes of the time.Producer: Paul Kobrak

On an August bank holiday in 2014, Shiraz Maher at the International Centre for Study of Radicalisation at Kings College London received an email sent by a disillusioned British jihadist from Syria."We came to fight the regime and instead we are involved in gang warfare. It's not what we came for but if we go back to Britain we will go to jail. Right now we are being forced to fight - what option do we have?"The man in his twenties claimed to represent dozens of other jihadists' desperate to return to the UK but fearing long prison sentences.Gordon Corera explores the British government's response to managing returnees. In the last two years Britain has brought in temporary exclusion orders and is able to confiscate passports to prevent people preparing to travel to Syria.France has gone one step further - since the Paris attacks in November police has placed over 400 citizens under house arrest and can strip French born dual nationals of citizenship. Denmark and Germany have taken a different approach and instead try to rehabilitate rather than imprison; helping young men and women get jobs, housing and education.The Home Office estimates that around 800 British nationals have travelled to Syria since the start of the conflict and that around half of those have returned, though experts say these are conservative figures. What's the best way to deal with this growing threat, particularly when returnees are responsible for attacks such as those in Paris last November?Gordon Corera speaks with Shiraz Maher, Rashad Ali of the Institute of Strategic Dialogue, solicitor Gareth Peirce, Hanif Qadir of the Active Change Foundation and counter-terrorism officer DAC Helen Ball. We also hear from a returnee.Producer: Caitlin Smith.

A two part Seriously following actor Tim Robbins and Rajesh Mirchandani and the theatre programme the Actors' Gang in Norco prison.Part 1: The Actors' GangJust outside of LA in the Californian desert, presenter Rajesh Mirchandani joins 'Shawshank Redemption' star Tim Robbins as he leads acting classes with the segrgated inmates from Norco prison. Rajesh witnesses the transformation of inmates, from tough gangsters into respectable men and gains a unique insight into some of America's toughest social challenges.Rajesh recorded inside the prison with Tim Robbins over a two month period, gaining unique access not only to Tim but also to the inmates. Tim visibly enjoys cult status among the inmates and quickly gains their trust. He is no stranger to prisons, having played an innocent man convicted of murder in "The Shawshank Redemption" and was nominated for a Best Director Oscar for "Dead Man Walking" - a film about a death row inmate. He formed The Actor's Gang, an acting troupe, which runs prison theatre workshop for inmates having spent time in some of LA's toughest prisons whilst researching both films. With re-offending a more likely scenario once they are out of prison, Robbins believes that more should be done whilst they are inside to help them change their ways.Robbins' Hollywood master class ranges from Shakespeare to Commedia dell' arte, a style that originated in 16th-Century Italy and involves actors in masks playing basic character types. Robbins explains that inmates learn to portray four different emotions: happiness, sadness, fear and anger. One of the inmates who Rajesh follows over the course is Mike who is serving a lengthy prison sentence. Mike says, "In the yard, gangs stick to their patch but these classes have helped to make guys see that we don't need to be violent.".Part 2: The Actors' Gang on the OutsideWe followed actor Tim Robbins' work with prisoners on the inside of LA's tough prison system in the acclaimed Radio 4 documentary The Actor's Gang. Three of the actors who we heard in the first documentary have now been released.In the Actor's Gang on the Outside, Rajesh Mirchandani catches up with them to hear their stories. Has taking part in the The Actor's Gang Prison Project helped them turn their lives around and has the acting course had any long term effects on helping with their rehabilitation and adapting to life outside prison?This promises to be a compellingly gritty portrait of crime, second chances and the power of drama.

2016 marks the 50th anniversary of the Bonzo Dog Doo Dah Band going "professional" - kick-starting the chaos with a performance on the bastion of psychedelia and avant-garde: Blue Peter.The legendary Neil Innes looks back at the influence and influences of the Bonzo Dog Doo Dah Band and the collision of art, humour, music, language and anarchy that permeated the band's career.Archive interviews and performances accompany new interviews with Legs Larry Smith, Rodney Slater, Vernon Dudley Bowhay Nowell, Sam Spoons, and Bob Kerr and contributions from friends and fans including Terry Gilliam, Adrian Edmondson, Kevin Eldon, Diane Morgan, Rick Wakeman and Stephen Fry.

Daniil Kharms (1905-1942) is one of Russia's great lost absurdists - a writer whose world still alarms, shocks and bewitches more than half a century after he died in prison during the siege of Leningrad.In his short, almost vignette-like writings, nothing is sacred or as it seems. His narrators dip in and out of moments, describing curious, often disturbing events before getting bored and leaving his characters to their fates. Old ladies plummet from windows, townsfolk are bludgeoned to death with cucumbers, others wander around in search of glue, sausages or nothing. By turns pointless and harrowing, they are funny. Very funny. And they are funny now.Comedian, Russophile and crumpled polymath Tim Key has been entranced by Kharms' beautiful, horrible, hilarious world for years. But is there more to Kharms than a series of curious happenings cooked up by an eccentric mind in a troublesome world? Key suspects there is. And he's prepared to delve.As he delves, he encounters Noel Fielding, Alice Nakhimovsky, Matvei Yankelevich, Peter Scotto, Tony Anemone and Daniil Kharms.

"Oh my goodness, look at that sign over there. Keep Off The Grass. Makes me wonder who put it there. Makes me wonder why I should keep off the grass. And it makes me want to go on the grass!" American satirist Joe Queenan presents A Brief History of Disobedience, the follow up to his programmes on Blame, Shame, Anger and Irony. He travels in time from the Old Testament to Tarrytown, his home in suburban New York. He aims to discover the importance of not doing what we are told. So let your life be a counter friction to stop the machine.With notable contributions from the archive - Gandhi, the Suffragettes, the Greenham Common Peace protestors. Our Heroes of Disobedience include Martin Luther, Geronimo, Woody Guthrie and The Doors. Plus Matthew Parris on Margaret Thatcher, Bill Finnegan on his barbarian days as a surfer and Karen Moline on writing dirty books. And finally, helpful hints about how to be usefully disobedient in everyday life.Joe Queenan is an Emmy award winning broadcaster and writer. The producer in Bristol is Miles Warde.

Professor Mary Beard is a distinguished Cambridge Classical scholar with a string of highly-regarded books on Ancient Rome to her name, so it's slightly irksome to her that she is almost better known for her long grey hair.In this highly-authored documentary, Mary Beard investigates a growing reluctance to embrace grey hair.Starting in the Mayfair salon of "hair colourist to the stars", Jo Hansford, she's informed that her hair is "dreadful" and given a personal consultation by Jo herself about how and why she should colour it.In favour of choice and the fun of colouring hair, (she has always hankered after pink streaks), Mary is particularly disturbed by the pressures in society for women to conceal their age.It's not just about women, though. Mary has recently come to recognise that far more men now colour their hair, but why won't any of them talk to her about it? Eventually, fellow Cambridge Classicist, Professor Simon Goldhill, agrees to "come out" on air. In defending his use of colour and challenging Mary's own choice, he gives her a philosophical run for her money.Ultimately, Mary has to admit the paradox of making a radio programme about grey hair, so she turns to a surprise, high-profile television presenter to learn more about the pressures on women in the public sphere to colour their hair.Concluding that ageism may be the new "glass ceiling", Mary insists upon the right to be both an "enfant terrible" and also an "eminence grise".The all-grey production team consists of production coordinator Anne Smith and producer Beaty Rubens.

Lauren Laverne has long been a firm fan of Kenneth Grahame's classic children's book 'The Wind in the Willows', in particular that most sparky of characters Mr. Toad, whose desire to have everything and anything new makes him such a vibrant fore-runner of the modern consumer. Lauren sets about telling the story of the book and its creator, Kenneth Grahame, who came up with the adventures of Mole, Ratty and friends as bedtime stories for his headstrong young son Alistair - thought by many to be the model for Mr. Toad himself. Along the way Lauren will visit the school that once was home to the Grahame family, and where he turned the stories into the book we're now so familiar with. She'll also hear from the author of the 'How to Train Your Dragon' series of books, Cressida Cowell, about her own love of 'Wind in the Willows', as well as Tom Moorhouse, an Oxford University Ecologist who is writing a series of sequels to Grahame's classic tale.Featuring the composition 'Nur Musik' by Mark Simpson.