Science Fiction

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The discussion dives into the current crises of geopolitics and economics, linking them to themes of civilizational decline in science fiction. It explores psychohistory, a concept that attempts to forecast human behavior using statistical methods, while highlighting its limitations. The intersection of determinism and prophecy in narratives like Asimov's Foundation is also examined, revealing insights into societal dynamics. Lastly, the episode critiques the blend of psychohistory with Marxism, advocating for imagination in shaping future possibilities.

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The discussion opens with fan-created maps of the Star Trek universe, revealing their political implications and the tension between utopian ideals and propaganda. It dives into how the series reflects American values and the socio-political landscape, especially in Deep Space Nine. The historical symbolism of the Enterprise connects it to exploration and adventure. The critique of imperialism raises questions about capitalism's foundation in a post-scarcity society. Television's role in shaping opinions through Star Trek is examined, alongside the interplay of dissent and the hopeful future it represents.

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Terminator is an Arnold Schwarzenegger movie Arnold’s physique is the star of the film The progressive decay of the Body into the Machine is his co-star With the special effects that animated the Terminator as best supporting actor Watch the full video essay Subscribe to the Science Fiction podcast for the extended audio commentary LINKContinue reading "The De-Terminator : free will vs determinism in the Terminator"

We by Yevgeny Zamyatin is a novel written at the beginning of the future. It’s hard to remember today, after Logan’s Run, The Handmaid’s Tale and Hunger Games made “dystopia” an entertainment genre, but when Yevgeny Zamyatin was writing in the early 1920s, it was only beginning to dawn on humanity just how bad the future might be. OrContinue reading "The science fiction novel that destroyed socialism"