Show Don't Tell: Micro-Budget Filmmaking

Today I am joined by editor, writer, and producer Gray Jones - who holds no less than 290 credits in film and television, and also runs a prolific stock footage business.Throughout this episode, Gray shares lessons from his new book Make Six Figures With Your Smartphone, which serves as a practical guide for filmmakers looking to build passive income using footage they may already have sitting on their phone. We discuss the benefits and pitfalls of selling stock footage, the importance of finding a niche, the best platforms to sell on, and much more. Gray also gives us a behind the scenes look at his own stock footage catalog, and highlights his top performing clips - including one single shot that alone has generated over $16,000. Links from the show:SellStockEbook.comDrivingFootage.comGray Jones - TwitterGray Jones - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In celebration of this milestone 200th episode, today I return to the origins of the podcast with a solo episode - all about my experience making our latest feature film (Disappearing Boy) with no crew. Throughout the episode, I break down the highly unconventional workflow that went into this production, which spanned the course of a year, 30+ locations, and multiple shooting blocks.I also unpack the creative benefits of taking time off in between shooting dates, my approach to writing and shooting in tandem, how to balance camera and sound while directing, and other critical lessons for likeminded filmmakers making features of their own.Sign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode I am joined by filmmaker Tom Levesque to share the story behind his debut feature film Shut Eye.Shut Eye is the first feature film that delves into the strange world of ASMR, and is inspired by Tom’s own experiences with insomnia. Throughout the episode, we take an in depth behind the scenes look at this project, from concept to budgeting to distribution.Tom speaks to his documentary-style approach on this feature, which helped him complete principal photography in just 15 days. He also touches on his camera setup, aspect ratio choice, post-production workflow and more.Links from the show:Shut Eye - MovieShut Eye - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode I am joined by filmmaker Josh Guffey, here to share his journey and a behind the scenes look into the making his debut feature film "All Gone Wrong".Throughout the interview, we cover the process from end to end - discussing the realities of working with limited budgets and resources, and how Josh navigated these challenges at each step. Josh also details his collaboration with actors and crew, his distribution model, maximizing efficiency when producing, maintaining persistence, and loads more.Links from the show: Josh Guffey - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

Today I am joined by folk filmmaking pioneer Dan Lotz, here to talk about his impressive body of work - which consists of no fewer than 19 feature films.Throughout the episode we discuss Dan’s innovate approach to filmmaking, which has allowed him to create movies under incredible circumstances. From making a feature film on an 8 day vacation, to shooting an entire realtime movie in just 3 hours.We also discuss the benefits of releasing films on YouTube, different production formats for low budget features, optimal runtimes, editing & shooting in tandem, and much more. Links from the show:Dan Lotz - YouTubeDan Lotz - TwitterSign up for my newsletter for exclusive filmmaking insight each Sunday.

Today I am thrilled to have writer/director/photographer Carter Smith back on the show to talk about his latest micro-budget feature film Swallowed.Carter’s first short film (Bugcrush) won Sundance in 2006, and led to his feature film work which includes The Ruins, Jaime Marks is Dead, and multiple recent Blumhouse movies. His latest feature though, is a departure from larger studio productions to say the least. It was produced with a skeleton crew using very DIY tactics, yet managed to find incredible success at festivals and beyond.Throughout the interview, Carter and I discuss his experience in the micro-budget realm, his approach to creativity, and much more. Links from the show:Carter Smith - InstagramAll The Dead Boys - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

Returning to the show today is writer/director/editor Pete Ohs, who you might know from his feature films Everything Is Beautiful Far Away, Youngstown, and his most recent - Jethica.Jethica was produced with no crew and on nearly no-budget, but that didn’t stop it from premiering at SXSW or securing theatrical distribution. Pete’s story is an amazing case in point for the power of DIY filmmaking, and just how much can be achieved by getting truly creative with your approach.Throughout the episode, we go in depth on Pete’s process, filmmaking model, and the benefits of working in such a minimalistic way. He also talks about working without a traditional screenplay, his unique collaboration with the actors, navigating festivals, and loads more.Links from the show:Pete Oh's - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode I am thrilled to be joined by David Rock (AKA DRock), who you might know as Gary Vaynerchuk’s Executive Creative Director, and the man behind many incredible content pieces and social media innovations.Throughout this episode, we talk all about DRock’s career trajectory, from meeting Gary to making his first video to scaling their content empire.DRock also shares his wealth of knowledge on growing an audience (with specific tactics for filmmakers), talks about best practices for navigating social media, and so much more.Links from the show: DRock - TwitterSign up for my newsletter for exclusive filmmaking insight each Sunday.

Today, I am joined by filmmaking duo Evelyn Lorena (writer/director) and Maris Lidaka (producer/editor) - the team behind Gabriela, a new short film. Evelyn and Maris were able to leverage the success of their short film to secure a filmmaking grant and fellowship from Netflix, making them another great case-in-point for green lighting your own projects. In this episode we discuss their journey to create and release the short film, how it created new opportunities for them, lessons learned, and much more.Links from the show: Evelyn - InstagramMaris - InstagramBlended Future ProjectSign up for my newsletter for exclusive filmmaking insight each Sunday.

Returning to the show is acclaimed director and editor Mike J. Nichols, here to talk about his latest feature doc John Waite - The Hard Way.Mike’s latest feature was put together under incredible constraints, and was fully edited in just 9 weeks. Throughout the episode, we discuss some of the benefits and challenges of working this quickly, and Mike’s creative workflow from end to end.Mike also shares some incredible advice for fixing problem areas. For instance - trimming a feature film to 20 minutes to identify issues, or using sound to find creative solutions to challenging scenes.Links from the show:Mike on TwitterMike on InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.