New Books in Latin American Studies

In Polacos in Argentina: Polish Jews, Interwar Migration, and the Emergence of Transatlantic Jewish Culture (University of Alabama Press, 2020), Dr. Mariusz Kałczewiak, senior research associate and lecturer in the Eastern European studies department at the University of Potsdam, recreates a mosaic of entanglements that Jewish migration wove between Poland and Argentina. Kałczewiak sheds light on marginalised aspects of Jewish migration and enriches the dialogue between Latin American Jewish studies and Polish Jewish studies. This book is highly readable, provocative and thoughtful.Dr Max Kaiser can be reached at kaiserm@unimelb.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Contrary to claims that socialism opposed the family unit, in Laboring for the State : Women, Family, and Work in Revolutionary Cuba, 1959-1971 (Cambridge University Press, 2020) Rachel Hynson argues that the revolutionary Cuban government engaged in social engineering to redefine the nuclear family and organize citizens to serve the state. Drawing on Cuban newspapers and periodicals, government documents and speeches, long-overlooked laws, and oral histories, Hynson reveals that by 1961, and increasingly throughout this decade, revolutionary citizenship was earned through labor. While men were to work outside the home in state-approved jobs, women found their citizenship tied to affording the state control over their reproduction and sexual labor. Through all four campaigns examined in this book - the projects to control women's reproduction, promote marriage, end prostitution, and compel men into state-sanctioned employment - Hynson shows that the state's progression toward authoritarianism and its attendant monopolization of morality were met with resistance and counter-narratives by citizens who so opposed the mandates of these campaigns that Cuban leadership has since reconfigured or effaced these programs from the Revolution's grand narrative.Dr. Hynson and I sat down to talk about her important book, our positionality as researchers, navigating the challenges and politics of the Cuban archives, living your values, and so much more. Enjoy!Rozzmery Palenzuela Vicente is a PhD Candidate in the Department of History at Florida International University. Her dissertation examines the cultural and intellectual politics surrounding black motherhood in twentieth-century Cuba. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Javier Guerrero's "Narcosubmarines: Outlaw Innovation and Maritime Interdiction in the War on Drugs" (Palgrave MacMillan, 2020) is about the encounters of Colombian drug smugglers and the Colombian Navy, both in the open seas and along coastlines. Guerrero specifically examines the technologies involved in the War on Drugs, such as the narcosubmarines and patrol boats, the knowledge required to transport drugs and the knowledge required to stop the illicit flows. The author presents compelling new evidence for advancing an understanding of technological innovation in antagonist contexts, as well as the symbiotic and co-evolutionary character of the process of technological innovation in the War on Drugs. This book will appeal both to practitioners and scholars interested in the War on Drugs and the production of technologies in outlaw contexts.Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist Fran Ilich, the activist performances of Grupo de Arte Callejero, Etcétera, and International Errorista rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.Jennifer Ponce de León is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Edited by Dr. Cécile Fromont, Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition (Penn State University Press, 2019), demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance. In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and gathered in festive rituals to express their devotion to saints. The contributors to this volume draw connections between these Afro-Catholic festivals—observed from North America to South America and the Caribbean—and their precedents in the early modern kingdom of Kongo, one of the main regions of origin of men and women enslaved in the New World.Dr. Cécile Fromont is Associate Professor of History of Art at Yale University.Other contributors to Afro-Catholic Festivals in the Americas include Jeroen Dewulf, Kevin Dawson, Miguel A. Valerio, Lisa Voigt, Junia Ferreira Furtado, Dianne M. Stewart, and Michael Iyanaga. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Bossa Mundo: Brazilian Music in Transnational Media Industries (Oxford University Press, 2020) takes on the circulation of Brazilian music in the Global North since the 1960s. The challenge faced by Brazilian musicians who wish to break into Anglophone markets is formidable. They must deal with the demoralizing effects of the exoticization of the music and the performers, while also struggling with networks of distribution that create fads and just as quickly drop them. K. E. Goldschmitt focuses on watershed moments of Brazil's musical breakthrough, exploring what the music may have represented in a particular historical moment alongside its deeper cultural impact. Through a discussion of the political meaning of mass-mediated music, they argue for a shift in scholarly focus--from viewing music as simply a representation of Otherness to taking into account the broader media environment where listeners and intermediaries often have conflicting priorities. Throughout the book, Goldschmitt traces several lines of inquiry including the changes over time in the different kinds of tastemakers that introduce and mediate Brazilian music to Anglophone listeners, the role of significant films and film scores in shaping both the music that comes to the international marketplace and the framework by which Anglophones understand what they are hearing, as well as the influence of Brazil’s national branding priorities on the music industry. Featuring interviews with key figures in the transnational circulation of Brazilian music, and in-depth discussions of well-known Brazilian musicians alongside artists who redefine what it means to be a Brazilian musician in the twenty-first century, Bossa Mundo shows the pernicious effects of branding racial diversity on musicians and audiences alike.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora (Stanford University Press, 2020) is a history of migration and nation-building from the vantage point of those who lived between states. Author Devi Mays traces the histories of Ottoman Sephardi Jews who emigrated to the Americas—and especially to Mexico—in the late nineteenth and early twentieth centuries, and the complex relationships they maintained to legal documentation as they migrated and settled into new homes. Mays considers the shifting notions of belonging, nationality, and citizenship through the stories of individual women, men, and families who navigated these transitions in their everyday lives, as well as through the paperwork they carried. These Ottoman Sephardi migrants resisted unequivocal classification as either Ottoman expatriates or Mexicans through their links to the Sephardi diaspora in formerly Ottoman lands, France, Cuba, and the United States. By making use of commercial and familial networks, Sephardi migrants maintained a geographic and social mobility that challenged the physical borders of the state and the conceptual boundaries of the nation.Devi Mays is Assistant Professor of Judaic Studies at the University of Michigan. Her first book, Forging Ties, Forging Passports, won a 2020 National Jewish Book Award in the category of Sephardic Culture.Makena Mezistrano is the Assistant Director of the Sephardic Studies Program in the Stroum Center for Jewish Studies at the University of Washington. She holds an MA in Biblical and Talmudic studies from Yeshiva University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Bounded by desert and mountains, El Centro, California, is isolated and difficult to reach. However, its location close to the border between San Diego and Yuma, Arizona, has made it an important place for Mexican migrants attracted to the valley’s agricultural economy. In 1945, it also became home to the El Centro Immigration Detention Camp. The Shadow of El Centro: A History of Migrant Incarceration and Solidarity (University of North Carolina Press, 2021) tells the story of how that camp evolved into the Immigration and Customs Enforcement Service Processing Center of the 2000s and became a national model for detaining migrants—a place where the policing of migration, the racialization of labor, and detainee resistance coalesced.Using government correspondence, photographs, oral histories, and private documents, Jessica Ordaz reveals the rise and transformation of migrant detention through this groundbreaking history of one detention camp. The story shows how the U.S. detention system was built to extract labor, to discipline, and to control migration, and it helps us understand the long and shadowy history of how immigration officials went from detaining a few thousand unauthorized migrants during the 1940s to confining hundreds of thousands of people by the end of the twentieth century. Ordaz also uncovers how these detained migrants have worked together to create transnational solidarities and innovative forms of resistance.David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Ethnic Mexicans living in the United States have always struggled to understand their position within the fabric of the nation-state. The groups that fall under the banner of “ethnic Mexican,” however, are complex. They include Mexican nationals fleeing war in the early 1900s, U.S.-born Mexican Americans asserting themselves as firstly American, and more radical communist and Chicanx leftists of the midcentury and postwar eras who challenged notions of belonging. While it may seem difficult to hold these histories alongside each other amidst the shifting sociopolitical landscape of the century, a recent book titled Homeland: Ethnic Mexican Belonging Since 1900 by Aaron E. Sánchez published by University of Oklahoma Press in 2021 completes this task. By recounting how different groups of ethnic Mexicans understood themselves in relation to each other, the nation, and the world, Sánchez provides readers with a strong understanding of homeland politics in the twentieth century. “Belonging is complex,” writes Sánchez as he underscored how different groups of ethnic Mexicans conformed to and resisted U.S. notions of citizenship. The chapters follow a roughly chronological order highlighting specific ethnic Mexican communities in each. Chapter one, for example, recounts the immigration of Mexican Nationals in the first decade of the 20th century and how they came to forge “México de Afuera,” therefore distancing themselves from the U.S.-born ethnic Mexicans. The following chapter charts the rise of Mexican Americanism whereas U.S. patriotism was central to claiming belonging and citizenship. Covering the same timeframe, chapter three tells the history of labor unionism and internationalism within and led by predominantly ethnic Mexican women such as Luisa Moreno up until the quelling of their efforts in the 1940s. The fourth and fifth chapters cover the second half of the twentieth century. In chapter four, Sánchez writes about how the postwar liberal machinations were taken up by ethnic Mexicans in attempts to find legal recourse for ethnic Mexican peoples discriminated against by the U.S. government. In turn, Chicana/o activists that makeup chapter five eventually posed a critique onto these liberalisms and sought more radical modes of belonging and relations to each other. This chapter recounts three kinds of Chicano cultural nationalism to underscore how even within this nomenclature, ideologies varied. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Cristina Beltrán has written a thoughtful and interrogating analysis of the concept of citizenship, particularly in the United States, and how the history of the United States as a country has shaped an understanding of who gets to be “belong” as a member of this society. The book, Cruelty as Citizenship: How Migrant Suffering Sustains White Democracy is part of the Forerunners book series published by the University of Minnesota Press—this series, as we discuss in our conversation, publishes shorter works that dig into ideas across a broad and interdisciplinary spectrum. And this is precisely what Beltrán has done in this book, in terms of engaging historiography, Cultural Studies, LatinX Studies, political theory, American Studies, and other disciplines to aid her unwrapping of our understanding of immigrants and migrants, and why there is an interest in seeing these groups as “others” and, among certain segments of the population, wanting to make sure they suffer in this exclusionary position. Beltrán takes the reader through both imagined and real spaces in terms of the place of the immigrant and the migrant in the United States, weaving the role of the American frontier, the way that settler-colonialism operated inside the U.S., and an understanding of white identity within all of these contexts.Cruelty as Citizenship is an accessible exploration of the tensions within the United States that surround our reactions to those coming to this country (forcibly, or by choice) and how racial identity has shaped the varied experiences and responses of those who come to the United States and those who have proceeded them here. As Beltrán noted in our discussion, she had come to this work in an effort to tease out the different political affiliations within the LatinX population in the U.S. What she found was that in order to understand the political responses by LatinX voters, the entire dynamic between different racial groups and the role of racial domination needs to be explored. Thus, Cruelty as Citizenship is the result of digging into the political dynamics within different racial groups in the United States, and getting at the role of white identity, and thus white democracy, within American cultural concepts and expectations of political and state power. Cruelty as Citizenship guides the reader through multiple facets of American history, politics, culture, and ideas about what it is to be American and who has the right to claim this identity as their own.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies