New Books in Latin American Studies

Latinx Studies has long been overdue for a revamp – a different orientation to the questions with which we concern ourselves. Critical Dialogues in Latinx Studies: A Reader (New York University Press, 2021) is a leap toward this direction by offering the field nine distinct díalogos around which various established and junior scholars from different disciplines present their own writings to these conversations. Ana Y. Ramos-Zayas and Mérida M. Rúa, the co-editors of the anthology, ground the book in the work of Jesús Colón’s A Puerto Rican in New York and Other Sketches. “By opening this anthology with Jesús Colón we aim to highlight the role that history, memoir, and even autobiographical fiction invariably play in most empirically sound and theoretically sophisticated Latinx humanistic social sciences,” Ramos-Zayas and Rúa write (3). From this vantage point, they pry open the field of Latinx Studies and expose its expansiveness and depth by highlighting its methodological innovation, intersectional critique, various geopolitical scales that decenter the U.S. nation-state, and critical takes on seemingly established paradigms.In this New Books Latino Studies interview, we focus on díalogos numbers 1, 2, 8, and 9. These four critical dialogues offer listeners only a glimpse into the 39 articles that make up the anthology.Over 538 pages, 39 articles, and 9 dialogues, Critical Dialogues in Latinx Studies provides different ways to access, define, disrupt, and embody Latinidades. Scholars, teachers, and anyone interested in Latino Studies will find something of interest in the anthology.Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong’o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work.Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney’s extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history.Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.Now Peru is Mine: The Life and Times of a Campesino Activist (Duke University Press, 2016), tells the remarkable story of a campesino and indigenous political activist whose career spanned much of Peru’s twentieth century and whose achievements at the local and national level transformed Peruvian peasant politics. Structured as a testimonial biography co-authored by the activist Manuel Llamojha Mitma himself and framed by historian Jaymie Patricia Heilman, this book is a valuable document of both pre-Shining Path indigenous activism and the history of Cold War Peru.Born into a poor Quechua family in a small community in Ayacucho, Llamojha became one of the most powerful peasant activists in the country, responsible for the expansion of the Confederación Campesina del Perú to the national stage in the 1960s and integral to the debates that shaped Peru’s left before the rise of the Shining Path. Although he was a contemporary of Shining Path founder Abimael Guzmán and a participant in Maoist peasant movements, Llamojha was never a member of the party and rejected Shining Path tactics. Nonetheless, like so many on the Peruvian left, Llamojha and his children were caught up in the repression waged against the party, resulting both Llamojha’s disappearance from political life and the death of his youngest son.Llamojha was a consummate storyteller whose lifelong commitment to protecting his community was only matched by the ambitious scope of his political vision. Throughout his life, Llamojha articulated an indigenous identity and a politics of liberation that was expressed through class but not subsumed to it. His life story and political writings alike reflect thoughtful negotiation between the intimate demands of family and community and the national and international struggles for revolution that Peru and Llamojha helped lead. Heilman’s deft organizational choices and thoughtful framing help render Llamojha’s stories intelligible to specialists as well as readers without a strong background in Peruvian history or the history of indigenous activism. This book should be read by anyone interested in Peruvian or Latin American history, the Shining Path, the Cold War, and indigenous activism.Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Karin Rosemblatt’s new book, The Science and Politics of Race in Mexico and the United States, 1910–1950 (University of North Carolina Press, 2018), traces how U.S.- and Mexican-trained intellectuals, social and human scientists, and anthropologists applied their ethnographic field work on indigenous and Native American peoples on both sides of the Rio Grande to debates over race, national culture, and economic development. The book’s backdrop—the rise of populist movements and governments in both countries in the aftermath of the Mexican Revolution, the onset of the Great Depression, and the instabilities of the interwar period in both countries—provides an excellent opportunity to explore how scientific thought inflected the social construction of race and influenced policy in the Americas. Rosemblatt’s transnational methodology moves beyond accepting race in terms of comparison by tackling the longstanding notion that race and racial categories tended to be more fluid in Latin America and more rigid in the U.S. She shows how figures such as Manuel Gamio, John Collier, and Laura Thompson participated in transnational scholarly networks where the relationship between indigenous peoples and ethnic minorities to culture and nationalism was questioned and debated. In highlighting these collaborations, she shows how Latin American expertise on indigenous peoples bestowed political capital to social scientists for developing indigenous policies in Mexico, and unexpectedly, the United States in the case of Collier and the “Indian New Deal.” The books firm commitment to taking seriously these scholars’ ideas and social contexts allows it to see the limitations of seemingly pseudoscientific or racist paradigms and the ways fieldwork forced them to rethink their own notions of backwardness and civilization.Jesse Zarley will be an assistant professor of history at Saint Joseph’s College on Long Island, where in Fall 2019 he will be teaching Latin American, Caribbean, and World History. His research interests include borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of Revolution, particularly in Chile and Argentina. He is the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

The War of the Pacific (1879–1883) looms large in the history of Peru and Chile. Upending the prevailing historiographical focus on the history of conflict, Beyond Patriotic Phobias: Connections, Cooperation, and Solidarity in the Peruvian-Chilean Pacific World (U California Press, 2022) explores points of connection shared between Peruvians and Chileans despite war. Through careful archival work, historian Joshua Savala highlights the overlooked cooperative relationships of workers across borders, including maritime port workers, doctors, and the police. These groups, in both countries, were intimately tied together through different forms of labor: they worked the ships and ports, studied and treated disease transmission in the face of a cholera outbreak, and conducted surveillance over port and maritime activities because of perceived threats like transnational crime and labor organizing. By following the movement of people, diseases, and ideas, Savala reconstructs the circulation that created a South American Pacific world. The resulting story is one in which communities, classes, and states formed transnationally through varied, if uneven, forms of cooperation.Joshua Savala is Assistant Professor of History at Rollins College. After finishing his undergraduate degree at the University of California, Davis in 2007, Savala worked as a union organizer with AFSCME Local 3299 in San Diego, California for two years. In 2012 he completed an MA in History at Tufts University and then went on to Cornell for his doctorate. Savala’s research interests are in labor and working-class history, social movements, oceans, history of medicine, and the state.Luka Haeberle is an enthusiastic student of Latin American and economic history. His main areas of interest are political economy, labor history and political theory. You can find him on Twitter: @ChepoteLuka Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water’s changing form the precondition of our analyses.Andrea Ballestero is Associate Professor of Anthropology at University of Southern California.Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Fictions is a collection of short stories by Argentine writer Jorge Luis Borges. In the mid-20th century, Latin American literature gained a worldwide audience, in part thanks to Borges. His works popularized the idea that literature coming from Latin America cannot be reduced to tropical fantasies or realist depictions of exotic worlds. Mariano Siskind is a professor of Romance Languages and Literatures and Comparative Literature at Harvard University. Some of his research interests include 19th and 20th century Latin American Literature, theories of globalization, and psychoanalysis. He has written books such as Deseos cosmopolitas and Historia del Abasto. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In Panama in Black: Afro-Caribbean World Making in the Twentieth Century (Duke UP, 2022), Kaysha Corinealdi traces the multigenerational activism of Afro-Caribbean Panamanians as they forged diasporic communities in Panama and the United States throughout the twentieth century. Drawing on a rich array of sources including speeches, yearbooks, photographs, government reports, radio broadcasts, newspaper editorials, and oral histories, Corinealdi presents the Panamanian isthmus as a crucial site in the making of an Afro-diasporic world that linked cities and towns like Colón, Kingston, Panamá, Brooklyn, Bridgetown, and La Boca. In Panama, Afro-Caribbean Panamanians created a diasporic worldview of the Caribbean that privileged the potential of Black innovation. Corinealdi maps this innovation by examining the longest-running Black newspaper in Central America, the rise of civic associations created to counter policies that stripped Afro-Caribbean Panamanians of citizenship, the creation of scholarship-granting organizations that supported the education of Black students, and the emergence of national conferences and organizations that linked anti-imperialism and Black Liberation. By showing how Afro-Caribbean Panamanians used these methods to navigate anti-Blackness, xenophobia, and white supremacy, Corinealdi offers a new mode of understanding activism, community, and diaspora formation. Nicole Ramsey is a Postdoctoral Fellow at the Carter G. Woodson Institute for African & African American Studies at the University of Virginia. Her research examines formations of blackness, indigeneity, identity, and nation in Belize and the circum-Caribbean. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies