The Bookshelf

Unquiet ghosts, disconcerting babies, a shattered bust of a despot and a frontier Western: reading Stefan Hertmans' The Ascent, Ben Hobson's The Death of John Lacey and Laura McPhee Browns Little Plum with guests books writer Nicole Abadee and crime podcaster Ben Herder; and speaking with Paul Dalgarno about the books that shaped his latest, A Country of Eternal Light (hint: hello, Frankenstein)

Kate and Cassie are back with new fiction for 2023: reading Bret Easton Ellis' The Shards and Deepti Kapoor's Age of Vice with guests Geordie Williamson and Sue Turnbull; and Brigitta Olubas on her biography of writer Shirley Hazzard

Hoofbeats, assassins and tracks in the snow. Rereading Gillian Mears’ novel Foal’s Bread;  reading Kári Gíslason's The Sorrow Stone; and speaking to Karen Joy Fowler about her novel Booth and the books that shaped it.

A child is lost in a nineteenth-century landscape carved out of both thousands of years of history, and more recent expectations and misunderstandings. An entire community rallies to find him – but their pathways diverge, overtake, retrace and obliterate each other. What a story! Novelist Fiona McFarlane speaks about The Sun Walks Down with Kate Evans.

Reading Steve Toltz's Here Goes Nothing and Ashley Goldberg's Abomination, and speaking to Tracey Lien (All That's Left Unsaid) and Sue Orr (Loop Tracks) about the books that have shaped them.

Stories that are tough and joyful, heartbreaking and beautiful, confronting and worth it:  Kate Evans speaks with New Zealand writer Becky Manawatu about her novel, Aue; and to American writer Leila Mottley about Nightcrawling

Reading Canadian Métis writer Katherena Vermette's The Strangers, Irish writer Louise Kennedy's Trespasses, and speaking to Scottish writer Graeme Macrae Burnet about Case Study and the bookshelf that made it

What is it about Irish storytelling: that combination of poetry and pain, brutality and a wicked laugh or ten? All that lyrical toughness, and a sense of a history punctuated by a drumbeat of violence, is on display in Audrey Magee's novel, The Colony. A conversation with Kate EvansOther books and writers mentioned in this conversation:Emily Dickinson, worksMarcel Proust, worksJames Joyce, worksColette, worksPeig: The autobiography of Peig SayersWilliam Butler Yeats, works

Reading Chris Womersley's The Diplomat, Lauren John Joseph's At Certain Points We Touch and Jonathan Bazzi's Fever – with Nigel Featherstone; and talking to Nigerian-English writer Nikki May about her novel Wahala and the bookshelf that shaped her

Two writers who grapple with crime, with very different style and intent, in conversation with Kate Evans. American writer John Darnielle is also a musician (The Mountain Goats), and his books include Wolf in White Van and Universal Harvester. He speaks with Kate about his latest, Devil House. New Zealand crimewriter Charity Norman had an earlier career in England as a barrister, but now prefers fictional mysteries. Her books include After the Fall, The Secrets of Strangers and – the one to which we've attached this conversation – Remember Me