The Writing Life

Award-winning author Naomi Wood discusses writing subversive, malicious women in her short story collection. Topics include motherhood, family connections, perceptions of pregnant women, crafting diverse voices in short story writing.

In this episode of The Writing Life, writer and translator Daniel Hahn speaks with three former virtual residents Nur-El-Hudaa Jaffar, Sim Wai-chew and Tse Hao Guang about the quirks of virtual residencies, and how their expectations compared to reality. We were delighted to host them from June to December 2023, in a virtual residency generously supported by the National Arts Council of Singapore. In this episode, they discuss the projects they were working on during their residencies with us, how they found inspiration when writing as though they were in Norwich UNESCO City of Literature, and their lives and careers as translators. They also touch on the blogs they wrote for our Writing Hub, which you can read here. 

Author Heather Parry discusses writing the grotesque body, reimagining gothic tropes, voice in narrative, and the impact of writing residencies. She explores themes of obsession, love, grief, power, and women's agency in her debut novel.

In this episode of The Writing Life, NCW Emerging Translator Mentorships Programme Manager Annie speaks with author Polly Atkin about writing with a chronic illness. Polly Atkin is a multi-award-winning writer, essayist and poet. She is the author of the poetry collections Basic Nest Architecture, which won a Northern Writers' Award, and Much With Body, which was longlisted for the Laurel Prize, as well as Recovering Dorothy, the first biography to focus on Dorothy Wordsworth's later life and illness. In this episode, Polly and Annie discuss writing and navigating the publishing industry as a chronically ill person. The pair discuss Polly’s memoir Some of Us Just Fall, released in summer 2023, and explore how Polly imagined time as a chronically ill person, how to advocate for yourself as a disabled writer, and hopes for embedded accessibility in the future of the publishing industry. They also look ahead to their exciting joint writing project on Dorothy Wordsworth and Annette von Droste-Hülshoff, investigating their common identities and experiences.

In this episode of The Writing Life, NCW Programme Officer Ellie speaks with author and NCW mentor Chip Colquhoun about oral storytelling and writing for younger audiences. An NCW Associate Artist, Chip is a storyteller and children’s author. He’s trained teachers through the Department for Education’s English Hub, young creatives through Rathbone College, vicars through Ridley Hall in Cambridge, and children’s writers with publisher Epic Tales. Together, they discuss Chip’s journey into oral storytelling, and some of the distinctions between story writing and storytelling. They also explore the importance of understanding your reader, the key components needed for every story, and how to target your writing to different age groups. Discover Chip’s mentoring offer here. Chip is launching his educational handbook, All the Better to Read You With: Stories & Lessons to Inspire Reading for Pleasure at the London ExCel on Wednesday 24 January. Get your free ticket to the Bett Show where this will be launched here.

American author Margot Douaihy discusses the evolution of the noir genre in crime writing, exploring themes of social commentary, alienation, and queer representation. The conversation delves into the essence of noir storytelling, the impact of Catholic influence on her work, the intersection of violence and social commentary in crime fiction, and the beauty of writing for self-discovery and entertainment.

In this episode of The Writing Life podcast, Head of Programmes and Creative Engagement Holly speaks with novelist Hannah Vincent about point of view and different types of narration. Hannah Vincent is a novelist, short story writer and playwright. Her first novel, Alarm Girl was published in 2014 and her second, The Weaning in 2018. Her 2020 short story collection, She-Clown and Other Stories was shortlisted for the Edge Hill Prize. Her stage plays have been produced by among others, The Royal Court Theatre and The Royal National Theatre Studio and her radio play Come to Grief won a BBC Audio award. Together, they discuss the specifics of different perspectives that writers can inhabit, and the effects perspectives and voices can have on readers. They also touch on why a writer’s choice of perspective is fundamental to the way a story is told, and whether any narrative voice can truly be reliable. Hannah explores this topic in a free, self-paced course for NCW Academy entitled How to Write Unreliable Narrators. Find out more on our website!

In this episode of The Writing Life, NCW CEO Peggy Hughes speaks to four dazzling voices in contemporary poetry. On Wednesday 22 November, Jay Bernard, Anthony Vahni Capildeo, Gail McConnell and Joelle Taylor gathered to celebrate the launch of exciting new poetry archive collection, ‘Towards a Centre for Contemporary Poetry in the Archive'. This project, delivered by the British Archive for Creative Writing at the University of East Anglia, is supported by the Mellon Foundation with partners the National Centre for Writing and Norfolk County Council Library and Information Service. The project aims to promote and preserve the archives of contemporary poets of colour, LGBTQ+ poets and writers from other historically underrepresented backgrounds and practises in the UK and Ireland. Together, they talk about the archival project, their individual contributions and creative processes. They discuss their understanding of their own work, and how poetry and spoken word can be archived. Visiting Poetry Fellow, Will Harris, joins them to explore the project.

Writer and performer Molly Naylor discusses scriptwriting with theatre director Jen Dewsbury. They explore crafting story ideas, developing a strong premise, and the importance of planning in scriptwriting. The podcast also covers challenges in scriptwriting, the essence of writing, and the benefits of collaboration.

Bestselling crime writer Ian Rankin discusses his new standalone thriller 'The Rise' and the challenges of writing short stories. They explore character development, high concept thrillers, and the evolution of Inspector Rebus. Rankin reflects on past experiences in the book industry and creative writing education.