The Writing Life

In this episode of The Writing Life, NCW Programme Officer Ellie speaks with author and NCW mentor Chip Colquhoun about oral storytelling and writing for younger audiences. An NCW Associate Artist, Chip is a storyteller and children’s author. He’s trained teachers through the Department for Education’s English Hub, young creatives through Rathbone College, vicars through Ridley Hall in Cambridge, and children’s writers with publisher Epic Tales. Together, they discuss Chip’s journey into oral storytelling, and some of the distinctions between story writing and storytelling. They also explore the importance of understanding your reader, the key components needed for every story, and how to target your writing to different age groups. Discover Chip’s mentoring offer here. Chip is launching his educational handbook, All the Better to Read You With: Stories & Lessons to Inspire Reading for Pleasure at the London ExCel on Wednesday 24 January. Get your free ticket to the Bett Show where this will be launched here.

American author Margot Douaihy discusses the evolution of the noir genre in crime writing, exploring themes of social commentary, alienation, and queer representation. The conversation delves into the essence of noir storytelling, the impact of Catholic influence on her work, the intersection of violence and social commentary in crime fiction, and the beauty of writing for self-discovery and entertainment.

In this episode of The Writing Life podcast, Head of Programmes and Creative Engagement Holly speaks with novelist Hannah Vincent about point of view and different types of narration. Hannah Vincent is a novelist, short story writer and playwright. Her first novel, Alarm Girl was published in 2014 and her second, The Weaning in 2018. Her 2020 short story collection, She-Clown and Other Stories was shortlisted for the Edge Hill Prize. Her stage plays have been produced by among others, The Royal Court Theatre and The Royal National Theatre Studio and her radio play Come to Grief won a BBC Audio award. Together, they discuss the specifics of different perspectives that writers can inhabit, and the effects perspectives and voices can have on readers. They also touch on why a writer’s choice of perspective is fundamental to the way a story is told, and whether any narrative voice can truly be reliable. Hannah explores this topic in a free, self-paced course for NCW Academy entitled How to Write Unreliable Narrators. Find out more on our website!

In this episode of The Writing Life, NCW CEO Peggy Hughes speaks to four dazzling voices in contemporary poetry. On Wednesday 22 November, Jay Bernard, Anthony Vahni Capildeo, Gail McConnell and Joelle Taylor gathered to celebrate the launch of exciting new poetry archive collection, ‘Towards a Centre for Contemporary Poetry in the Archive'. This project, delivered by the British Archive for Creative Writing at the University of East Anglia, is supported by the Mellon Foundation with partners the National Centre for Writing and Norfolk County Council Library and Information Service. The project aims to promote and preserve the archives of contemporary poets of colour, LGBTQ+ poets and writers from other historically underrepresented backgrounds and practises in the UK and Ireland. Together, they talk about the archival project, their individual contributions and creative processes. They discuss their understanding of their own work, and how poetry and spoken word can be archived. Visiting Poetry Fellow, Will Harris, joins them to explore the project.

Writer and performer Molly Naylor discusses scriptwriting with theatre director Jen Dewsbury. They explore crafting story ideas, developing a strong premise, and the importance of planning in scriptwriting. The podcast also covers challenges in scriptwriting, the essence of writing, and the benefits of collaboration.

Bestselling crime writer Ian Rankin discusses his new standalone thriller 'The Rise' and the challenges of writing short stories. They explore character development, high concept thrillers, and the evolution of Inspector Rebus. Rankin reflects on past experiences in the book industry and creative writing education.

Author Fiona Mason discusses her memoir '36 Hours' on The Writing Life podcast. She explores writing about death, receiving funding from Arts Council England, and balancing promotion with new creative projects.

Fiction writer Yan Ge discusses the process of writing short stories in her English language debut collection. They explore the challenges and advantages of the genre, with insights on editing and the importance of musicality in crafting stories. Yan reflects on her journey, the impact of translation, and offers advice for emerging writers on perseverance and hydration.

This episode of The Writing Life features musician and writer Kalaf Epalanga and writer, editor and translator Daniel Hahn on the process of writing and translating Kalaf’s exhilarating debut novel, Whites Can Dance Too. They were interviewed by NCW Programme Manager Rebecca DeWald. Kalaf Epalanga is a musician and writer. Best known internationally for fronting the Lisbon-based dance collective Buraka Som Sistema, he is a celebrated columnist in Angola and Portugal. Daniel Hahn is a writer, editor and translator with over one hundred books to his name. He has translated fiction and non-fiction for adults and children, from Europe, Africa and the Americas.  Rebecca chatted with Kalaf and Daniel about many aspects of writing and translating Whites Can Dance Too, including the structure of the book and whether it can be called non-fiction. They also discuss the process of translating music and different forms of Portuguese, from Portugal, Angola and Brazil.

In this episode we’re bringing you a conversation with debut novelist and creative writing teacher Priscilla Morris. Priscilla’s first novel Black Butterflies is the author’s personal response to the war that devastated her mother’s hometown of Sarajevo, Bosnia, in the former Yugoslavia, from 1992-1996. Priscilla spoke to NCW Communications Assistant Molly-Rose Medhurst about her approach to researching and writing sensitively about the Siege and the atrocities of war, drawing from memory and from the recollections of family and friends. She also talks about her desire to centre the importance of community in the book and her narrative approach to time. Priscilla and Molly’s conversation contains references to sexual assault, death, violence and the horrors of war linked to the Siege of Sarajevo. Please take care when listening.