The last violet seller in Piccadilly Circus, the Canvey Island Oil refinery, the bascule chamber of Tower Bridge, the song of The Muffin Man. In the twelve years before his early death in 2021, Ian Rawes engaged in a Quixotic endeavour to capture - and collect - the sound of London.    With over 2000 field recordings, historical audio pieces, sound maps, writings and images, The London Sound Survey he created is an idiosyncratic but wonderfully accessible, evocative and often arresting series of sonic snapshots that aim to track a changing city.   Tony Herrington of The Wire magazine comes to the Bureau to remember Ian and celebrate his work. We hear various selections from the Sound Survey and talk counterculture, field-recording, bells, anarcho-punk activism - and of course, independent music publishing, along the way.   SIGN UP TO JOIN US   The London Sound Survey Website   Tony's obituary for Ian   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------

Multi-award winning writer, musician, editor, essayist and inventor of the multiverse, Michael Moorcock, beams into the Bureau for the first episode exploring his deeply countercultural life in literature and London   It’s an action-packed hour involving The Beats, William Burroughs, Soho, J G Ballard, Tarzan, Conan the Barbarian, anarchists, a Rolls Royce, myth, skiffle, fanzines, comics and books, books books.   We hear how a precocious teenage Michael sets out on a career that led to the writing of over a hundred books and the creation of the well-loved characters including Elric and Jerry Cornelius who inhabit them, and we hear a revelation that will surprise even die-hard Moorcock afficionados..   For more on Michael http://www.multiverse.org   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

We revisit the wonderfully odd, lost culture of the coin-operated machines that allowed ordinary people to make a record of their voice long before the advent of tape or digital recording.(Jack White has been using one, The Voice O Graph, more recently to produce terrific lo- fi caught-in-the-moment records, including an album with Neil Young).   We are joined by oral historian and broadcaster Alan Dein to hear a selection of recordings of strange, moving ghostly voices from his collection and learn how the records were used to send messages home from the war, record visits to tourist destinations or to capture the sounds of loved ones in a way that had never been possible before.   For more on Alan’s award winning work https://www.facebook.com/alan.dein ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------   Image courtesy Museum of London

DIANA CRAWSHAW's countercultural journey took her from a small north Yorkshire town to the centre of swinging London and the glamour of St Tropez; from selling, designing and making clothes in 60s London's hippest boutiques Lord Kitchener's Valet, Mr Freedom and Paradise Garage,to reading palms at the Holland Park office of Richard Branson.   One of our most modest and delightful guests, Diana tells tales of her times with the designers that dressed the great the good and the glitterati, including David Hockney, Picasso, Rock Hudson, The Beatles, Elton John and Freddie Mercury. We hear how she set out to find herself, how she made Dennis Hopper cry and how she fixed Raquel Welch’s hot pants.   Diana reads palms at Wilde Ones in the Kings Road https://wildeones.com/tarot-readings/   Thanks to Paul Gorman http://www.paulgormanis.com   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Writer, film maker, poet, flaneur, metropolitan shaman, curator of lost cultures, beat aficionado, and underground poet Iain Sinclair takes us on a walk through his life in the counterculture.    We have brief encounters with Kerouac, Allen Ginsberg, Alan Moore, Michael Moorcock, Peter Ackroyd, J.G.Ballard and Nicholas Hawksmoor as we hear tales of the poetry underground, life working as a Hackney council gardener, blacklegging in the London docks, cigars in Clerkenwell, an epic ancestral journey from Leadenhall Market to Peru, DIY-publishing, writing, writing, writing, and of course The City, as we circle towards hearing Iain reading selections from Lud Heat, the epic 1975 piece that was destined to become the root text of London psychogeography.   For more on on Iain and his work: www.iainsinclair.org.uk   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Gary Lachman, the original bass player of Blondie (as Gary Valentine), returns to the Bureau to tell of his time in the New York underground music scene of the 1970s.   Now the UK’s foremost writer on the esoteric, with 24 books under his belt including works on Aleister, Crowley, Jung, Gurdjieff, Magick and the occult, Gary was once deep in the heart of New York's 'Blank Generation'.   We hear about living with Debbie Harry and Chris Stein in a loft on The Bowery, playing CBGB and Gotham's underground clubs, hanging with The Ramones and Patti Smith, touring with Television and Iggy Pop and living the countercultural life on the Lower East side in the years before and beyond new wave.   For more on Gary www.garylachman.co.uk   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Soho and Chelsea have always been hailed as the epicentres of swinging London.   But there was a third, and now rather forgotten place which gave birth to The Cool - a place that was the home to one of the most influential jazz clubs of the 50s before providing a launchpad for The Rolling Stones and the bourgeoning British R+B and psychedelic scenes of the 60s. It was a place that went onto to host an extraordinary roster of artists including Cream, The Yardbirds, pre-Bowie David Jones, Pink Floyd, Black Sabbath, Jimmy Page, Genesis, Yes and many, many others before morphing into a hippy commune in the 70s.   Author Andrew Humphreys comes to the Bureau to tell the strange story of Eel Pie Island - a bucolic bit of London in the middle of the river Thames - an island which for 15 years played an essential role in the history of British counterculture.   For more on Andrew and his book Raving Upon Thames http://www.paradiseroad.co.uk   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Jon More, one half of cut-and-paste collage kings Coldcut and co-founder with Matt Black of Ninja Tune record label, joins turntablist, crate digger Strictly Kev of  DJ Food as we dig deep into the wild and wonky world of sampling - the borrowing, plundering, adapting and re-imagining of existing audio, songs and sounds to create new audio, songs and sounds.   Sampling  might have started off as a countercultural underground cut-and-paste technique used by experimental artists but it ended up powering a huge amount of hip-hop tunes and some very big hit records.   We hear some of Jon and Kev's favourite sampling selections, learn about the creative use of the tape recorder pause button, and delve into sound art, musique concrète and pop cultural pick-pocketing down the ages.   For more on Jon and Coldcut http://coldcut.net   For more on DJ Food / Strictly Kev https://www.djfood.org   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

The bootleg record was a phenomena that emerged in the heady days of the late 60s and survived to the early 80s - a kind of countercultural entrepreneurial activity that was rendered completely obsolete by the internet.  Bootleggers, often a cross between music fans and black marketeers, were practitioners of ‘disorganised crime’ distributing music illicitly on vinyl, cassette and cd whilst being pursued by record labels around the world from Compton to Camden. In this episode (a reboot of a Soho Radio show from 2018), we are joined by cultural commentator and lover of all things vinyl, Travis Elborough, to dig deep into the wild world of the dodgy pirates, counterfeits, unsanctioned outtakes, demos and live recordings that included the music of artists from Judy Garland through to the Beatles, The Rolling Stones and Bob Dylan and from The Sex Pistols and Television and to Elliot Smith. For more on Travis  www.traviselborough.co.uk ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Forty years ago, in the late summer of 1981, a group of women walked from Wales for over a hundred miles carrying a hand-made banner proclaiming their protest against American nuclear cruise  missiles that were to be sationed in the UK. Their march to the US military base at Greenham Common led to the establishment of a camp that, for nearly two decades, drew women from all over the world to make their voices heard in the name of peace - and inspired fellow protestors internationally Artist, activist and banner maker Thalia Cambpell one of the original marchers and founders of the camp, visits the Bureau to tell tales of dancing on nuclear silos, clashes with the authorities and the creation of vibrant protest art amongst the mud and mayhem. And we are joined by historian Charlotte Dew, author of 'Women For Peace: Banners From Greenham Common’, a book published to coincide with the 40th anniversary of the protests that presents image of the amazing banners made by Thalia and her fellows celebrating the collective power of women, women’s art and the history of peace campaigning.  For more on the book, the banners and the bomb www.fourcornersbooks.co.uk/books/women-for-peace-banners-from-greenham-common/ ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------