Bureau of Lost Culture

Soho and Chelsea have always been hailed as the epicentres of swinging London.   But there was a third, and now rather forgotten place which gave birth to The Cool - a place that was the home to one of the most influential jazz clubs of the 50s before providing a launchpad for The Rolling Stones and the bourgeoning British R+B and psychedelic scenes of the 60s. It was a place that went onto to host an extraordinary roster of artists including Cream, The Yardbirds, pre-Bowie David Jones, Pink Floyd, Black Sabbath, Jimmy Page, Genesis, Yes and many, many others before morphing into a hippy commune in the 70s.   Author Andrew Humphreys comes to the Bureau to tell the strange story of Eel Pie Island - a bucolic bit of London in the middle of the river Thames - an island which for 15 years played an essential role in the history of British counterculture.   For more on Andrew and his book Raving Upon Thames http://www.paradiseroad.co.uk   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Jon More, one half of cut-and-paste collage kings Coldcut and co-founder with Matt Black of Ninja Tune record label, joins turntablist, crate digger Strictly Kev of  DJ Food as we dig deep into the wild and wonky world of sampling - the borrowing, plundering, adapting and re-imagining of existing audio, songs and sounds to create new audio, songs and sounds.   Sampling  might have started off as a countercultural underground cut-and-paste technique used by experimental artists but it ended up powering a huge amount of hip-hop tunes and some very big hit records.   We hear some of Jon and Kev's favourite sampling selections, learn about the creative use of the tape recorder pause button, and delve into sound art, musique concrète and pop cultural pick-pocketing down the ages.   For more on Jon and Coldcut http://coldcut.net   For more on DJ Food / Strictly Kev https://www.djfood.org   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

The bootleg record was a phenomena that emerged in the heady days of the late 60s and survived to the early 80s - a kind of countercultural entrepreneurial activity that was rendered completely obsolete by the internet.  Bootleggers, often a cross between music fans and black marketeers, were practitioners of ‘disorganised crime’ distributing music illicitly on vinyl, cassette and cd whilst being pursued by record labels around the world from Compton to Camden. In this episode (a reboot of a Soho Radio show from 2018), we are joined by cultural commentator and lover of all things vinyl, Travis Elborough, to dig deep into the wild world of the dodgy pirates, counterfeits, unsanctioned outtakes, demos and live recordings that included the music of artists from Judy Garland through to the Beatles, The Rolling Stones and Bob Dylan and from The Sex Pistols and Television and to Elliot Smith. For more on Travis  www.traviselborough.co.uk ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Forty years ago, in the late summer of 1981, a group of women walked from Wales for over a hundred miles carrying a hand-made banner proclaiming their protest against American nuclear cruise  missiles that were to be sationed in the UK. Their march to the US military base at Greenham Common led to the establishment of a camp that, for nearly two decades, drew women from all over the world to make their voices heard in the name of peace - and inspired fellow protestors internationally Artist, activist and banner maker Thalia Cambpell one of the original marchers and founders of the camp, visits the Bureau to tell tales of dancing on nuclear silos, clashes with the authorities and the creation of vibrant protest art amongst the mud and mayhem. And we are joined by historian Charlotte Dew, author of 'Women For Peace: Banners From Greenham Common’, a book published to coincide with the 40th anniversary of the protests that presents image of the amazing banners made by Thalia and her fellows celebrating the collective power of women, women’s art and the history of peace campaigning.  For more on the book, the banners and the bomb www.fourcornersbooks.co.uk/books/women-for-peace-banners-from-greenham-common/ ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

A Zelig, a holy fool, a trickster, a black magician, a sociopath, a charlatan, a genius, a fabulist, a junkie, an alcoholic, a secret agent, a police informer, a disruptor, an often loveable preacher of Love who didn't actually seem to know what it meant? LSD evangelist Michael Hollingshead might or might not have been all of these, but he was certainly a father.  What is it like to be the child of such a person? Comedian Vanessa Hollingshead and writer Jeannie Hilton tell the dark and intense story of Vanessa’s tumultuous life with Michael, the working class Englishman who, according to his own claim, 'turned on the world' - or at least, many of those who did - including Timothy Leary and The Beatles - and who, like many who have advocated universal love and cosmic enlightenment, led a tragic and toxic personal life. It's a wild and crazy trip, at times funny, at times disturbing. Be warned! To find out more about The Divine Rascal film project www.thedivinerascal.com ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

The ghosts of William Burroughs, Jack Kerouac, Alan Ginsberg, John Giorno and Bob Cobbing make an appearance at the Bureau - as curator Steve Cleary plays us a  selection of super rare  recordings from the British Library Sound Archive.   The Archive is one of the biggest curated resources of audio in the world and includes over 1 million discs, 185,000 tapes, and many other sound and video recordings from around the globe  Steve takes us on a wander through its unparalleled counterculture collection.   We also hear from the capital's foremost chronicler of the counterculture, Barry Miles, on Burroughs' life in London  - along with a live recording of the beat writer at Manchester's Hacienda, a sampling of his cutups, some deeply strange sound poems and a wonderful recording of Kerouac jazz scatting at Neal Cassidy’s house.   For more on the British Library Sound Archive https://sounds.bl.uk   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Bird markets, sacred springs, border crossings, silk weavers, street drummers, games with headless goats, anti-aircraft rockets, courtyard songs and refugee choirs..   Documentary maker Monica Whitlock returns to the Bureau to paint an evocative sonic picture of the people and places she encountered whilst working in Uzbekistan, Kyrgyzstan, Tajikistan and Afghanistan as the BBC’s foreign correspondent for Central Asia.   We hear some of the extraordinary archive of field recordings, conversations and music she collected whilst living and travelling in Tashkent, Samarkand and Andujan and while crossing the borders between a family of ancient states. And we learn something of these regions with their deep rooted tribal loyalties as they were being reborn and reformed in the ruins of the Soviet empire.   For more on Monica: http://www.story-scapes.com   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

PIRATE RADIO first erupted in the UK in the early 1960s when stations such as Radio Caroline and Radio London started to broadcast from ships moored offshore or disused WW2 forts in the north sea. They were set up by wildcat entrepreneurs and music enthusiasts to meet the growing demand for the pop, rock and underground music not catered for by the BBC who had a monopoly on the airwaves. Music writer ROB CHAPMAN returns to the Bureau to tell the story of this first golden age of illicit broadcasting.  We hear of the extraordinary life of pirate-in-chief Ronan O’Rahilly anarchist founder of Radio Caroline, of legendary broadcaster John Peel and his ground breaking show ‘The Perfumed Garden’, and of the oddities of life aboard the radio ships precariously sailing the airwaves. Initially, the stations got round the law because they were broadcasting from international waters to delighted young people across the country before they ran foul of the authorities and were shut down in 1967. But their impact lived on: the government caved into youth demand for pop music with the creation of Radio 1 and many of the pirate radio DJs including Tony Blackburn, Kenny Everett, Johnnie Walker, Emperor Rosko went on to mainstream success with the BBC and commercial stations of the seventies and beyond. For more on Rob http://www.rob-chapman.com ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------

In these days of constantly CCTV-surveilled, property over-developed London patrolled by health and safety wonks and paranoid private security forces, the wild world of the inner city squat party seems an impossibility.    DJ, veteran of a thousand festivals and squat party promoter WILL  WILES comes to the Bureau to tell tales of acid house daring do, breaking into a variety of buildings (including Newcastle's 19th century Tyne Bridge), rigging up electricity and lights and installing sound systems for DJs to thrill and delight a community of underground ravers dusk 'til dawn before vanishing again on Monday morning.   We hear of cooking up ketamine in the kitchen, police raids, psychic dance floor camaraderie and the exploits of tech-savvy wily, piratical, psychedelic pioneers carrying on their subversive activities right under the noses of the authorities and bemused neighbours - motivated by music, madness and a deep belief in the counter-cultural spirit.   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------  

Forbidden! Taboo! Shouldn’t be allowed!   Do you ever find yourself censoring yourself? Not saying quite what you think, feel or believe in case it is disapproved of?   Human rights lawyer ERIC BERKOWITZ comes to the Bureau to talk about his epic new book 'Dangerous Ideas: A History of Censorship from Ancient Times to Fake News.   It's a thrilling read, full of sometimes comical, often alarming and always thought-provoking human stories - from that of the ancient Chinese emperor who destroyed any works implying there had ever been a better era than his own, to the current Chinese leader's attempts to have Winnie the Pooh banned (after his and the bear's resemblance was pointed out). The UK and the US don’t fare too well either.   Why have books, films, images words and ideas always been censored by those in power? Are there times when they should be? Does censorship ever work?    Eric digs deep into the touchiness of tyrants, into our current issues around blame, shame and cancel culture and why he thinks that almost nothing should be censored. We explore why countercultural ideas are so necessary for the culture and why they are only really dangerous when denied expression.   For more on Eric and the book www.ericberkowitz.com   ---------- Get the Bureau's Newsletter   Support our wild endeavours   The Bureau of Lost Culture Home   Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------