The giant stone heads of the fantastically remote Easter Island have gazed out mysteriously for over a 1000 years, fascinating the world since Dutch sailors came across them in the 18th century.   They were created by some lost civilisation it was said, or perhaps they may not have been made by humans at all, but by extra-terrestrial visitors. Most commonly the story has been that the original people who made them brought about their own complete destruction in a kind of unintentional eco-suicide - a narrative that acts as a moral fable, a warning against our own selfish destruction of the planet's resources.   But is that really true?   James Grant Peterkin, historian, author and educator lived on Easter Island amongst its people for 20 years. He is one of the very few outsiders to speak their language of Rapanui and to be accepted in their community.  He came to the Bureau to talk about how he came there, why he stayed and to dispel some of the myths, tell some of the truths about a very particular, and very peculiar lost culture.   James's thoughts on the Easter Island statue in the British Museum     #easterisland, #rapanui, #stoneage #polynesia #earthmystery #esoteric #archaeology #statues #island    

Tangier was a magnet for artists, writers, musicians, and political exiles throughout the mid-20th century, amongst them the writers Paul Bowles and William Burroughs   From 1924 to 1956 the city operated as an international zone under the joint administration of several European powers. This status created an environment of legal ambiguity, which, combined with the city’s strategic location at the crossroads of Africa and Europe, made it a haven for those seeking escape from the constraints of conventional society   The zone had  a sense of lawlessness and freedom, attracting a diverse mix of expatriates, spies, smugglers, and avant-garde intellectuals. The city’s permissive attitude towards drugs, homosexuality,and radical political thought made it a particularly alluring destination for members of the counterculture.   Composer and writer Paul Bowles, settled there and drew members of the Beat Generation to the city to be inspired, to complete their projects and to live the Moroccan dream. Few lived in human dialogue with the locals, operating rather as economically priveleged colonial bohemians    William Burroughs' time in Tangier in the 1950s deeply influenced his novel Naked Lunch. Burroughs saw the city as a place where the constraints of Western morality could be discarded in favor of a more experimental and uninhibited lifestyle.   He christened it THE INTERZONE   Although the Tnagier International Zone officially ceased to exist in 1956, its mythos lived on in literature, music, and the enduring image of Tangier as a place where the world’s outsiders could find a home   Multimedia artist and curator Abdelaziz Taleb, director of The Arab Media Lab Project has taken a deep dive into the Interzone - both its reality and its myth, exploring the blurred line between the two.  He came to the Bureau to talk about it, the often untold influence of Moroccans on the Beats,  and the mystery of Tangier.   For more on Aziz and the Interzone Project and Here   #counterculture, #thebeatgeneration, #thebeats, #tangier, #thetangierinternationalzone, #thetangierinterzone, #interzone, #burroughs, #bowles, #williamburroughs, #paulbowles, #heroin, #nakedlunch, #thearabmediaproject, #allenginsberg, #jakckerouac,#mohammedchakri, #bryingyson, #brianjones, #joujouka,#morocco    

Teddy Boys (and Teddy Girls)emerged in Britain in the early 1950s, becoming the UK's first distinct youth subculture.    Born in the aftermath of World War II, these working-class teenagers rejected post-war austerity and embraced a bold, rebellious style of dandyish suits, long drape jackets, narrow trousers, velvet collars, patterned waistcoats - and of course pomaded quiffed hair for the boys and equally sharp threads for the girls.   Musican and writer Max Decharne, author of 'Teddy Boys: Post-War Britain and the First Youth Revolution’, came to the Bureau to talk about the Teddys - and about Mods, Punk, the masssive influence of Bill Haley's Rock Around the Clock and of the impact the working class have had on British fashion.   The Teds became notorious in the media - associated with violence, for clashes with rival gangs and for their alleged involvement in the 1958 Notting Hill riots. But was that really the case? Or was it because, as working class upstarts they rattled the middle and upper class establishment? Embracing American rock'n'roll, they became the foundation for future youth movements, proving that teenagers could form their own cultural identity, shaping Britain’s rock and roll scene and inspiring later subcultures like the Mods and Rockers. For More on Max  For his music For more on the book  Ken Russell's wonderful images of Teddy Girls   #teddy #teddyboys #teddygirls #quiff #rock'n'roll #billhaley #rockaroundtheclock #streetstyle #youthculture

Scar-faced, ex-jailbird Frank Norman was part of the '50s and '60s Soho bohemian set and friends with Francis Bacon, Lucien Freud, Dylan Thomas and other habitues of the infamous Colony Room club.   After being abandoned as a child, growing up in institutions, and working as a fairground worker, he landed in Soho, became a petty criminal and spent time in prison where he learned to paint and write.   Back in Soho on leaving jail, astonishingly he became a succesful author, writer of the smash hit cockney musical 'Fings Aint What They Used To Be’, the acclaimed prison memoir Bang to Rights, and several novels - but never painted again.   In the early '60s he penned 'Soho Night and Day', a evocative survey of the area in its seedy, cosmopolitan prime, with photographs by his pal Jeffrey Bernard (later to become the most famous alcoholic in London).   Frank's grandson, Joe Daniel, came to talk  Bureau to talk about him and about the bohemian low-life of Soho in the '50s and '60s.   If you are listening to this in early 2025, and can be in London, we have curated an exhibtion in Soho of Frank's never before shown prison paintings: See BEHIND BARS- Frank Norman’s Prison Paintings  for details   The republished wonderful Frank Norman and Jeffrey Bernard book Soho Night and Day   #soho #london #bohemian #colonyclub #colonyroom #Lucien Freud, #FrancisBacon #DylanThomas #FrankNorman #JeffreyBernard #murielbelcher #outsiderart

The Waterboys' MIKE SCOTT grew up in the '60s in Edinburgh and said: “I accepted the incredible happenings of that decade — with all its rapid evolution, colour, revelations and magic — as the normal order of things".   At the age of 4 he had his first mystical experience and remembers that from the minute he bought "Last Night in Soho" by Dave Dee, Dozy, Beaky, Mick & Tich in 1968 he knew he had to live a life in music. In the years since he has toured the world with The Waterboys and as a solo artist, had hit records with The Whole of the Moon, This is the Sea and Fishermans Blues and has released 15 albums.   Mike has been unashamedly open about the importance of spirituality in his life - even when that has been deeply unfashionable in the mainstream culture.   Now, The Waterboys have a new record about to land. It features Bruce Springsteen, Steve Earle and Fiona Apple and it's a song cycle around the life of legendary actor and countercultural polymath Dennis Hopper.   Mike came to the Bureau to talk about all of that, his time at the Findhorn Foundation, Life, Death and Dennis Hopper - and much more.  For Mike and his work, music and adventures Universal Hall   Findhorn Foundation   #thewaterboys #mikescott #brucespringsteen #findhorn #findhornfoundation #steveearle #fionaapple #ladbrokegrove #thewholeofthemoon #dennishopper

She says: ‘I was reared Catholic but got over it, was born male but got over it, stopped sleeping with boys about the time I stopped being one and am much happier than I was when I was younger'. ROZ KAVENY is a poet, a novelist, a writer of science fiction, a reviewer, a cultural critic, a literary journalist and a celebrated  activist.   She has also been a sex worker - a hustler - as she would say, and has been both celebrated and denigrated. She was born a boy in 1949, became a woman all the way back in 1982 and has led a very countercultural life indeed.   This is part of her story. It's a wild and at times shocking ride. It gives an insight into what it was like to come of age as trans in an era before even being gay was legalised in the UK.   Note: contains descriptions of sexualabuse.   #trans #transgender #rozkaveney #sexchange #genderdismorphia #gender #hustlers #gendersurgery

This morning I sat in my house, took a twenty pound note from my wallet, lit a match and set the note on fire. Why? How did I feel as I watched it burn? Was it a waste, an immoral or stupid thing to do - or was it a deeply countercultural act? Jon Harris, came to the Bureau to talk about his life - as a pornographer, as a rock 'n' roll tour manager, as a bankrupt - and, most importantly, as The High Priest of The Church of Burn. We try to understand what money is, what it might be and what burning it can mean.   We hear of Jon's own history of burning money and of the rites of The Church of Burn. Of course The KLF get a mention, as does Serge Gainsbourg and Youth of Killing Joke as we explore the history of the intentional sacrificial destruction of somethign that mainstream culture seems built around and compleltey obsessed with. The Church of Burn Jon's substack ---- I have often been asked about the music that plays during the Bureau episodes. Most of it is from two albums by The Real Tuesday Weld: 'Junskshop Melodies' (which will be released in 2025) and 'Songs For Crow' which has just been released. Detaisl HERE #money #moneyburning #cash #currency #churchofburn #daisycampbell #johnhiggs #youth #killingjoke #klf #theklf #thekfoundation #sergegainsbourg   

Simon Critchley, a Professor of Philosophy and author, delves into the often-dismissed realm of mysticism. He argues that mystical experiences can enhance our understanding of life amid a rational world. The discussion spans extraordinary historical mystics, the arts' connection to the mystical, and the influence of counterculture. Critchley playfully intertwines themes of love, drugs, and the sacred nature of music, revealing how these aspects resonate deeply with human experience. His insights challenge conventional views, inviting a fresh perspective on spirituality.

Genesis P-Orridge, a groundbreaking performance artist and co-founder of Throbbing Gristle, discusses their innovative 'cut-up technique' and transformative identity exploration through extreme body modification with director David Charles Rodrigues. They delve into the impact of 1970s counterculture and the Temple of Psychic Youth, a radical musical project focused on empowerment. The conversation addresses themes of grief, love, and the poignant final days of Genesis, revealing a deeply personal journey intertwined with creativity and societal challenges.

In the turbulent late 1970s, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside.   They would share their new home with over fifty other residents  - idealists from all over the world - armed with worn paperbacks on ecology, Marx and radical feminism and drawn together by utopian dreams of remaking the world.  They did not leave for fifteen years.   This was not a hippie commune or a new age retreat but a community run on radical socialist Marxist principles.  Yet, however noble the intentions of the adults, was this suitable place - a suitable home -  for a child to grow up? Susanna wrote a book to try to answer that question and came to the Bureau to tell us all about it - and about the pleasures and perils of growing up in the fallout of the Utopian Dream.   More on Susanna More on her book  Home Is Where We Start More on British Intentional Communities   #communes #counterculture #punk #radical  #utopia #alternativecommunities #intentionalcommunities #esoteric #hippie #marxist