Bureau of Lost Culture

Sunshine + Love, Beats + Drugs   How did a sleepy island off the coast of Spain, metamorphose from an artistic, countercultural haven into the global epicentre of electronic dance music, lighting the touch paper that caused the explosion of club culture?   Alexis Petridis, chief music writer for The Guardian, and Dean Chalkley, one of the UK’s leading photographers of British subculture (both seasoned ravers), witnessed this extraordinary rise from the underground at Mixmag, the clubbers’ bible, and have documented the subsequent transformations.   Alexis takes us on a trip through the island’s bohemian past and tells how its unique combination of natural beauty, 60s counterculture and 70s glamour set the scene for an extraordinary pop cultural explosion in the 80s and 90s that would resonate through the Western world.   The photographs in Dean’s new book ‘Back in Ibiza 1998 - 2003’ , taken in the heat of many magic moments, capture the golden age of happy, all-in-it-together, 24 hour party people, bacchanalian excess, and sunkissed beach life the island offered before the corporate monsters of superstar DJs, big brands and VIP lounges swallowed it whole.   For more on Dean Alexis on music Alexis on Club Culture   Images courtesy Dean Chalkley #BureauOfLostCulture, #IbizaClubCulture, #Rave, #BalearicBeats, #90sClubScene, #80sClubScene, #IbizaHistory, #AcidHouse #CultureUnderground, #Dancemusic,  #LostCultureFound,#mdma, #pasha, #nickyholloway, #superstardjs   

The Bearded Lady, Zip the Pinhead, Major Tom Thumb, The Elephant Man, The Hottentot Venus - we delve into one of the more controversial corners of popular entertainment: the world of Victorian freak shows — where the abnormal, the extraordinary, and the misunderstood were paraded as spectacle and sold as wonder.   But who were these so-called “freaks” - vulnerable human oddities driven to make a living the only way they could, cictims of exploitation, or pioneers of performance who found power in their difference? We’re joined by Dr. John Jacob Woolf, historian and author of 'The Wonders: Lifting the Curtain on the Freak Show, Circus and Victorian Age', a book that offers a deeply researched, empathetic, and eye-opening look at the lives behind the wonderful posters, at the performers who captivated crowds and challenged Victorian notions of normality. We explore Freakery and ask who are the modern freaks? Who do we gawp, marvel and laugh at?   More on John and hs work     #counterculture #bureauoflostculture #lostculture #freaks #freakshow #victorian freakshow #davidlynch #elephantman #ptbarnum #josephmerrick

"I was never going to be a nice little white girl" she says.   Instead, she became an underground star, had hit records with the 2-Tone band The Selector, became a style-icon, an actor, a TV Presenter - and author.   Whilst Margaret Thatcher was reshaping Britain and promoting her very own particular vision of what it meant to be British, in the urban jungle of Coventry, a young woman whose image couldn't be more different than Maggie's, was presenting a radically different vision of what it meant to be British    Belinda Magnus, born on 23 October 1953 was given away as the baby of a white unmarried mother and an unknown black father. She was adopted by a white family and re-named Pauline Vickers.  Growing up in a completely white neighbourhood as the only person of colour, she experienced first-hand the often racist attitudes of the time.   She came to the Bureau to talk about all that, how she overcame it, her life as a star of the 2-tone musical scene with her band Selecter, and how, along the way, she became Pauline Black    For more on Pauline   Image by Dean Chalkley   #PaulineBlack #2ToneRevolution #BureauOfLostCulture #SkaPunkHistory #TheSelecter #WomenInMusic #PunkAndPolitics #CulturalResistance #BlackBritishVoices #MusicAsProtest

Alan Moore, the legendary comic book writer behind classics like "Watchmen" and "V for Vendetta," explores the realms of magic alongside Gary Lachman, a former Blondie bassist turned author. They dive into transformative encounters with Gnostic magic and discuss the powerful connections between the unconscious, art, and creativity. Insights on precognitive dreaming and the role of imagination reveal deep links between myth and reality. The conversation culminates in a celebration of magic as a tool for personal growth, inviting everyone to embrace their inner magic.

The evolutionary leap from ape to human was precipitated by primates eating psychoactive fungi, there is an ancient shamanic lineage of psychedelic plant use in the West, mushrooms have their own consciousness, drinking Reindeer piss can get you high.. there are many myths about magic mushrooms.   Meanwhile, we are living through a kind of psychedelic renaissance: psilocybin is often in the press, hailed as a potential treatment, for depression, addiction, grief, psychosis - and a way to be more productive and well-adjusted.   What to make of it all? Has the counterculture gone mainstream? Never mind The Age of Aquarius, is this The Age of the Mushroom?   Andy Letcher is a British scholar, author, activist and musician. His work explores the intersections of psychedelics, culture, paganism and folk traditions, and 20 years ago he published 'Shroom: A Cultural History of the Magic Mushroom'.     He came to the Bureau to discuss it, how things have changed since he wrote it - and the myths behind the magic.   For more on Andy #bureauoflostculture #magicmushroom #psilocybin #terencemckenna #psychedelic #grahamwasson #mariasabina #libertycaps #tripping #psychoactive

The giant stone heads of the fantastically remote Easter Island have gazed out mysteriously for over a 1000 years, fascinating the world since Dutch sailors came across them in the 18th century.   They were created by some lost civilisation it was said, or perhaps they may not have been made by humans at all, but by extra-terrestrial visitors. Most commonly the story has been that the original people who made them brought about their own complete destruction in a kind of unintentional eco-suicide - a narrative that acts as a moral fable, a warning against our own selfish destruction of the planet's resources.   But is that really true?   James Grant Peterkin, historian, author and educator lived on Easter Island amongst its people for 20 years. He is one of the very few outsiders to speak their language of Rapanui and to be accepted in their community.  He came to the Bureau to talk about how he came there, why he stayed and to dispel some of the myths, tell some of the truths about a very particular, and very peculiar lost culture.   James's thoughts on the Easter Island statue in the British Museum     #easterisland, #rapanui, #stoneage #polynesia #earthmystery #esoteric #archaeology #statues #island    

Tangier was a magnet for artists, writers, musicians, and political exiles throughout the mid-20th century, amongst them the writers Paul Bowles and William Burroughs   From 1924 to 1956 the city operated as an international zone under the joint administration of several European powers. This status created an environment of legal ambiguity, which, combined with the city’s strategic location at the crossroads of Africa and Europe, made it a haven for those seeking escape from the constraints of conventional society   The zone had  a sense of lawlessness and freedom, attracting a diverse mix of expatriates, spies, smugglers, and avant-garde intellectuals. The city’s permissive attitude towards drugs, homosexuality,and radical political thought made it a particularly alluring destination for members of the counterculture.   Composer and writer Paul Bowles, settled there and drew members of the Beat Generation to the city to be inspired, to complete their projects and to live the Moroccan dream. Few lived in human dialogue with the locals, operating rather as economically priveleged colonial bohemians    William Burroughs' time in Tangier in the 1950s deeply influenced his novel Naked Lunch. Burroughs saw the city as a place where the constraints of Western morality could be discarded in favor of a more experimental and uninhibited lifestyle.   He christened it THE INTERZONE   Although the Tnagier International Zone officially ceased to exist in 1956, its mythos lived on in literature, music, and the enduring image of Tangier as a place where the world’s outsiders could find a home   Multimedia artist and curator Abdelaziz Taleb, director of The Arab Media Lab Project has taken a deep dive into the Interzone - both its reality and its myth, exploring the blurred line between the two.  He came to the Bureau to talk about it, the often untold influence of Moroccans on the Beats,  and the mystery of Tangier.   For more on Aziz and the Interzone Project and Here   #counterculture, #thebeatgeneration, #thebeats, #tangier, #thetangierinternationalzone, #thetangierinterzone, #interzone, #burroughs, #bowles, #williamburroughs, #paulbowles, #heroin, #nakedlunch, #thearabmediaproject, #allenginsberg, #jakckerouac,#mohammedchakri, #bryingyson, #brianjones, #joujouka,#morocco    

Teddy Boys (and Teddy Girls)emerged in Britain in the early 1950s, becoming the UK's first distinct youth subculture.    Born in the aftermath of World War II, these working-class teenagers rejected post-war austerity and embraced a bold, rebellious style of dandyish suits, long drape jackets, narrow trousers, velvet collars, patterned waistcoats - and of course pomaded quiffed hair for the boys and equally sharp threads for the girls.   Musican and writer Max Decharne, author of 'Teddy Boys: Post-War Britain and the First Youth Revolution’, came to the Bureau to talk about the Teddys - and about Mods, Punk, the masssive influence of Bill Haley's Rock Around the Clock and of the impact the working class have had on British fashion.   The Teds became notorious in the media - associated with violence, for clashes with rival gangs and for their alleged involvement in the 1958 Notting Hill riots. But was that really the case? Or was it because, as working class upstarts they rattled the middle and upper class establishment? Embracing American rock'n'roll, they became the foundation for future youth movements, proving that teenagers could form their own cultural identity, shaping Britain’s rock and roll scene and inspiring later subcultures like the Mods and Rockers. For More on Max  For his music For more on the book  Ken Russell's wonderful images of Teddy Girls   #teddy #teddyboys #teddygirls #quiff #rock'n'roll #billhaley #rockaroundtheclock #streetstyle #youthculture

Scar-faced, ex-jailbird Frank Norman was part of the '50s and '60s Soho bohemian set and friends with Francis Bacon, Lucien Freud, Dylan Thomas and other habitues of the infamous Colony Room club.   After being abandoned as a child, growing up in institutions, and working as a fairground worker, he landed in Soho, became a petty criminal and spent time in prison where he learned to paint and write.   Back in Soho on leaving jail, astonishingly he became a succesful author, writer of the smash hit cockney musical 'Fings Aint What They Used To Be’, the acclaimed prison memoir Bang to Rights, and several novels - but never painted again.   In the early '60s he penned 'Soho Night and Day', a evocative survey of the area in its seedy, cosmopolitan prime, with photographs by his pal Jeffrey Bernard (later to become the most famous alcoholic in London).   Frank's grandson, Joe Daniel, came to talk  Bureau to talk about him and about the bohemian low-life of Soho in the '50s and '60s.   If you are listening to this in early 2025, and can be in London, we have curated an exhibtion in Soho of Frank's never before shown prison paintings: See BEHIND BARS- Frank Norman’s Prison Paintings  for details   The republished wonderful Frank Norman and Jeffrey Bernard book Soho Night and Day   #soho #london #bohemian #colonyclub #colonyroom #Lucien Freud, #FrancisBacon #DylanThomas #FrankNorman #JeffreyBernard #murielbelcher #outsiderart

The Waterboys' MIKE SCOTT grew up in the '60s in Edinburgh and said: “I accepted the incredible happenings of that decade — with all its rapid evolution, colour, revelations and magic — as the normal order of things".   At the age of 4 he had his first mystical experience and remembers that from the minute he bought "Last Night in Soho" by Dave Dee, Dozy, Beaky, Mick & Tich in 1968 he knew he had to live a life in music. In the years since he has toured the world with The Waterboys and as a solo artist, had hit records with The Whole of the Moon, This is the Sea and Fishermans Blues and has released 15 albums.   Mike has been unashamedly open about the importance of spirituality in his life - even when that has been deeply unfashionable in the mainstream culture.   Now, The Waterboys have a new record about to land. It features Bruce Springsteen, Steve Earle and Fiona Apple and it's a song cycle around the life of legendary actor and countercultural polymath Dennis Hopper.   Mike came to the Bureau to talk about all of that, his time at the Findhorn Foundation, Life, Death and Dennis Hopper - and much more.  For Mike and his work, music and adventures Universal Hall   Findhorn Foundation   #thewaterboys #mikescott #brucespringsteen #findhorn #findhornfoundation #steveearle #fionaapple #ladbrokegrove #thewholeofthemoon #dennishopper