Who Arted: Weekly Art History for All Ages

Domenikos Theotokopoulos, better known as El Greco, was a singular figure in art history who bridged the gap between Byzantine tradition and Western modernism. Born in Crete in 1541, he trained as an icon painter before moving to Venice and Rome, where he absorbed the vibrant colors of the High Renaissance. However, his bold personality and vocal criticism of local heroes like Michelangelo made it difficult for him to thrive in Italy. In 1577, he moved to Toledo, Spain, where he spent the rest of his life creating his most famous works for the Church and private intellectuals. El Greco is best remembered as a leading Mannerist. His style rejected strict realism in favor of emotional intensity, featuring elongated figures twisted in unnatural poses and bathed in eerie, acid-green or blue light. While a popular scientific theory in the early 20th century suggested these distortions were caused by astigmatism, historians have proven they were a deliberate stylistic choice intended to emphasize spiritual mysticism. He was also known for his litigious nature, frequently suing clients to ensure painting was respected as a high intellectual pursuit rather than a common craft. One of his crowning achievements is The Burial of the Count Orgaz (1586). This massive painting, located in the Church of Santo Tomé in Toledo, visually synthesizes his two main influences. The lower half depicts a miraculous funeral with striking realism, including portraits of local contemporaries, while the upper half represents the heavens with swirling, abstract forms. Although El Greco fell into obscurity for nearly three centuries after his death in 1614, he was rediscovered by Romantic and Expressionist artists in the 19th century. His unique approach to form and space became a major influence on modern masters, specifically Pablo Picasso, who used El Greco’s distortion as a blueprint for the development of Cubism. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Explore a global journey through prehistoric art, from the earliest figurative works in Africa to foundational pieces in the Americas, Europe, and Asia. This overview, drawing from the AP Art History Global Prehistory curriculum, examines the complex belief systems, ritual practices, and artistic skills of early humanity through ten key artworks. Apollo 11 Stones (Namibia, c. 25,500–25,300 BCE) Great Hall of the Bulls (Lascaux, France, c. 15,000 BCE) Camelid Sacrum in the shape of a canine (Tequixquiac, Mexico, c. 14,000–7,000 BCE) Running Horned Woman (Algeria, c. 6,000–4,000 BCE) Beaker with Ibex Motifs (Susa, Iran, c. 4,200 BCE) Anthropomorphic Stele (Arabian Peninsula, c. 4,000 BCE) Jade Cong (Liangzhu, China, c. 3,300–2,200 BCE) Lapita Terracotta Fragment (Solomon Islands, c. 1,000 BCE) The Ambum Stone (Papua New Guinea, c. 1,500 BCE) Tlatilco Female Figurine (Central Mexico, c. 1,200 BCE) Related Episodes: Chris Boylan | The Laiagam Stone Lascaux Cave Art Apollo 11 Stones Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Vincent van Gogh saw little commercial success during his lifetime, but he loved art and he worked to forge relationships with other artists he could learn from. The Starry Night came about late in his short career after Vincent van Gogh was hospitalized. He painted the view from his window, but rather than painting things exactly as he saw them, he painted a sort of composite landscape of views from different nights and even different locations. He moved the cypress tree to the foreground and added a little town nestled in the mountains despite the town not being visible from his window. This marked a major shift in painting away from observation of the external world to artists creating work as a show of their internal thoughts and feelings. Related episodes: ⁠Vincent van Gogh (part 1) | The Potatoe Eaters⁠ ⁠Vincent van Gogh (part 2) | Starry Night⁠ ⁠Vincent van Gogh | Sunflowers⁠ ⁠Loving Vincent - a Film Made of Paintings⁠ ⁠Did Vincent van Gogh Really Only Sell One Painting?⁠ ⁠Art Smart: Impressionism & Post Impressionism Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Buddhist monks of Tibet who are known for their tradition of sand mandalas destroy the work after completing it. The word mandala comes from Sanskrit meaning “circle” but a mandala is not your average two-dimensional shape consisting of an outer boundary called the circumference made up of points all equidistant from a fixed center point. A mandala representation of the universe. While many people talk about Mandalas in reference to radial symmetry, mandala designs have spiritual significance beyond mere repetition. The act of creating a sand mandala is meditative. It requires monks to focus, to be calm, still and deliberate in their actions. And then, after completing the construction, they move on to a ritual deconstructing the piece. Even the deconstruction is a part of the artistic process with spiritual significance. Destroying the sand art is a reminder of the transitory nature of the universe. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hans Holbein the Younger painted The Ambassadors in 1533. It is a massive, life sized double portrait filled with symbolism that gives us insights into the political and religious upheaval of the day. Still today, it is probably best known for the anamorphic skull cutting across the floor in the composition. In the Ambassadors, Holbein presents the symbol of mortality as a specter that looms ever present though sometimes difficult to make sense of. It can feel like an odd intrusion disrupting a picture carefully and beautifully constructed but if we shift our view a little we can see that nothing lasts forever. Life and the world are constantly changing but there can be a beauty in that too if we can bring ourselves to look at it from the right perspective.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest for this episode is Karli Wurzelbacher, curator for The Heckscher Museum of Art. She shared her insights into Emma Stebbins, a great neoclassical sculptor from the 19th century. Around the age of 40, Stebbins left America for Europe, where she studied the classic works found around Italy and rose to prominence as a sculptor. Her work was highly prized during her lifetime, but sadly, after she passed away, her work and neoclassical art more broadly fell out of favor. She was long overlooked by history despite high-profile work, including the Bethesda Fountain in New York's Central Park. The Hecksher Museum of Art is hosting the exhibition, Emma Stebbins: Carving Out History. The show is open now through March 26, 2026. For more information, head over to the Heckscher Musuem of Art's website. If you cannot make it out to see the exhibition in person, you can purchase the book https://www.heckscher.org/stebbinscatalog/ Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Degas is famous for his beautiful depictions of ballet dancers, but he was also giving a glimpse into the tough reality those dancers experienced. Edgar Degas, born Hilaire-Germain-Edgar De Gas in 1834, grew up in a wealthy Parisian family with strong ties to the arts. In 1855, he entered the École des Beaux-Arts, where he trained under Louis Lamothe, a follower of the neoclassical artist Ingres. During this period, Degas focused on traditional subjects, such as historical scenes and portraits and he was fairly successful at it. Degas would be one of the few Impressionists accepted by the Paris Salon although not for the ballet dancers and the style of work we associate with him today. Degas was deeply interested in depicting movement and the human figure in action. Ballet dancers, with their graceful poses and dynamic movements, provided him with a perfect subject to explore these artistic challenges. These works provided Degas with opportunities to experiment with perspective, composition, and lighting. He used unusual angles and cropping to create dynamic and unexpected compositions, often emphasizing the patterns of light and shadow on the dancers' bodies and costumes. Ultimately, I think these works have stood the test of time because we can look at them through different lenses and still find something to appreciate. Whether social commentary, a peek behind the curtain and glimpse into another person’s lived experiences or simply an aesthetic experience reveling in the lights, the colors, the texture and flow of the costumes and the graceful movements of the dancers, there is something beautiful in the work. Related episodes: ⁠Claude Monet⁠ ⁠Pierre-Auguste Renoir Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I have part two of my interview with Laurie Roberts. Last week, she shared insights into Larry Roberts, her late husband. He made beautiful abstract paintings known for their rich colors. Laurie has given his paintings some new life as she translates some of those paintings into textiles. It was amazing to learn about her design process and how she and her team translate these complex designs with layered colors and organic shapes into rugs, pillows and wall coverings. You can find Laurie's work at LarryRobertsChicago.com Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Giovanni Battista Lombardi (1822-1877) was a prominent Italian sculptor of the 19th century, originally from Rezzato, near Brescia. After moving to Rome, he studied under the leading neoclassical sculptor Pietro Tenerani, which grounded his style in classical ideals of beauty and harmony. Lombardi's work is celebrated for its blend of the cool perfection of Neoclassicism with the growing trend toward the emotional depth of Realism. He became highly sought after for two specialties: moving funerary monuments and idealized female figures. A significant portion of his career was dedicated to creating sculptures for the Campo Santo Vantiniano, a monumental cemetery in Brescia, where his work was praised for its quiet, human emotion. Internationally, Lombardi is best known for his masterful sculptures of veiled women. This subject was a popular test of a sculptor's skill in the 19th century, requiring them to create a trompe-l'œil (deceive the eye) illusion of transparent fabric from a single block of hard marble. This technical brilliance was not just an artistic feat; during the Risorgimento (the unification of Italy), such works were a powerful symbol of renewed Italian cultural pride and artistic genius. Lombardi created several variations of the veiled woman, each unique in its expression and composition. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Larry Roberts was a Chicago-based artist best known for his abstract paintings with rich colors and textures. I was able to interview Laurie Roberts, his wife, about how he created his work and how she is carrying on his legacy. This will be a two part interview. This week I have Laurie sharing about Larry's life and his work. In next week's episode, Laurie will share her experience in the design field and how she is translating Larry's work into different media. Check out larryrobertschicago.com to see Larry's work and Laurie's designs based on his paintings. Related episodes: Leonardo da Vinci | The Mona Lisa Salvador Dali | The Persistence of Memory Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices