Left of the Projector

Always look on the bright side of life. Joined again by Lemony Fresh Pines and Sully to discuss a 70's film that has some serious cringe but also some really relevant criticism of leftist organizations. Come back in time with us...Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Evan teams up with hosts of the Literary Liberation podcast and PokePreet to analyze the 2001 movie 'Shrek' through political and cultural lenses. The conversation delves into the film’s political themes, including class struggle, consumerism, and libertarian values, and considers Shrek’s impact in a post-9/11 context, exploring ideas like imperialism and Jewish-coded interpretations. The discussions also cover Shrek's cultural relevance, examining its humor, appeal across generations, and the success of its soundtracks that capture early 2000s culture. The group speculates on the future of the Shrek franchise, discussing potential challenges for Shrek 5 and assessing the series' broader cultural impact.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Enjoy this week's bonus episode with Destiny of Closeted History, where I made a guest appearance to discuss the queer horror film Jennifer's Body.Closeted Historyhttps://www.instagram.com/closetedhistoryhttps://beacons.ai/closetedhistoryhttps://patreon.com/ClosetedHistoryhttps://www.youtube.com/@closetedhistoryLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week on Left of the Projector I have on friends of the show, Ashley and Alex Herbert. Alex shares with us his Peter Pan theory of the film and we dive into much more!Alex Herbert:https://alexherbert.substack.com/https://www.instagram.com/punksaround/https://www.instagram.com/lenin_in_45_volumes/Smirk Gently:https://www.instagram.com/smirkgently/https://linktr.ee/smirkgentlyhttps://www.threads.net/@smirkgentlyLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we analyze the iconic 1977 film "Smokey and the Bandit" with the hosts of Cars and Comrades. We share our personal connections to the movie, discussing how it shaped our views on truck driving and outlaw culture, particularly through Brandon's experience. The conversation revolves around the Bandit's wild quest to transport Coors beer and critiques the comedic representation of law enforcement, exemplified by Sheriff Buford T. Justice. We delve into the film's themes of working-class solidarity and anti-authoritarianism, highlighting the camaraderie among truckers and the Bandit’s folk hero status. Our analysis also touches on the humor, improvised dialogue, and gender roles, particularly through Sally Field's character. As we reflect on the film's lasting legacy, we share personal ratings and recommendations, reiterating its significance for car enthusiasts and fans of classic comedy, all while reinforcing our mission to explore car culture from a leftist perspective.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we explore Guillermo del Toro's impactful film The Devil's Backbone, released in 2001, with Olivia from "You Have Been Watching Films." Our conversation highlights the film's intricate narrative and its blend of childhood innocence within the harrowing context of the Spanish Civil War. We examine character dynamics in the orphanage, reflecting on the themes of unity and resistance against oppression, while discussing the symbolic role of ghosts and the lingering effects of war on childhood. As we dissect the film's rich imagery and underlying messages, we emphasize the glimmers of hope and resilience present in the children's journey. We encourage both new and returning viewers to experience this essential work within del Toro's filmography, appreciating its quiet yet profound storytelling.Olivia - You have Been Watching Filmshttps://www.youtube.com/youhavebeenwatchingfilmshttps://www.patreon.com/youhavebeenwatchingfilmshttps://www.threads.net/@youhavebeenwatchingfilmshttps://letterboxd.com/oliviabagshaw/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I chat with Libby about Quentin Tarantino's "Kill Bill" Volume 1 and Volume 2, examining the film's themes and narrative choices. We discuss the decision to split the film due to its lengthy runtime and how it impacts audience engagement. Libby shares her affinity for the film and highlights the empowering portrayal of female characters like "the Bride," O-Ren Ishii, and Vernita Green.We delve into pivotal scenes and Tarantino's unique cinematic techniques, as well as the emotional and philosophical aspects of revenge. Libby proposes an intriguing theory about the polyamorous dynamics among characters, prompting a discussion on love and power. We wrap up by reflecting on Tarantino’s controversial reputation and the importance of critically engaging with his work, exploring the rich storytelling and representation within "Kill Bill."Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we explore the thematic elements of "The Fog" and "The Mist" with guests Kayte Terry and Brandon. Kayte is cohost of Fangs for the Memories and Tendor Subject and Brandon cohosts the podcast Cars and Comrades.Focusing on the films, we examine their atmospheres, social dynamics during crises, and the tension between individualism and community. A deep dive into "The Mist's" impactful ending reveals commentary on human nature, while we also share horror film recommendations for the season.Kayte Terry:IG: https://www.instagram.com/kaytetWebsite: https://www.kayteterry.com/Fangs for the Memories: https://www.instagram.com/fangspodcast/Tender Subject: https://www.instagram.com/tendersubjectpod/Cars and Comrades:IG: https://www.instagram.com/cars_and_comrades_podcast/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, host Evan delves into 'The Substance,' a new body horror film directed by Coralie Fargette and starring Demi Moore, Dennis Quaid, and Margaret Qualley. He offers a mostly spoiler-free analysis, discussing not only the stark and gory visuals but also the deeper commentary on body image and the challenges women face in Hollywood. Evan highlights the film's extreme and visceral approach to horror, comparing it to other notable works like 'Dead Alive' and 'The Fly,' while praising its unrelenting critique of societal standards imposed on women. Listeners are encouraged to watch the film in theaters and stay tuned for a detailed, spoiler-filled discussion in a future episode.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I discuss the 1976 film Network with graduate film student Andre Swai. We analyze the film's biting satire on media, focusing on Howard Beale's descent into sensationalism and Faye Dunaway's obsession with ratings. Our conversation highlights the film's critique of corporate greed and its relevance in today's media landscape as we approach 2024. We also draw connections to other films that echo similar themes, reinforcing "Network's" enduring significance in cultural commentary on the interplay between entertainment and societal values.Apologies for the quality on this one. Andre Swaihttps://www.instagram.com/andre.swaihttps://letterboxd.com/dreswai/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector