Left of the Projector

In this episode, I explore the Coen brothers' Inside Llewyn Davis alongside author and comedian Joshua Turk. We discuss Llewyn Davis, portrayed by Oscar Isaac, as he navigates the challenges of his music career amid 1961's New York City folk scene. The film examines themes of artistic ambition, isolation, and the complexities of human relationships as Llewyn grapples with rejection and personal connections. We analyze the significance of his choices and the recurring cat symbol, reflecting on the pursuit of dreams and the realities faced by artists today.Joshua TurekBooks: https://joshuaturek.com/buy-booksOn Tour: https://www.bandsintown.com/a/15579941https://www.instagram.com/joshuaturek/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Bringing back a classic episode for your listening pleasure.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we explore the cultural impact of the 2001 film The Fast and the Furious, diving into its portrayal of car culture and masculinity. Joined by Zach, Connor, Bryant and Brandon from Cars and Comrades, we dissect the film's iconic racing scenes and memorable characters, debating the significance of vehicles like the Toyota Supra and Nissan Skyline. We examine the evolution of the franchise from street racing to grand action heists, and analyze themes of loyalty and exploitation through the lens of Dom Toretto and Brian O’Conner’s relationship. Additionally, we reflect on early 2000s fashion, memorable quotes, and the film's legacy, teasing exciting crossover potential for future installments.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I analyze Ken Loach's 2006 film, The Wind That Shakes the Barley, which portrays the harsh realities of the Irish Civil War and its implications on contemporary global struggles. Joined by Jeremy and Justin from Proles Pod, we discuss the film's anti-imperialist narrative and how key dialogues reflect on historical and modern conflicts. We explore character motivations, particularly Damien’s inner conflict between personal ambition and revolutionary duty, and draw parallels to current socio-political issues. Our conversation also covers the film’s impacting visual and auditory elements, alongside its depiction of nationalism versus socialism within Ireland. As we reflect on the legacies of colonialism and the quest for justice, I encourage listeners to engage with the film's profound exploration of resistance and the ongoing costs of liberation.Proles Podhttps://www.patreon.com/c/ProlesPod/homehttps://x.com/ProlesPodhttps://www.instagram.com/prolespod/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week we take a little break from Andrei Tarkovsky and are covering two films by Luis Bunuel.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This episode explores the 1954 film Godzilla as both a creature feature and a commentary on humanity post-nuclear disaster. Joined by Nat, Bill, and Levi, we discuss its cultural significance and evolving relevance, reflecting on personal experiences with its emotional themes. We analyze Dr. Serizawa's moral struggles, linking the film to Japan's post-war identity and historical trauma. Highlighting the blend of horror and humor, we invite listeners to connect Godzilla’s themes to contemporary issues, showcasing it as a lasting symbol of human fear and resilience.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left to the Projector, we analyze Episodes 4 through 6 of Andor Season 2 with Ward and Bill. We explore the emotional depth of Ghorman, where characters Bix and Andor confront their traumas amid revolution. Our discussion highlights the complexity of the Empire's portrayal in ISB meetings and the psychological impacts of hyper-vigilance on Cassian and Bix. We assess leadership themes and narrative manipulation within the revolutionaries, culminating in a critique of poor leadership during a heist. We conclude with excitement for upcoming episodes, emphasizing the series' profound exploration of rebellion, trauma, and social justice.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Kendra Dawsey:https://www.instagram.com/bossy_dawsey/https://letterboxd.com/bossy_dawsey/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Don't mind us saying 1-6 at the start, we cut us into 1-3.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In case you didn't know, there is this new film called Sinners and I'm joined by Brooke Obie, filmmaker and critic to discuss!Brooke Obiehttps://www.brookeobie.com/https://blackgirlwatching.substack.com/https://www.instagram.com/brookeobie/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector