Left of the Projector

Number 2 on the Best of LotP is a one of the greatest blockbusters of all time. The OG Jurassic Park. They've made many since, but this doesn't have Chris Pratt, so that makes it leagues better.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Ghostbusters is just a silly little comedy about why the EPA is actually the villain. Come hear Ash and Jon from Horror Vanguard podcast say why this is flawed and so much more.Horror Vanguardhttps://bsky.app/profile/thelitcritguy.bsky.socialhttps://bsky.app/profile/darrowvania.bsky.socialhttps://bsky.app/profile/horrorvanguard.bsky.socialhttps://bookshop.org/p/books/capitalism-a-horror-story-gothic-marxism-and-the-dark-side-of-the-radical-imagination-jon-greenaway/20692080?ean=9781914420887&next=tLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

My quick 5 min thoughts on Sinners. Spoiler Free. I should add, I can only share my thoughts here, but not the feelings that Coogler brings as a black film maker in a sea of white in Hollywood. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Imitation is the sincerest form of flattery. Well, one of my favorite podcasts, Revolitionary Left, is running old episodes in a best of series. I've seen a number of new listeners, and want to do a top 10 countdown of episodes you may have missed the first time around.Please enjoy!Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the iconic 1975 film Dog Day Afternoon with guest Jake Flores, delving into its themes of class struggle and socio-economic issues of the 1970s. We analyze Sonny's character, who conducts a bank heist to fund his partner Leon's gender-affirming surgery, and discuss the film's impact on LGBTQ+ representation.Our conversation examines the media portrayal in the film, particularly the "Attica" scene's relevance to contemporary justice movements. By unpacking the film's climax, we highlight its stark reality within a decaying socio-economic landscape, emphasizing its enduring significance in discussions around identity, resistance, and the intersection of art and politics.Jake Floreshttps://podcasts.apple.com/us/podcast/pod-damn-america/id1271019505https://x.com/feraljokeshttps://x.com/WhyYouMadPodhttps://x.com/IDKYPodhttps://www.instagram.com/feraljokes/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I’m joined by Smirk and Red to discuss the final two episodes of Season 2 of Severance. We analyze the emotional depth and intricate narrative of the finale, focusing on the character arcs of Mark, Gemma, and the Egan family within Lumen's oppressive corporate culture.We explore themes of control, moral ambiguity, and the duality of their 'Innie' and 'Outie' selves, while reflecting on the show's dark humor and symbolism. As we wrap up, we speculate on the unresolved themes of exploitation and identity, anticipating how they may evolve in future seasons. Ultimately, Severance challenges us to confront societal compartmentalization and the quest for wholeness.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week on Left of the Projector, Evan, Destiny, and Thomas dive into Pixar's WALL-E, exploring its themes of consumerism and alienation, while discussing its emotional depth and critique of capitalism. Tune in for insights on this timeless film!Closeted Historyhttps://www.instagram.com/closetedhistoryhttps://beacons.ai/closetedhistoryhttps://patreon.com/ClosetedHistoryhttps://www.youtube.com/@closetedhistoryThomas:https://linktr.ee/thomskyTikTok: https://www.tiktok.com/@leftistsquidwardLetterboxd: https://letterboxd.com/thomsky/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left at the Projector, we analyze Quentin Tarantino's Inglourious Basterds with guests Hugo and James Ray (aka @Jamesgetspolitical). We discuss standout performances and the film's controversial historical narrative.Hugo shares his admiration for Tarantino's blend of dark humor and WWII themes, while James raises concerns about historical accuracy but values the film's artistic approach to revenge.We explore character motivations, particularly Hans Landa's moral ambiguity, and examine key scenes that highlight tension. The conversation also touches on themes of vigilantism and anti-fascism, underscoring the film's cultural relevance today.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector