In this episode, we take a critical look at the film "Emilia Perez," an endeavor that has stirred significant debate due to its questionable narrative and representation. Joined by Griff and Chris from "Bring Out Your Dead," we dissect the film’s convoluted plot revolving around a Mexican cartel leader's journey of transition amidst the violence of the drug war. We highlight the controversies related to the film’s lack of authentic Mexican representation and the director Jacques Audiard's dismissive approach to Mexican culture. Our conversation unpacks the harmful stereotypes perpetuated by the film, particularly regarding trans women, and critiques its failed attempts at emotional resonance. We express disappointment in the film’s arbitrary musical numbers and underwhelming performances, particularly from Selena Gomez. Ultimately, we urge listeners to rethink their engagement with "Emilia Perez," advocating for cinema that embraces authentic narratives and empowers marginalized voicesBring Out Your Dead:https://www.instagram.com/bringoutyourdeadpod/https://pod.link/1706697539https://open.spotify.com/show/3Wsrp6l2a5JlXPJvG5Iwwg?si=3c5d62ed204a42a0Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Fun podcast episodes is my middle nameHow the Red was Wonhttps://www.instagram.com/how_the_red_was_won/https://www.patreon.com/HowtheRedwasWon?https://open.spotify.com/show/6YlNKncmYS7V08VOvs4XH4?si=066707a71c5b4a98Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Red and SmirkGently join me to discuss Season 1 and Season 2, episode 1-4.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I join Hugo and Priscilla Luna to explore the iconic 1973 horror film The Exorcist, directed by William Friedkin. We dissect its classification as horror, delve into its psychological themes, and reflect on how early exposure to the film shapes perceptions of the genre.We examine the historical context of post-Vietnam America, discussing societal fears surrounding science and religion. The conversation highlights Friedkin's innovative filmmaking techniques and key scenes, particularly Reagan’s possession. We also analyze character arcs, focusing on Father Karras’s internal struggles. We wrap up by recommending both versions of the film to appreciate its layered narrative and significance in cinema.Pricilla Luna:https://www.instagram.com/communalpresshttps://www.instagram.com/mutual.aid.collective/https://www.instagram.com/calaverawearofficial/Hugohttps://www.instagram.com/seizethemeansshirtshttps://linktr.ee/seizethemeanshttps://www.etsy.com/shop/SeizeTheMeans24Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we explore David Lynch's enigmatic film "Mulholland Drive" with author Mike Miley, who is preparing to release "David Lynch's American Dreamscape." Our discussion unravels the film’s complex narrative and its critique of the American dream, framed against the backdrop of Hollywood. Mike shares his personal experience discovering the film and reflects on its characters, Betty and Rita, as symbols of hope and disillusionment.Mike Miley: https://www.mikemiley.com/Pre order Book: https://www.bloomsbury.com/us/david-lynchs-american-dreamscape-9798765102893/https://instagram.com/mikecmileyhttps://bsky.app/profile/mikemiley.bsky.socialLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Nathan Gelgud, a comic artist, discusses the 1974 film The Taking of Pelham One Two Three on the show this week. We explore the film's representation of New York City during a tumultuous period marked by crime and economic decline, highlighting its authenticity through character accents and Walter Matthau's performance. Nathan reflects on the diverse motivations of the hijackers, the film's commentary on class and desperation, and its critique of municipal authority. The conversation also touches upon the socio-political context of 1970s New York, addressing the film's problematic portrayals while affirming its significant exploration of collective action and civic-mindedness. Nathan ultimately champions the film as essential viewing for its nuanced depiction of urban struggles.Nathan Gelgud:https://www.instagram.com/gelgud/https://www.patreon.com/gelgudhttps://www.etsy.com/listing/1818478318/pierrot-shirt?etsrc=sdtLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Well, it's been a year and now our fourth episode in the Andrei Tarkovsky series. This is truly one of the greatest films ever made and I hope you enjoy our deep and vulnerable conversation.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this week's episoide, we dive into the latest Alien franchise film. I'm joined by Bill and Ward.Bill:https://www.instagram.com/the_red_gobbo/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Alex Herbert is back for the full episode. We dive into Caliban and the Witch, gothic horror, why do some people not like this film, class dymanics and so much more. Dive with this spoiler filled episode.Alex Herbert:https://alexherbert.substack.com/https://www.instagram.com/punksaround/https://www.instagram.com/lenin_in_45_volumes/Links: https://filmfreakcentral.net/2024/12/nosferatu-2024/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

It's finally here and here we are with our quick impressions and teasing our full episode, out Dec 30, 2024. In the meantime, hear our first impressions, the characters, how it fits in Dracula lore and teasers on class dynamics. Alex Herbert:https://alexherbert.substack.com/https://www.instagram.com/punksaround/https://www.instagram.com/lenin_in_45_volumes/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector