Left of the Projector

In this episode, we kick off our mini-series on Gareth Edwards with a deep dive into his indie film Monsters. We discuss its low budget, minimalist storytelling, and the themes of imperialism and capitalism woven into the narrative. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://www.instagram.com/the_red_gobbo/https://www.instagram.com/millennialmarxist1/https://leftoftheprojector.com

I'm joined by Director Martin Melnick, Actors Shannon Beeby and Ryan Jonze to discuss the newly released film Lilly Lives Alone. You can find now on Dark Sky Films.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the 2002 film Punch Drunk Love with writer-director Portia. We discuss its significance during a period of economic uncertainty and its distinct departure from Paul Thomas Anderson's other works. Portia shares her connection to the film, highlighting Adam Sandler’s multifaceted portrayal of Barry Egan and the film's subversion of romantic comedy tropes. We analyze its artistic choices, standout performances, and motifs of connection and isolation, ultimately recognizing how Punch Drunk Love invites a deeper appreciation within Anderson’s filmography.https://www.newwoo.uk/https://www.instagram.com/portia_bh/https://www.threads.com/@portia_bhLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we explore the iconic film 2001: A Space Odyssey, directed by Stanley Kubrick, and its profound themes regarding AI and humanity. Joined by Levi and Joey, we discuss the contrasting representations of artificial intelligence, specifically HAL 9000 and Harlan Ellison's AM, prompting reflections on consciousness and survival. We analyze Kubrick's artistic choices, including minimal dialogue and groundbreaking visual effects, and consider the monoliths as symbols of external influence in human evolution. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I chat with filmmaker Christopher Bell to dissect the film Contact, directed by Robert Zemeckis and inspired by Carl Sagan's work.Linktree:https://linktr.ee/christopherjasonbellMiss Me Yet:https://means.tv/programs/missmeyetAttention Shoppers:https://means.tv/programs/attention-shoppersFailed State trailer:https://vimeo.com/1045365473Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

So sit back, relax, and join Lotp, Este, and Ryan as they celebrate the summer vibes, campfire shenanigans, and comedic brilliance of Wet Hot American Summer, reminding us that it's Wain's world, and we're just living in it.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I join Chris and Wythe from the Why We Roll Podcast to analyze David Cronenberg's cult classic Videodrome. We explore its themes of technology, media, and the human condition, discussing the film's initial reception and rise to cult status. We examine the character of Max Ren, played by James Woods, and the male gaze's implications on sexuality and power dynamics, as well as the film's philosophical layers surrounding identity.We also consider Cronenberg's body horror elements as metaphors for existential dilemmas, particularly as Max navigates the influence of Videodrome. The conversation draws parallels between the film and contemporary media technologies, questioning whether they enhance or diminish our humanity. We conclude by reflecting on the lasting impact of Videodrome and its relevance in today's media landscape.KickStarter for Dance MacabreWhy We Rollhttps://stillfleet.comhttp://stillfleet.com/danse https://bsky.app/profile/stillfleet.bsky.socialhttps://www.instagram.com/timespace.placeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector