New Books in Urban Studies

Uganda's capital, Kampala, is undergoing dramatic urban transformations as its new technocratic government seeks to clean and green the city. Waste Worlds: Inhabiting Kampala's Infrastructures of Disposability (U California Press, 2021) tracks the dynamics of development and disposability unfolding amid struggles over who and what belong in the new Kampala. Garbage materializes these struggles. In the densely inhabited social infrastructures in and around the city's waste streams, people, places, and things become disposable but conditions of disposability are also challenged and undone. Drawing on years of ethnographic research, Jacob Doherty illustrates how waste makes worlds, offering the key intervention that disposability is best understood not existentially, as a condition of social exclusion, but infrastructurally, as a form of injurious social inclusion.Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com Learn more about your ad choices. Visit megaphone.fm/adchoices

To many the city might seem simply a large urban area to live within, but it actually forms an important political concept and community that has been influential throughout European history. From the polis of Ancient Greece, to the Roman Republic, to the city-states of the Italian Renaissance, and down to the present day. Modern concepts of democracy and citizenship that have shaped European thought have historically originated from the political community of the “city”.Addressing this multifaceted topic is Ferenc Hörcher's The Political Philosophy of the European City: From Polis, Through City-State, to Megalopolis? (Lexington Books, 2021)Ferenc Hörcher is a political philosopher, historian of political thought and a philosopher of art. He is director of the Research Institute of Politics and Government at the University of Public Service in Budapest and senior researcher at the Institute of Philosophy of the Hungarian Academy of Science.Stephen Satkiewicz is independent scholar whose research areas are related to Civilizational Analysis, Big History, Historical Sociology, War studies, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies’ produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant’ cultural production and dystopian analyses of urban decay.Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music’ has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital.At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book:Actress – Splazsh (2010)DJ Rashad – Just a Taste Vol. 1 (2011)Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004)Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this timely book, award-winning journalist and longtime Hong Konger, Louisa Lim, weaves together Hong Kong's fraught political and social history with her own first hand account of the spirit of an indelible city. In her latest book, Indelible City: Dispossession and Defiance in Hong Kong, published by Riverhead Books in April 2022, Lim reflects on attempts at the erosion of Hong Kong identity, to be replaced with a future that Beijing seeks to impose. Since the British takeover in 1842, through to the tumultuous period of political upheaval to 2020,  Lim weaves the personal stories of local Hong Kongers to provide an authentic, textured account of a place, its people and a spirit which continues to endure. Long-time Hong Konger Lousia Lim is a Senior Lecturer in audio-visual journalism, culture and communication at The University of Melbourne. She spent many years as a journalist in Hong Kong and China. Her first book, The People's Republic of Amnesia: Tiananmen Revisited, was shortlisted for the Orwell Prize for Political Writing and the Helen Bernstein Prize for Excellence in Journalism. She co-hosts The Little Red Podcast, an award-winning podcast on China. Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK Learn more about your ad choices. Visit megaphone.fm/adchoices

Afropolitan Encounters: Literature and Activism in London and Berlin (Peter Lang, 2022), the first book in the new series “Imagining Black Europe,” explores what Afropolitanism does. Mobile people of African descent use this term to address their own lived realities creatively, which often includes countering stereotypical notions of being African. Afropolitan practices are enormously heterogeneous and malleable, which constitutes its strengths and, at the same time, creates tensions.Anna von Rath traces the theoretical beginnings of Afropolitanism and moves on to explore Afropolitan practices in London and Berlin. Afropolitanism can take different forms, such as that of an identity, a political and ethical stance, a dead–end road, networks, a collective self–care practice or a strategic label. While not a unitary project, the vast variety of Afropolitan practices provide approaches to contemporary political problems in Europe and beyond. In this book, Afropolitan practices are read against the specific context of German and British colonial histories and structures of racism, the histories of Black Europeans, and contemporary right–wing resurgence in Germany and England, respectively.Nicole Coleman is Assistant Professor of German at Wayne State University. She tweets @drnicoleman. Learn more about your ad choices. Visit megaphone.fm/adchoices

Curtis Mayfield. The Chi-Lites. Chaka Khan. Chicago’s place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up: Chicago Soul Music and Black Cultural Power (U Chicago Press, 2019), Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America’s future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like “We’re a Winner” and “I Plan to Stay a Believer.” Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness. Soul music also accompanied the rise of African American advertisers and the campaign of Chicago’s first black mayor, Harold Washington, in 1983. This empowerment was set in stark relief by the social unrest roiling in Chicago and across the nation: as Chicago’s homegrown record labels produced rising stars singing songs of progress and freedom, Chicago’s black middle class faced limited economic opportunities and deep-seated segregation, all against a backdrop of nationwide deindustrialization.Drawing on more than one hundred interviews and a music critic’s passion for the unmistakable Chicago soul sound, Cohen shows us how soul music became the voice of inspiration and change for a city in turmoil. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace."Aaron Cohen on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Following the recent global housing boom, tract housing development became a billion-dollar industry in Mexico. At the national level, neoliberal housing policy has overtaken debates around land reform. For Indigenous peoples, access to affordable housing remains crucial to alleviating poverty. But as palapas, traditional thatch and wood houses, are replaced by tract houses in the Yucatán Peninsula, Indigenous peoples' relationship to land, urbanism, and finance is similarly transformed, revealing a legacy of debt and dispossession.Indigenous Dispossession: Housing and Maya Indebtness in Mexico (Stanford UP, 2020) examines how Maya families grapple with the ramifications of neoliberal housing policies. M. Bianet Castellanos relates Maya migrants' experiences with housing and mortgage finance in Cancún, one of Mexico's fastest-growing cities. Their struggle to own homes reveals colonial and settler colonial structures that underpin the city's economy, built environment, and racial order. But even as Maya people contend with predatory lending practices and foreclosure, they cultivate strategies of resistance—from "waiting out" the state, to demanding Indigenous rights in urban centers. As Castellanos argues, it is through these maneuvers that Maya migrants forge a new vision of Indigenous urbanism. Learn more about your ad choices. Visit megaphone.fm/adchoices

The poet Walt Whitman wrote in his 1867 edition of Leaves of Grass that New York was a “City of the world! (for all races are here, All lands of the earth make contributions here…”)How that city came to be on the island of Manhattan, and what it has meant for the United States and the world over the centuries, is the subject of Marc Aronson’s new book Four Streets and a Square: A History of Manhattan and the New York Idea (Candlewick Press, 2021).Aronson argues that the density of Manhattan has put different kinds of people close to each other--fostering curiosity, conflict and new cultural hybrids ranging from blackface minstrelsy to musical theater to street photography To give a focus and structure to his story, Aronson organizes his material around streets and squares that have, in different times, framed formative encounters between New Yorkers: Wall Street, Union Square, Forty Second Street, 125th Street, and West Fourth Street. Aronson’s narrative reaches from the days of Munsee villages to the recent past, but he devotes special attention to Manhattan since 1900, when the island at the center of New York City matured into a global capital of culture, media, and finance. While well aware of the inequalities and injustice present in Manhattan and New York City, and the ravages of the coronavirus pandemic, Aronson keeps with faith with the idea of Manhattan as an inclusive home and a site of great cultural energy. Four Streets and a Square is accompanied by a rich array of digital sources and resources at https://marcaronson.com/four-streets-and-a-square/.Aronson, an author, editor and historian, is on the graduate faculty at the Rutgers University School of Communication and Information. He was born in Manhattan and lives in New Jersey.Robert W. Snyder is Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University. He is the author of Crossing Broadway: Washington Heights and the Promise of New York (Cornell, paperback, 2019) and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York (Columbia, 2019). He can be reached at rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Technology of the Oppressed: Inequity and the Digital Mundane in Favelas of Brazil (MIT Press, 2022), David Nemer draws on extensive ethnographic fieldwork to provide a rich account of how favela residents engage with technology in community technology centers and in their everyday lives. Their stories reveal the structural violence of the information age. But they also show how those oppressed by technology don’t just reject it, but consciously resist and appropriate it, and how their experiences with digital technologies enable them to navigate both digital and nondigital sources of oppression—and even, at times, to flourish. Nemer uses a decolonial and intersectional framework called Mundane Technology as an analytical tool to understand how digital technologies can simultaneously be sites of oppression and tools in the fight for freedom. Building on the work of the Brazilian educator and philosopher Paulo Freire, he shows how the favela residents appropriate everyday technologies—technological artifacts (cell phones, Facebook), operations (repair), and spaces (Telecenters and Lan Houses)—and use them to alleviate the oppression in their everyday lives. He also addresses the relationship of misinformation to radicalization and the rise of the new far right. Contrary to the simplistic techno-optimistic belief that technology will save the poor, even with access to technology these marginalized people face numerous sources of oppression, including technological biases, racism, classism, sexism, and censorship. Yet the spirit, love, community, resilience, and resistance of favela residents make possible their pursuit of freedom.David Nemer is an Assistant Professor in the Department of Media Studies and in the Latin American Studies program at the University of Virginia. He is also a Faculty Associate at Harvard University's Berkman Klein Center and Princeton University's Brazil Lab. His research and teaching interests cover the intersection of Science and Technology Studies (STS), Anthropology of Technology, ICT for Development (ICT4D), and Human-Computer Interaction (HCI). Nemer is an ethnographer whose fieldworks include the Slums of Vitória, Brazil; Havana, Cuba; Guadalajara, Mexico; and Eastern Kentucky, Appalachia. Nemer is the author of Technology of the Oppressed (MIT Press, 2022) and Favela Digital: The other side of technology (Editora GSA, 2013).Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program, where my research addresses the intersection of artificial intelligence, human rights, and democracy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hong Kong is almost impossible to explain to those not from the city. Too often, the city has had to struggle with shorthand used by those writing about the city from afar—for audiences with little understanding of what the place is actually like.The Impossible City: A Hong Kong Memoir (Random House: 2022) by Karen Cheung is a deep dive into the things that make Hong Kong different, diverse and difficult.In this interview, Karen and I talk about Hong Kong—the home city for both of us—and what it means to grow up in such a dense, unsure and misunderstood place.Karen Cheung (karen-cheung.com) is a writer and journalist from Hong Kong. Her essays, cultural criticism, and reported features have appeared on This American Life and in The New York Times, Foreign Policy, and other publications. She was formerly a reporter at Hong Kong Free Press and was co–founding editor of Still / Loud, an indie magazine about culture and music in Hong Kong.Karen can be followed on Twitter at @karenklcheung.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Impossible City. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices