New Books in Urban Studies

The “Pittsburgh Renaissance,” an urban renewal effort launched in the late 1940s, transformed the smoky rust belt city’s downtown. Working-class residents and people of color saw their neighborhoods cleared and replaced with upscale, white residents and with large corporations housed in massive skyscrapers. Pittsburgh’s Renaissance’s apparent success quickly became a model for several struggling industrial cities, including St. Louis, Cleveland, Detroit, Chicago, and Philadelphia.In A Good Place to Do Business: The Politics of Downtown Renewal Since 1945 (Temple UP, 2022), Roger Biles and Mark Rose chronicle these urban “makeovers” which promised increased tourism and fashionable shopping as well as the development of sports stadiums, convention centers, downtown parks, and more. They examine the politics of these government-funded redevelopment programs and show how city politics (and policymakers) often dictated the level of success.As city officials and business elites determined to reorganize their downtowns, a deeply racialized politics sacrificed neighborhoods and the livelihoods of those pushed out. Yet, as A Good Place to Do Business demonstrates, more often than not, costly efforts to bring about the hoped-for improvements failed to revitalize those cities, or even their downtowns.Nicole Trujillo-Pagán is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1968 to 1975 one high-rise was the heart of Canada’s counterculture. Rochdale College in Toronto was jammed full with leftist organizers, hippies, draft dodgers, students, artists, and others just looking for a good time. Rochdale wasn’t really a “college”, it was something much bigger: a political, educational, communal, artistic, and psychedelic experiment. During its time, it was endlessly lambasted by conservatives and leftists alike… until it reached its inglorious end.Today, like much of the counterculture, it’s often remembered for its problems: its ideological contradictions, drug-addled hedonism, bourgeois individualism, sexism, suicide, and more. However, is that the whole story? Were the kids in the hippie high rise onto something, …or was it indeed just one giant waste of time? We investigate with a special documentary presentation, produced by Marc Apollonio.SUPPORT THE SHOWYou can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.ABOUT THE SHOWFor a full list of credits, contact information, and more, visit our about page Learn more about your ad choices. Visit megaphone.fm/adchoices

On a blustery fall morning back in 2019, RTB welcomed Christine Walley, anthropologist and author of Exit Zero: Family and Class in Postindustrial Chicago. In the early 1980s Chris’s father, along with thousands of other steel workers, lost his job when the mills in Southeastern Chicago closed. The book is part of a multimodal project, including the documentary film, “Exit Zero: An Industrial Family Story,” (with director Chris Boebel) and an NEH-funded digitization project of the Southeastern Chicago Historical Museum, a community-based archive of materials related to the neighborhood.How can academics begin conversations about class and deindustrialization with those most negatively affected by the precarious economic present? What is the secret to unpacking the great diversity hidden behind the phrase “white working class”? This episode’s signature RTB move (fleeing the present, only to discover echoes of its misery back in the past) takes us to Elizabeth Gaskell’s novel North and South, published in 1854 just as industrialization in the North of England was taking off.In Recallable Books, Elizabeth lingers in England’s North to recommend George Orwell’s The Road to Wigan Pier. Chris points out how Jane Addams’s Twenty Years at Hull House (though perhaps patronizing in some ways) shows us 19th century projects for combating the dislocation and suffering of deindustrialization. John goes against type by anteing up the most current of our recallable books, Joseph O’Neill’s The Dog.Mentioned in this episode: Exit Zero: Family and Class in Postindustrial Chicago, Christine J. Walley The Jungle, Upton Sinclair Imagined Communities: Reflections on the Origin and Spread of Nationalism, Benedict Anderson Chicago School of Sociology Suspended Dreams: the Afterlife of Memory in Photographic Album, Martha Langford Trump’s Election and the ‘White Working Class’: What We Missed, Christine J. Walley North and South, Elizabeth Gaskell My Year of Rest and Relaxation, Ottessa Moshfegh Give a Man a Fish, James Ferguson The Human Condition, Hannah Arendt The Road to Wigan Pier, George Orwell Twenty Years at Hull House, Jane Addams The Dog, Joseph O’Neill Listen to the episode here:Walley Transcript Learn more about your ad choices. Visit megaphone.fm/adchoices

New Orleans is an indispensable element of America's national identity. As one of the most fabled cities in the world, it figures in countless novels, short stories, poems, plays, and films, as well as in popular lore and song. T. R. Johnson's book New Orleans: A Writer's City (Cambridge UP, 2023) provides detailed discussions of all of the most significant writing that this city has ever inspired - from its origins in a flood-prone swamp to the rise of a creole culture at the edges of the European empires; from its emergence as a cosmopolitan, hemispheric crossroads and a primary hub of the slave trade to the days when, in its red light district, the children and grandchildren of the enslaved conjured a new kind of music that became America's greatest gift to the world; from the mid-twentieth-century masterpieces by William Faulkner, Tennessee Williams and Walker Percy to the realms of folklore, hip hop, vampire fiction, and the Asian and Latin American archives. Learn more about your ad choices. Visit megaphone.fm/adchoices

Development, Architecture, and the Formation of Heritage in Late Twentieth-Century Iran (Manchester UP, 2020) analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities.The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lilly: The First Latina Rockette (Lilly Enterprises, 2021) is the improbable story of a Puerto Rican toddler, confined by her father for 15 years to a Bronx orphanage—the former Kennedy estate--and her emergence as a successful jazz and Broadway dancer on the way to becoming the first Latina Rockette. Equally important: a thoughtful exploration of Roman Catholic charitable institutions, the New York City’s fabled High School of Performing Arts, the uncertainties and brutality of Puerto Rican family life and the joy of discovering a Latina identity during a troubled time.James Wunsch is Emeritus Professor of Historical and Education Studies at SUNY Empire State. Learn more about your ad choices. Visit megaphone.fm/adchoices

Delhi, one of the world's largest cities, has faced momentous challenges—mass migration, competing governing authorities, controversies over citizenship, and communal violence. To understand the contemporary plight of India's capital city, Delhi Reborn: Partition and Nation Building in India's Capital (Stanford UP, 2022) revisits one of the most dramatic episodes in its history, telling the story of how the city was remade by the twin events of partition and independence. Treating decolonization as a process that unfolded from the late 1930s into the mid-1950, Rotem Geva traces how India and Pakistan became increasingly territorialized in the imagination and practice of the city's residents, how violence and displacement were central to this process, and how tensions over belonging and citizenship lingered in the city and the nation. She also chronicles the struggle, after 1947, between the urge to democratize political life in the new republic and the authoritarian legacy of colonial rule, augmented by the imperative to maintain law and order in the face of the partition crisis. Drawing on a wide range of sources, Geva reveals the period from the late 1930s to the mid-1950s as a twilight time, combining features of imperial framework and independent republic. Geva places this liminality within the broader global context of the dissolution of multiethnic and multireligious empires into nation-states and argues for an understanding of state formation as a contest between various lines of power, charting the links between different levels of political struggle and mobilization during the churning early years of independence in Delhi.Rotem Geva is Lecturer in Asian Studies and History at The Hebrew University of Jerusalem. She is a historian of South Asia concentrating on 20th-century India. Her research and teaching interests include colonialism, nationalism, territorial partitions and mass violence, and urban history.Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Violent Utopia: Dispossession and Black Restoration in Tulsa (Duke UP, 2022), Jovan Scott Lewis retells the history and afterlife of the 1921 Tulsa race massacre, from the post-Reconstruction migration of Black people to Oklahoma Indian Territory to contemporary efforts to rebuild Black prosperity. He focuses on how the massacre in Tulsa’s Greenwood neighborhood—colloquially known as Black Wall Street—curtailed the freedom built there. Rather than framing the massacre as a one-off event, Lewis places it in a larger historical and social context of widespread patterns of anti-Black racism, segregation, and dispossession in Tulsa and beyond. He shows how the processes that led to the massacre, subsequent urban renewal, and intergenerational poverty shored up by nonprofits constitute a form of continuous slow violence. Now, in their attempts to redevelop resources for self-determination, Black Tulsans must reconcile a double inheritance: the massacre’s violence and the historical freedom and prosperity that Greenwood represented. Their future is tied to their geography, which is the foundation from which they will repair and fulfill Greenwood’s promise.Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Cities are central to prosperity: they are hubs of innovation and growth. However, the economic vitality of wealthy cities is marred by persistent and pervasive inequality—and deeply entrenched anti-urban policies and politics limit the options to address it. Structural racism, suburban subsidies, regional government fragmentation, the hostility of state legislatures, and federal policy all contribute to an unequal status quo that underfunds cities while preventing them from pursuing fairer outcomes. Economist Richard McGahey explores how cities can foster equitable economic growth despite the obstacles in their way. Drawing on economic and historical analysis as well as his extensive experience in government and philanthropy, he examines the failures of public policy and conventional economic wisdom that have led to the neglect of American cities and highlights opportunities for reform. Unequal Cities: Overcoming Anti-Urban Bias to Reduce Inequality in the United States (Columbia UP, 2023) features detailed case studies of New York, Detroit, and Los Angeles, tracing how their attempts to achieve greater equity foundered because of the fiscal and political constraints imposed on them. McGahey identifies key lessons about the political coalitions that can overcome anti-urban biases, arguing that alliances among unions, environmentalists, and communities of color can help cities thrive. But he warns that cities cannot solve inequality on their own: political action at state and federal levels is necessary to achieve systemic change. Shedding light on the forces that produced today’s dysfunction and disparities, Unequal Cities provides timely policy prescriptions to promote both growth and equity.Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Building as Screen: A History, Theory, and Practice of Massive Media (Amsterdam UP, 2019) describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. Learn more about your ad choices. Visit megaphone.fm/adchoices