New Books in Historical Fiction

Egypt in the Eighteenth Dynasty seems both impossibly distant in time and disconcertingly present. Over 250 years, the dynasty produced several of the rulers best known to modern Western culture: Akhenaten and his wife Nefertiti, Tutankhamen (Tut), and Hatshepsut, the most famous of the handful of women who ruled Egypt as pharaoh. The Sekhmet Bed begins a few years before Hatshepsut’s birth, with the death of Pharaoh Amenhotep I in 1503 BCE. He leaves two daughters, Mutnofret and Ahmose, to marry–and therefore legitimate–the next pharaoh. The marriage surprises neither of them, but in an unexpected twist the thirteen-year-old Ahmose is proclaimed Great Royal Wife while her older sister has to settle for second place. Mutnofret does not take her perceived demotion lying down, and she uses her greater maturity to seduce the pharaoh. She is soon fulfilling the main obligation of a queen: to bear royal sons. But Ahmose, a visionary, has the ear of the gods–the reason she received the title of Great Royal Wife in the first place. And the gods will decide whether Ahmose or her sister will bear the next pharaoh. The Sekhmet Bed is the first of four books that trace Hatshepsut’s rise to power, the obstacles she faces in assuming the throne, the long and prosperous reign that follows (1479-1458 BCE), and its aftermath in the reign of her successor. Libbie Hawker brings this long-gone but fascinating period alive in a tale of two sisters forced into conflict by the need to secure an empire and a dynasty. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Lina Sparrow can’t believe her luck when the boss at her fancy New York law firm offers her a once-in-a-lifetime chance: find a suitable plaintiff for a class-action suit to be lodged against the U.S. government and fifty rich corporations that profited from slave labor before the Civil War. The wealthy technocrat intent on pushing this suit for reparations claims he has a deal that will protect Lina’s law firm from going head to head against the government, and the case seems guaranteed to generate lots of publicity and a lovely bag of cash for the law firm. But the pressure is on: Lina has only a few weeks to find the right person and convince him or her to play along. Luck again appears to favor her when a friend of her artist father alerts her to a recent controversy surrounding the paintings of Luanne Bell, a plantation lady from the 1850s whose art portrays her slave laborers with extraordinary complexity and compassion. Are the paintings Luanne’s, or the work of her house girl Josephine? And if Lina can prove that Luanne has received credit for Josephine’s work for the last century and a half, can she also find a descendant who can serve as living evidence of the devastating damage inflicted by slavery? The House Girl moves deftly back and forth between past and present as Lina works to trace the history of one young girl enslaved on a Virginia tobacco plantation while fending off challenges posed by her coworkers, the man who may be Josephine’s descendant, and even her own past. Tara Conklin‘s debut novel hit the bestseller lists within weeks of its release. You’ll have no trouble figuring out why. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

It seems fair to say that a large proportion of the English-speaking reading public has encountered Jane Austen’s classic novel Pride and Prejudice, either on the page or in one of the many adaptations for stage, screen, and television. At the same time, the number of avid Austen readers who remember much about Mary, the third of the five Bennet sisters, is almost certainly small. Mary rates so little time on the page that scholars have questioned the need for her existence: could Austen not have made her point with three daughters, or at most four? Mary is the sister in the middle–solemn and unattractive, liable to put her foot in her mouth at any moment, more enthusiastic than skilled at the piano. She is, in modern terms, the perfect subject for a makeover–which she receives to great effect in The Pursuit of Mary Bennet (William Morrow, 2013). Three years after the events in Pride and Prejudice, Mary is dwindling into spinsterhood, in her own mind and that of her mother–a grim future for a gentlewoman in Regency England, one that would doom her to a life dependent on the kindness of others. Mary’s mother is already planning to send her off on the first of what promises to be a series of assignments as a high-class nursemaid, not quite a servant but not her own mistress either. When Mary’s scandalous youngest sister arrives unannounced on her parents’ doorstep, Mary’s life takes an unexpected turn. Love, even marriage, becomes possible. But Mary has learned the hard way not to trust her instincts, and it will take a great deal to convince her that happiness lies within her reach. As Pamela Mingle notes, it is not easy to step into Austen’s shoes. All the more credit to her, therefore, for doing such a wonderful job. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

The chivalric society of medieval Europe resembled a pyramid, with each man sworn to serve the lord above him in a social hierarchy that reached up to the king. A warrior without a lord had no future, no means of support, no identity. So when Tancred, a Breton knight sworn to defend the newly appointed earl of Northumbria, loses his lord in an English raid, the loss not only deprives him of a leader as close as a father but threatens his entire sense of himself. No matter that Tancred is away on another mission when the raid begins, that he fights nobly to defend his embattled lord, that he loses his sweetheart and almost his life in the raid. He has broken his oath, despite his best efforts, and no other lord trusts him to fulfill the terms of his service. It is England in 1069, three years after the Battle of Hastings, and Tancred is fighting for the Norman invaders in hostile territory, where the English forces have rallied under the leadership of Edgar, the last Saxon prince. The earl of Northumbria and most of the two thousand knights under his command are the first casualties in what will become England’s last attempt to throw off a successful invader. As James Aitcheson reminds us in this month’s interview, the grand battle that makes it into the history books marks only the turning point in any invasion. And although it has become a cliché to say that history is written by the victors, the Norman Conquest has traditionally been one area where that adage does not apply. Sworn Sword  (Sourcebooks, pbk, 2014) and its sequels reveal the other side of a familiar story through the eyes of victors who do not yet know whether they will win or lose. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

In March 1912, a college student at the University of Illinois takes time away from his usual pursuits–painting the dean’s horse blue, climbing dorm walls with a sack of squirrels, reading Huckleberry Finn–to write a letter to a Scottish poet living on the remote Isle of Skye. As the young man, David Graham, notes in his first paragraph, poetry is not his usual literary fare, but something in this book has touched his soul. A few weeks later, his poet, Elspeth Dunn, responds, initiating a conversation that will flourish as friendship and eventually as romance, with consequences that reach across the first world war and into the next. To sustain a novel entirely through the exchange of letters poses a challenge to any writer, although the epistolary novel itself has a long tradition: the earliest novels adopted this form. Here David and Elspeth emerge as two distinct personalities, drawn to each other across the cultural divide symbolized by the Atlantic Ocean and the greater divide that propels David to war in France even as Elspeth clings to her island. But it takes the determination of a second generation at war to bring Elspeth and David’s story to its natural conclusion. In this sparkling debut novel, Jessica Brockmole explores the many layers of connection that bind lovers and family members across the years and through adversity. With its exquisite descriptions of place and its ability to evoke the myth-drenched wildness of the Hebrides, Letters from Skye (Ballantine Books, 2013) will pull you into the lives of David, Elspeth, and their families. It’s a journey you will not regret taking. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

On the night of March 9, 1948, fire consumed the Central Building at the Highland Mental Hospital in Asheville, North Carolina. Although people at the time recognized that the fire had been set, the local police department never identified the arsonist. Among the nine women who died on a locked floor at the top of building was Zelda Fitzgerald, the wife (by then, widow) of the writer F. Scott Fitzgerald. Zelda’s storybook life had led her from the Beauty Ball of Montgomery, Alabama, to marriage at seventeen and the joys and excesses of the Jazz Age (a term coined by her husband). But the early 1930s brought repeated hospitalizations for schizophrenia. Whenever possible, Zelda wrote and painted and danced, yet she remains known to history primarily as the inspiration for Daisy Buchanan and other rich, spoiled, shallow Fitzgerald heroines. In Guests on Earth (Algonquin Books, 2013), Lee Smith sets out to correct our images of Zelda. In doing so, she raises questions of what it means to be “crazy,” to be called crazy even if you just do a poor job of fitting in with society’s expectations, or to stand by–as family members must–while their loved ones are taken away to institutions and subjected, if with the best of intentions, to barbaric treatments that represent the “progressive” wisdom of the day. What kind of lives can these “guests on earth”–in Scott Fitzgerald’s words, “eternal strangers carrying around broken decalogues that they cannot read”–construct in their moments of lucidity? The characters in this novel–especially the narrator of the story, a young woman from New Orleans named Evalina Toussaint–exemplify both the ease with which we categorize people whose thinking we don’t understand and the extent to which we do so in error. In 1936, at the age of thirteen, Evalina responds to the death of her mother and brother by refusing to eat and by burning her arms. As a result, she spends the rest of her girlhood and much of her young womanhood as a patient, and ultimately a staff member, at Highland Hospital. There she meets Zelda Fitzgerald, together with a cast of troubled misfits, and herself spends some time on the locked floor of the Central Building. But Evalina also learns to play the piano at Highland, and her skills as an accompanist first take her away from the asylum, then bring her back. By the time you finish her story, you will understand why Lee Smith asks, “Are we not, in the end, all ‘guests on earth’?” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

London, December 1563. Elizabeth I–Gloriana, the Virgin Queen–has ruled England for five years, but her throne is far from secure. Even though Elizabeth succeeded her half-sister Mary, the idea of a woman sovereign still troubles much of the populace. And although the burnings of Protestants at Smithfield ceased with Elizabeth’s accession, religion remains a source of dissatisfaction and uncertainty. Catholics, once protected by the crown, find themselves subject to unwarranted search and seizure, to having their ears nailed to the pillory or sliced from their heads, to arrest and confinement in the Tower on the merest suspicion of intent to foment unrest. Not all the plots are imaginary, either: several rebellions with religious overtones punctuate Elizabeth’s reign. Amid this atmosphere of mistrust, William Harley, Clarenceux King of Arms, sits in the light of a single candle, listening to the rain outside his study window, his robe pulled tight against the December chill. A knock on the door sparks in him the fear that would later be familiar to victims of the Soviet secret police: who would demand entrance after curfew other than government troops bent on hauling him in for his allegiance to the pope? But the queen’s forces cannot be denied, so with considerable trepidation Clarenceux orders his servant to open the door. In fact, his visitor is a friend, a betrayed man facing death and determined to pass on his secret mission to Clarenceux. In accepting, Clarenceux has no idea that the mission places at risk his life, his health, his family, his friends, and the safety of the realm. The price of loyalty is high, and betrayal lurks in every corner. The Clarenceux Trilogy, which continues with The Roots of Betrayal and The Final Sacrament, is the work of James Forrester, the pen name of the historian Ian Mortimer, author of The Time Traveler’s Guide to Elizabethan England. His novels wear their history with lightness and panache: Sacred Treason (Sourcebooks, 2012) will pull you into Elizabethan London, and you will not want to leave. Enjoy the ride. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

In 476 CE, according to the chronology most of us learned in school, the Roman Empire fell and the Dark Ages began. That’s how textbook chronologies work: one day you’re studying the Romans, and next day you’re deep in early feudal Europe, as if a fairy godmother had waved a magic wand. Reality is more complex. The Fall of Rome affected only the western territories of that great world power, which had in fact been weakening for some time. The Eastern Roman Empire–later known as Byzantium or the Byzantine Empire–survived for another thousand years. Recast under Turkish rule as the Ottoman Empire, it lasted five hundred years more. But the Eastern Roman Empire endured shocks and fissures of its own, and its survival was far from assured. Under the rule of Emperor Justinian I and his empress, Theodora, it entered a crucial phase. Justinian began life as a swineherd, Theodora as a bear keeper’s daughter, yet they fought their way to the pinnacle of power in Constantinople and, once there, established a new set of governing principles that for a while almost restored the empire that Rome had lost. In The Eagle and the Swan (Erudition Digital, 2013), Carol Strickland  traces the first part of Justinian’s and Theodora’s journey. Listen in as she takes us through the circuses, streets, brothels, monasteries, and churches of early sixth-century Byzantium, all the way to the imperial court. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Malaya, 1893. Pan Li Lan, a beautiful eighteen-year-old, has watched her Chinese merchant family decline since the death of her mother from smallpox during Li Lan’s early childhood. Her father lives in isolation and smokes too much opium: bad for business, as anyone can see from the decaying surroundings of their Malacca estate. Li Lan knows that her prospects of finding a husband are poor. Still, she does not expect her father to offer a dead man as bridegroom–even one whose family promises to keep her in luxury for the rest of her life. When Li Lan’s would-be husband begins to haunt her dreams–and she falls for his cousin in reality–her desperation to escape leads her on a journey through the Chinese afterlife, searching for the key that will free her from a marriage she dreads. But she slowly realizes that to succeed, she must uncover the secrets of her past … and her prospective groom’s. The Ghost Bride (HarperCollins, 2013) opens a window on a fascinating and little-known world in which a spunky young woman tests the boundaries of her traditional middle-class existence in pursuit of a better future. Yangsze Choo brings Li Lan and her family to vivid life, then spins them off into a mirror society with rules eerily familiar yet utterly strange. It’s a journey well worth taking. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Few possibilities terrify parents more than the kidnapping of a child. Guilt, grief, helplessness, anger, and immobilizing fear mingle to create an emotional stew with a mix of ingredients that varies just enough from person to person to reveal the cracks in once-solid relationships, leaving individuals struggling alone–and often against each other. If the parents are, in addition, early twentieth-century missionaries in a great and ancient land hidden from them as much by their own cultural arrogance and misperceptions as by the unfamiliarity of the terrain, such a crisis raises additional questions: Has my God forsaken me? Have I sinned against Him? Is the husband I considered the master of my soul capable of guidance, or does he in fact require my assistance to find his way home? Virginia Pye in her luminous debut novel, River of Dust (Unbridled Books, 2013), explores these questions and more through the reactions of Grace Watson and her husband, the Reverend John Wesley Watson, to the abduction of their son by Mongolian nomads in northwest China in 1910. Grace and her husband are committed to their separate missions–he to converting the Chinese to Christianity, and she to supporting him. Yet the prejudices of their time and station bind them, even as their differing responses to the loss of Wesley drive them apart–until, in a dusty, drought-ridden land as barren as their lives have become, Grace finds the courage to change. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction