Medieval power couple King Louis VII of France and Eleanor of Aquitaine, seemingly unable to produce a male heir, had a messy breakup. Their annulment on 21st March 1152 was granted by the Pope on the grounds of consanguinity - meaning they were too closely related by blood. And yet both parties went on to marry people to whom they were even more closely related.Henry of Anjou was Eleanor’s next husband - a move which made her the only woman in history to have been both Queen of France AND Queen of England. Meanwhile, Louis lost half his Kingdom - and had to sit and watch as Eleanor popped out male heir after male heir with her new hubby.In this episode, Arion, Rebecca and Arion explain why going on a Holy War is not great marriage therapy; get between the sheets with the Royal couple; and consider how an attempted kidnapping might have made for an awkward family atmosphere at Eleanor and Henry’s wedding reception… Further Reading:• ‘Eleanor of Aquitaine - Queen of France, Queen of England, By Ralph V. Turner’ (Yale University Press, 2009): https://www.google.co.uk/books/edition/Eleanor_of_Aquitaine/dVcslrfl1V4C?hl=en&gbpv=1&dq=Eleanor+of+Aquitaine+annulment&printsec=frontcover• ‘Eleanor Of Aquitaine: The Medieval Queen Who Took On Europe's Men’ (HistoryExtra, 2020): https://www.historyextra.com/period/medieval/eleanor-of-aquitaine-the-medieval-queen-who-took-on-europes-most-powerful-men/• ‘The Court of Love - Eleanor of Aquitaine #2’ (Extra History, 2022): https://www.youtube.com/watch?v=4_KgUiDUPs0Love the show? Support us! Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… … Plus, get weekly bonus bits, and unlock over 100 bits of extra content. Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie PeartCopyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Jules Rimet, trophy of the FIFA World Cup, was stolen from a stamp exhibition in Westminster Central Hall on March 20th, 1966 - the year England was hosting (and went on to win) the tournament. The theft sparked a massive Police investigation and multiple offers of rewards for its recovery.Astonishingly, the trophy had not been heavily guarded or alarmed, so the thieves stole it with bolt cutters. In a twist straight out of Enid Blyton, the cup was eventually discovered not by the boys in blue - but by a pet dog called Pickles, who was then lauded as a national hero.In this episode, Arion, Rebecca and Olly reveal the identities of the London gangsters who poached the Cup; explain what music hall star Tommy Trinder had to do with it; and discover how, in Brazil, the Cup was to go AWOL again… Further Reading: • ‘The Theft of the Jules Rimet Trophy - The Hidden History of the 1966 World Cup, By Martin Atherton (Meyer & Meyer, 2008): https://www.google.co.uk/books/edition/The_Theft_of_the_Jules_Rimet_Trophy/m7SbwNM4Y0sC?hl=en&gbpv=1&dq=theft+of+the+world+cup+1966&pg=PA45&printsec=frontcover • ‘The World Cup is stolen’ (The Guardian, 1966): https://www.theguardian.com/football/2015/mar/21/world-cup-stolen-football-archive-1966 • ‘Pickles - The dog who saved the 1966 World Cup’ (The Sun, 2018): https://www.youtube.com/watch?v=nQjZagahHKULove the show? Support us! Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… … Plus, get weekly bonus bits, and unlock over 100 bits of extra content. Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie PeartCopyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Discover the origins of Las Vegas as a mining outpost turned gambling mecca after 1931's Wide Open Gambling Bill. Learn how the Boulder Dam project brought droves of workers, electrifying Fremont Street. The show dives into the glamorous era initiated by Bugsy Siegel's Flamingo and the allure of stars like Frank Sinatra. Delve into the city’s transformation and the impact of crime legislation, as well as its complicated relationship with celebrity culture and race in entertainment, shaping Vegas into the iconic destination it is today.

The craze for paper dresses was the huge and unexpected impact of a viral marketing campaign for the Scott Paper Company that debuted in TIME magazine on 18th March, 1966. For $1.25, readers could send off for a red bandana print or a black and white pop art dress made of cellulose. It was intended as a press stunt to promote durable napkins, but, to everybody’s surprise, half a million units were sold in just eight months.In this episode, Arion, Rebecca and Olly ask whether these teenage kicks of the ‘60s presaged the 21st century trend for ‘fast fashion’; reveal how Richard Nixon got in on the act; and explain how, even if you think it sounds ridiculous, you’ve probably worn an outfit inspired by paper dresses at some point in your life, without even realising it…Further Reading:• ‘Fashion: Real Live Paper Dolls’ (TIME, 1967): http://content.time.com/time/subscriber/article/0,33009,836820,00.html• ‘Paper Fashion in the 1960s: The Genesis of Fast Fashion’ (Cornell Fashion + Textile Collection, 2018): https://blogs.cornell.edu/cornellcostume/2018/03/17/paper-fashion-in-the-1960s-the-genesis-of-fast-fashion/• ‘Paper Clothing of the 1960s and the Rise of Fast Fashion’ (ElleYeah, 2021): https://www.youtube.com/watch?v=3zZBjNuenMcThis episode originally aired in 2022Thanks so much for supporting the show! We massively appreciate it.The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Edit producer: Ollie PeartTheme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders.Copyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marie Stopes’ “Mother’s Clinic” opened its doors in Holloway, on March 17th, 1826. Stopes was a trailblazer, her birth control clinic providing working-class women with access to contraception and advice for the first time. However, her organisation's full name - "The Society for Constructive Birth Control and Racial Progress" - reveals her disturbing underlying belief in selective breeding for racial progress; a commitment that only strengthened as time went on, and she corresponded with Hitler.In this episode, The Retrospectors consider Stopes’s pioneering work on female desire and sexual health in her bestselling book, "Married Love,"; explain how she pivoted from paleobotany to reproductive health and racism; and ask why Marie Stopes International waited until the 21st century to rebrand itself…Further Reading:• ‘Family planning in the 1920s: Marie Stopes and the ‘wise precaution of delay’’ (The National Archives blog, 2022): https://blog.nationalarchives.gov.uk/20speople-family-planning-in-the-1920s-marie-stopes-and-the-wise-precaution-of-delay/• ‘Marie Stopes: a turbo-Darwinist ranter, but right about birth control’ (The Guardian, 2011): https://www.theguardian.com/theguardian/2011/sep/02/marie-stopes-right-birth-control• ‘Marie Stopes’ Eugenics, Feminism and Birth Control’ (Wellcome Collection, 2022): https://www.youtube.com/watch?v=PPqog-EV9jIThis episode originally aired in 2024Love the show? Support us! Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… … Plus, get weekly bonus bits, and unlock over 100 bits of extra content. Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie PeartCopyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Mikado opened on March 14, 1885 to immediate acclaim, and went on to become W. S. Gilbert and Arthur Sullivan’s most famous and best-loved operetta, despite its tortured genesis. Due to growing creative tensions and their previous show flopping, Gilbert and Sullivan’s partnership was on the rocks, so The Mikado’s success took both completely by surprise. In this episode, Arion, Rebecca and Olly look at why the setting of The Mikado is really Japan in name only; discuss how Gilbert found inspiration in a sword hanging on his wall; and explain why Gilbert and Sullivan almost parted ways because of a magical love lozenge… Further Reading: • ‘A big day in history: Gilbert and Sullivan unveil 'The Mikado'’ (History Extra, 2012): https://www.historyextra.com/period/victorian/a-big-day-in-history-gilbert-and-sullivan-unveil-the-mikado/  • ‘Arthur Sullivan - A Victorian Musician’ (Taylor & Francis, 2018): https://www.google.co.uk/books/edition/Arthur_Sullivan_A_Victorian_Musician/VXt_DwAAQBAJ?hl=en&gbpv=0  • ‘The Mikado’ (BBC, 1987): https://www.youtube.com/watch?v=8SkOWxcbzn0&t=561s This episode originally aired in 2023Love the show? Support us! Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… … Plus, get weekly bonus bits, and unlock over 100 bits of extra content. Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie PeartCopyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Margaretha Geertruida MacLeod, better known to the world as Mata Hari, set the Paris stage ablaze on March 13, 1905, with a scandalous dance routine that turned her into an overnight success. Sporting a gold jeweled breastplate and bracelets, Mata Hari’s performance was a striptease that left little to the imagination. But even the wildest imagination couldn’t envisage what lay ahead for the exotic dancer, courtesan, traitor and spy whose name became synonymous with the femme fatale.In this episode, Arion, Rebecca, and Olly discuss how she played both sides of the First World War for fools; uncover how she met her husband through a newspaper ad; and explain why she always wore a breastplate during sex…Further Reading: • ‘Mata Hari: exotic dancer, femme fatale, traitor and spy’ (History Extra, 2019): https://www.historyextra.com/period/first-world-war/mata-hari-exotic-dancer-femme-fatale-traitor-wwi-spy/  • ‘“I am ready”: Mata Hari faced a firing squad for spying — and refused a blindfold.’ (The Washington Post, 2017): https://www.washingtonpost.com/news/retropolis/wp/2017/10/15/i-am-ready-mata-hari-faced-a-firing-squad-for-spying-and-refused-a-blindfold/  • ‘Buckwild Facts About Mata Hari, The Exotic Dancer Who Became A WWI Spy’ (Weird History, 2022): https://www.youtube.com/watch?v=0Sh-fB_qMUg This episode originally aired in 2023Love the show? Support us! Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… … Plus, get weekly bonus bits, and unlock over 100 bits of extra content. Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie PeartCopyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As the Dixie Chicks’ lead singer, Natalie Maines, made an off-the-cuff remark at a London concert on 12th March, 2003, she could not have known the comments would haunt her band (now known as ‘The Chicks’) for decades. Just days before the US invasion of Iraq, and to cheers from the British crowd, she said from the stage: “We’re ashamed the President of the United States is from Texas.” A Guardian journalist jotted it down, and when those words reached the other side of the Atlantic, all hell broke loose. Dixie Chicks CDs were steamrolled in protest, country radio stations blacklisted their songs, and the band never recovered.In this episode, Arion, Rebecca and Olly talk through the Chicks’ damage control strategy; ask whether the backlash was an organic response from Conservative Country fans, or an orchestrated, sexist campaign; and reveal how Taylor Swift has taken note of their downfall…Further Reading:• ‘The Dixie Chicks | Music’ (The Guardian, 2003): https://www.theguardian.com/music/2003/mar/12/artsfeatures.popandrock• ’The Chicks' 2003 George W. Bush Controversy: An Oral History’ (Billboard, 2022): https://www.billboard.com/music/country/chicks-radio-banned-george-bush-oral-history-1235087442/• ‘Inside The Chicks’ SCANDAL in 2003 and Their GRAMMYs Comeback’ (Entertainment Tonight, 2022): https://www.youtube.com/watch?v=G0C3TrCBAOALove the show? Support us! Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… … Plus, get weekly bonus bits, and unlock over 100 bits of extra content. Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie PeartCopyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Producer John Langley had been pitching a no-frills, fly-on-the-wall documentary series following US Police Officers for six years when, in the midst of a writer’s strike, Fox finally bit. COPS made its debut on 11th March, 1989, becoming one of the longest-running shows in TV history.Langley called it ‘video vérité’; the New York Times called it ‘tabloid TV’. From the beginning, concerns about its depiction of race relations in America led to criticism that eventually brought about its cancellation - before it was reinstated on a different TV network.In this episode, Arion, Rebecca and Olly explain how various Police departments across the States went from being resistant to being featured in COPS to actually nominating themselves for filming; consider why participants were so keen to sign release forms when they were being depicted in such a vulnerable position; and ask if the first series still seems as ‘tabloid’ as it was considered at the time… Further Reading:• ‘Episode One: Broward County Florida - Part 2’ (Fox, 1989): https://www.youtube.com/watch?v=P5k36VTrZcY• ‘Review/Television; 'Cops' Camera Shows the Real Thing’ (The New York Times, 1989): https://www.nytimes.com/1989/01/07/arts/review-television-cops-camera-shows-the-real-thing.html• ‘John Langley: Producer who turned police work into prime reality TV’ (The Independent, 2021): https://www.independent.co.uk/news/obituaries/john-langley-cops-reality-tv-obituary-b1875648.htmlThis episode originally aired in 2022Love the show? Support us! Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… … Plus, get weekly bonus bits, and unlock over 100 bits of extra content. Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie PeartCopyright: Rethink Audio / Olly Mann 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The ‘Book of the Month Club’ was first launched, on March 10th, 1926. Its inaugural selection, ‘Lolly Willowes’ by feminist Bloomsbury author Sylvia Townsend Warner, underscores the transformative power that such clubs would go on to have (via celebrity endorsements such as Oprah and Richard & Judy): Warner leveraged her selection as a springboard for wider literary recognition in the United States.The visionary behind the Book of the Month Club, Harry Sherman, recognised the untapped potential of marketing literature to broader audiences. Leveraging his marketing acumen and passion for reading, Sherman had pioneered innovative strategies to democratise access to books, first partnering with Whitman Candy to distribute the ‘Little Leather Library’; miniature classics posted to readers alongside a box of chocolates, which became a popular gift to give soldiers during World War I.In this episode, The Retrospectors explain the importance of the Book Club’s discerning editorial panel; reveal the literary sensations first given the limelight via Sherman’s company; and consider how shifting market dynamics and the advent of digital platforms diminished the club's relevance - but then bought it back again… Further Reading:• ‘A New Reading Experience: Book of the Month Club’ (Pennsylvania Center for the Book, 2010):https://pabook.libraries.psu.edu/literary-cultural-heritage-map-pa/feature-articles/new-reading-experience-book-month-club• ‘Sylvia Townsend Warner's Lolly Willowes is 'a great shout of life'’ (The Guardian, 2016): https://www.theguardian.com/books/booksblog/2016/dec/28/sylvia-townsend-warners-lolly-willowes-is-a-great-shout-of-life• ‘Comparing the Most Popular Book Box Subscriptions📦’ (Kailia Barbour, 2023): https://www.youtube.com/watch?v=UFyOFVzaJogTen minute daily episodes bringing you curious moments from this day in history, with Olly Mann, Rebecca Messina and Arion McNicoll: The Retrospectors. New episodes Mon-Wed; reruns Thurs-Fri.The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Edit producer: Ollie PeartTheme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders.Copyright: Rethink Audio / Olly Mann 2025. This episode originally aired in 2024 Learn more about your ad choices. Visit podcastchoices.com/adchoices