In Our Time: Culture

Melvyn Bragg and guests discusses the prescient thriller ‘The Riddle of the Sands’ about the decline Anglo-German relations before the First World War. In 1903 an Englishman called Charles Caruthers went sailing in the North Sea and stumbled upon a German military plot. The cunning plan was to invade the British Isles from the Frisian Islands using special barges. The plucky Caruthers foiled the plot and returned to his sailing holiday.This is not history but fiction, an immensely popular book called ‘The Riddle of the Sands’ by Erskine Childers. It was a prescient vision of two nations soon to fight the First World War but it went against the spirit of the previous century. Brits and Germans had fought together at Waterloo and had influenced profoundly each other’s thought and art. They even shared a royal family. Yet somehow victory at Waterloo and the shared glories of Romanticism became the mutual tragedy of the Somme.With Richard Evans, Professor of Modern History at the University of Cambridge; Rosemary Ashton, Quain Professor of English Language and Literature at University College London and Tim Blanning, Professor of Modern European history at The University of Cambridge.

Melvyn Bragg and guests discuss the Library at Nineveh, a treasure house of Assyrian ideas from the 7th Century BC. In 1849 a young English adventurer called Henry Layard started digging into a small hill on the banks of the River Tigris in Northern Iraq. Underneath it he found the ancient city of Nineveh. Layard unearthed extraordinary things - wonderful carved reliefs, ancient palace rooms and great statues of winged bulls. He also found a collection of clay tablets, broken up, jumbled around and sitting on the floor of a toilet. It was the remnants of a library and although Layard didn’t know it at the time, it was one of the greatest archaeological finds ever made.Conceived to house the sum of all human knowledge the library was built in the 7th century BC as the grand Assyrian Empire entered its last years. The clay tablets have proved to be a window into all aspects of Assyrian life, its literature, politics, religion and medicine – practises that are both deeply alien to us and alluringly familiar. With Eleanor Robson, Senior Lecturer at Cambridge University and Vice-Chair of the British Institute for the Study of Iraq; Karen Radner, Lecturer in the Ancient Near Eastern History at University College London; Andrew George, Professor of Babylonian at the School of Oriental and African Studies at the University of London

Melvyn Bragg and guests discuss the poet W.B. Yeats and Irish politics. Yeats lived through a period of great change in Ireland from the collapse of the home rule bill through to the Easter Rising of 1916 and the partitioning of the country. In May 1916, 15 men were shot by the British government. They were the leaders of the Easter Rising – a doomed attempt to overthrow British rule in Ireland - and they were commemorated by W.B. Yeats in a poem called Easter 1916. It ends with the following lines: MacDonagh and MacBrideAnd Connolly and PearseNow and in time to be,Wherever green is worn,Are changed, changed utterly:A terrible beauty is born.Yeats lived through decades of turbulence in Ireland. He saw the suspension of home rule, civil war and the division of the country, but how did the politics of the age imprint themselves on his poetry, what was the nature of Yeats’ own nationalism, and what did he mean by that most famous of phrases ‘a terrible beauty is born’?With Roy Foster, Carroll Professor of Irish History at Oxford University and Fellow of Hertford College, Oxford; Fran Brearton, Reader in English at Queen’s University, Belfast and Assistant Director of the Seamus Heaney Centre for Poetry; Warwick Gould, Director of the Institute of English Studies in the School of Advanced Study, University of London

Melvyn Bragg and guests discuss the Greek myths from Achilles to Zeus. Are you a touch narcissistic? Do you have the body of an Adonis? Are you willing to undertake Herculean tasks or Promethean ventures? Perhaps you have an Oedipus complex? If you answer to any or perhaps all of these you owe something to the Greek myths, a collection of weird and wonderful stories that, like Penelope’s shroud or the needlework of Arachne, were constantly woven and unpicked across centuries of Greek and Roman civilisation. The myths have a cast of thousands including mighty Zeus, Jason and the Argonauts, wily Odysseus, beautiful Aphrodite and Cerberus, the three-headed dog. They are funny, shocking, quirky and epic and have retained their power and their wisdom from the ancient world to the modern. With Nick Lowe, Senior Lecturer in Classics at Royal Holloway, University of London; Richard Buxton, Professor of Greek Language and Literature at the University of Bristol; Mary Beard, Professor of Classics at Cambridge University

Melvyn Bragg and guests discuss King Lear. Around the turn of 1606, a group of London theatre-goers braved the plague to take in a new play by the well-known impresario, Mr William Shakespeare. Packed into the Globe Theatre, they were treated to a tale of violence, hatred and betrayal so upsetting that it thereafter languished among Shakespeare’s less popular plays.The story of Lear – of a man who divides up his property and loses the love of a daughter - is an ancient and ultimately happy one. But in the hands of William Shakespeare it became a shocking and violent vision of a broken family in a godless universe. So shocking that after the playwright’s death it was shunned and rewritten with a happy ending. Only in the 19th and 20th centuries did Shakespeare’s bleak, experimental and disorientating drama attain the status it has now. But why did Shakespeare take a story from the deep history of Britain and make it so shockingly his own and when, from the Civil War to the Second World War, did this powerful and confusing tragedy emerge as Shakespeare’s greatest? With Jonathan Bate, Professor of English Literature at the University of Warwick; Katherine Duncan-Jones, Tutorial Fellow in English at Somerville College, Oxford; Catherine Belsey, Research Professor in English at the University of Wales, Swansea

Melvyn Bragg and guests discuss the coterie of brilliant thinkers gathered in 16th century Prague by the melancholic emperor Rudolph II. In 1606 the Archdukes of Vienna declared: “His majesty is interested only in wizards, alchemists, Kabbalists and the like, sparing no expense to find all kinds of treasures, learn secrets and use scandalous ways of harming his enemies…He also has a whole library of magic books. He strives all the time to eliminate God completely so that he may in future serve a different master.”The subject of this coruscating attack was the Holy Roman Emperor, Rudolf II, and his court at Prague. Rudolph had turned Prague into a collector’s cabinet for the wonders and curiosities of the age – the great paintings of Northern Italy were carried to him over the Alps, intricate automatons constructed to serve drinks, maps and models of the heavens were unwound and engineered as the magnificent city of Prague itself was rebuilt in the image of its dark and thoughtful patron in chief. But Rudolf’s greatest possessions were people - the astronomers Johannes Kepler and Tycho Brahe, the magus John Dee and the philosopher Giordano Bruno had all found their way to his city. Far from the devilish inquisitor of the archdukes’ imaginations, Rudolf patronised a powerhouse of Renaissance ideas. With Peter Forshaw, Postdoctoral Fellow at Birkbeck, University of London and an Honorary Fellow of the University of Exeter; Howard Hotson, Lecturer in Modern History at the University of Oxford; Adam Mosley, Lecturer in the Department of History at the University of Wales, Swansea.

Melvyn Bragg and guests will be delving into the world of medieval legend in pursuit of the powerful and enigmatic Fisher King. In the world of medieval romance there are many weird and wonderful creatures – there are golden dragons and green knights, sinister enchantresses and tragic kings, strange magicians and spears that bleed and talk. And yet, in all this panoply of wonder, few figures are more mysterious than the Fisher King.Blighted by a wound that will not heal and entrusted as the keeper of the Holy; the Fisher King is also a version of Christ, a symbol of sexual anxiety and a metaphor for the decay of societies and civilisations. The Fisher King is a complex and poetic figure and has meant many things to many people. From the age of chivalry to that of psychoanalysis, his mythic even archetypal power has influenced writers from Chrétien de Troyes in the 12th century to TS Eliot in the 20th. With Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Stephen Knight, Distinguished Research Professor in English Literature at Cardiff University; Juliette Wood, Associate Lecturer in the Department of Welsh, Cardiff University and Director of the Folklore Society

Melvyn Bragg and guests discuss the Algerian-French writer and Existentialist philosopher Albert Camus. Shortly after the new year of 1960, a powerful sports car crashed in the French town of Villeblevin in Burgundy, killing two of its occupants. One was the publisher Michel Gallimard; the other was the writer Albert Camus. In Camus’ pocket was an unused train ticket and in the boot of the car his unfinished autobiography The First Man. Camus was 46. Born in Algeria in 1913, Camus became a working class hero and icon of the French Resistance. His friendship with Sartre has been well documented, as has their falling out; and although Camus has been dubbed both an Absurdist and Existentialist philosopher, he denied he was even a philosopher at all, preferring to think of himself as a writer who expressed the realities of human existence. Awarded the Nobel Prize for Literature in 1957, Camus’ legacy is a rich one, as an author of plays, novels and essays, and as a political thinker who desperately sought a peaceful solution to the War for Independence in his native Algeria. With Peter Dunwoodie, Professor of French Literature at Goldsmiths, University of London; David Walker, Professor of French at the University of Sheffield; Christina Howells, Professor of French at Wadham College, University of Oxford.