In Our Time: Culture

Melvyn Bragg and guests discuss Pieter Bruegel the Elder's painting of 1559, 'The Fight Between Carnival And Lent'. Created in Antwerp at a time of religious tension between Catholics and Protestants, the painting is rich in detail and seems ripe for interpretation. But Bruegel is notoriously difficult to interpret. His art seems to reject the preoccupations of the Italian Renaissance, drawing instead on techniques associated with the new technology of the 16th century, print. Was Bruegel using his art to comment on the controversies of his day? If so, what comment was he making? CONTRIBUTORSLouise Milne, Lecturer in Visual Culture in the School of Art at the University of Edinburgh and Edinburgh Napier UniversityJeanne Nuechterlein, Senior Lecturer in the Department of History of Art, University of YorkMiri Rubin, Professor of Medieval and Early Modern History and Head of the School of History at Queen Mary, University of LondonProducer: Luke Mulhall.

Delve into Kafka's surreal world in 'The Trial' where Joseph K faces a Kafkaesque legal system. Explore Kafka's influences, relationships, and symbolism in the novel's court. Discover the urban settings and the profound impact of Kafka on modern literature.

Melvyn Bragg and guests discuss Aesop. According to some accounts, Aesop was a strikingly ugly slave who was dumb until granted the power of speech by the goddess Isis. In stories of his life he's often found outwitting his masters using clever wordplay, but he's best known today as the supposed author of a series of fables that are some of the most enduringly popular works of Ancient Greek literature. Some modern scholars question whether he existed at all, but the body of work that has come down to us under his name gives us a rare glimpse of the popular culture of the Ancient World.WITHPavlos Avlamis, Junior Research Fellow in Classics at Trinity College at the University of OxfordSimon Goldhill, Professor of Greek Literature and Culture at the University of CambridgeLucy Grig, Senior Lecturer in Classics at the University of EdinburghProducer: Luke Mulhall.

Melvyn Bragg and his guests discuss the life and work of Rudyard Kipling. Born in Bombay in 1865, Kipling has been described as the poet of Empire, celebrated for fictional works including Kim and The Jungle Book. Today his poem 'If--' remains one of the best known in the English language. Kipling was amongst the first writers in English to develop the short story as a literary form in its own right, and was the first British recipient of a Nobel Prize for Literature. A literary celebrity of the Edwardian era, Kipling's work for the Commonwealth War Graves Commission played a major role in Britain's cultural response to the First World War.Contributors:Howard Booth, Senior Lecturer in English Literature at the University of ManchesterDaniel Karlin, Winterstoke Professor of English Literature at the University of BristolJan Montefiore, Professor of Twentieth Century English Literature at the University of KentProducer: Luke Mulhall.

Melvyn Bragg and his guests discuss Virginia Woolf's novel Mrs Dalloway. First published in 1925, it charts a single day in the life of Clarissa Dalloway, a prosperous member of London society, as she prepares to throw a party. Writing in her diary during the writing of the book, Woolf explained what she had set out to do: 'I want to give life and death, sanity and insanity. I want to criticize the social system, and to show it at work at its most intense.' Celebrated for its innovative narrative technique and distillation of many of the preoccupations of 1920s Britain, Mrs Dalloway is now seen as a landmark of twentieth-century fiction, and one of the finest products of literary modernism.With:Professor Dame Hermione Lee President of Wolfson College, OxfordJane Goldman Reader in English Literature at the University of GlasgowKathryn Simpson Senior Lecturer in English Literature at Cardiff Metropolitan University.

Melvyn Bragg and his guests discuss the Bluestockings. Around the middle of the eighteenth century a small group of intellectual women began to meet regularly to discuss literature and other matters, inviting some of the leading thinkers of the day to take part in informal salons. In an age when women were not expected to be highly educated, the Bluestockings were sometimes regarded with suspicion or even hostility. But prominent members such as Elizabeth Montagu - known as 'the Queen of the Bluestockings', and author of an influential essay about Shakespeare - and the classicist Elizabeth Carter were highly regarded for their scholarship. Their accomplishments led to far greater acceptance of women as the intellectual equal of men, and furthered the cause of female education.With:Karen O'Brien Vice-Principal and Professor of English at King's College LondonElizabeth Eger Reader in English Literature at King's College LondonNicole Pohl Reader in English Literature at Oxford Brookes UniversityProducer: Thomas Morris.

Melvyn Bragg and his guests discuss the Rubaiyat of Omar Khayyam. In 1859 the poet Edward FitzGerald published a long poem based on the verses of the 11th-century Persian scholar Omar Khayyam. Not a single copy was sold in the first few months after the work's publication, but after it came to the notice of members of the Pre-Raphaelite Brotherhood it became enormously influential. Although only loosely based on the original, the Rubaiyat made Khayyam the best-known Eastern poet in the English-speaking world. FitzGerald's version is itself one of the most admired works of Victorian literature, praised and imitated by many later writers.With:Charles Melville Professor of Persian History at the University of CambridgeDaniel Karlin Winterstoke Professor of English Literature at the University of BristolKirstie Blair Professor of English Studies at the University of StirlingProducer: Thomas Morris.

Melvyn Bragg and his guests discuss The Tale of Sinuhe, one of the most celebrated works of ancient Egyptian literature. Written around four thousand years ago, the poem narrates the story of an Egyptian official who is exiled to Syria before returning to his homeland some years later. The number of versions of the poem, which is known from several surviving papyri and inscriptions, suggests that it was seen as an important literary work; although the story is set against a backdrop of real historical events, most scholars believe that the poem is a work of fiction.With:Richard Parkinson Professor of Egyptology and Fellow of Queen's College at the University of OxfordRoland Enmarch Senior Lecturer in Egyptology at the University of Liverpool.Aidan Dodson Senior Research Fellow in the Department of Archaeology and Anthropology at the University of BristolProducer: Thomas Morris.

Melvyn Bragg and his guests discuss Laurence Sterne's novel Tristram Shandy. Sterne's comic masterpiece is an extravagantly inventive work which was hugely popular when first published in 1759. Its often bawdy humour, and numerous digressions, are combined with bold literary experiment, such as a page printed entirely black to mark the death of one of the novel's characters. Dr Johnson wrote that "Nothing odd will do long. Tristram Shandy did not last" - but two hundred and fifty years after the book's publication, Tristram Shandy remains one of the most influential and widely admired books of the eighteenth century.With:Judith Hawley Professor of Eighteenth-Century Literature at Royal Holloway, University of LondonJohn Mullan Professor of English at University College LondonMary Newbould Bowman Supervisor in English at Wolfson College, University of Cambridge.Producer: Thomas Morris.

Melvyn Bragg and his guests discuss Shakespeare's play The Tempest. Written in around 1610, it is thought to be one of the playwright's final works and contains some of the most poetic and memorable passages in all his output. It was influenced by accounts of distant lands written by contemporary explorers, and by the complex international politics of the early Jacobean age.The Tempest is set entirely on an unnamed island inhabited by the magician Prospero, his daughter Miranda and the monstrous Caliban, one of the most intriguing characters in Shakespeare's output. Its themes include magic and the nature of theatre itself - and some modern critics have seen it as an early meditation on the ethics of colonialism.With:Jonathan Bate Provost of Worcester College, OxfordErin Sullivan Lecturer and Fellow at the Shakespeare Institute, University of BirminghamKatherine Duncan-Jones Emeritus Fellow of Somerville College, OxfordProducer: Thomas Morris.