writing class radio

Today’s episode is part of a series called Home. Writing Class Radio helped produce a documentary to help end homelessness for Chapman Partnership, a homeless center in South Florida.On this episode, you will hear a story by writer Tiffanie Drayton who takes an idea that most Americans hold about our country and turns it on its head. Typically, people come to America to seek asylum. But, Tiffanie left America to seek asylum. She left because she didn’t feel safe here as a Black American. Tiffany’s essay was published in the New York Times on June 12, 2020, which led to an agent signing and a 250k book deal. You’ll hear that story plus our conversation with Tiffanie about her experience as a Black person in America. Tiffanie came to America from Trinidad at four years old. She talks about her privilege as a dual citizen and her responsibility as a writer to call herself out for that privilege. Tiffanie Drayton (@draytontiffanie) is working on a book about fleeing American racism.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). This episode of Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Mia Pennekamp is our media specialist.Theme music is by Ari Herstand. Additional music by Podington Bear.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio).If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, follow us on Patreon. For $10/month Andrea will answer all your publishing questions. For $25/month you can join Allison’s First Draft weekly writers group, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.

Today’s show is part of a series called Home. Writing Class Radio helped produce a documentary to help end homelessness for Chapman Partnership, a homeless center in South Florida. We put out a public call for submissions for stories about home. The call brought so many different and fascinating takes. Thank you to all the people who submitted stories. In our series, you’ll hear a story about a woman who is torn between two homes, a man who finds home through love with a woman while he’s dealing with addiction, and a woman who finds home in another country less racially divided. Today’s story by Mary Ann Parker is about feeling at home in your skin. Trigger warning: This story contains strong language and images and is not appropriate for children. Sexual violence is discussed. Mary’s story shows how to expertly plant seeds, which is a way to drop hints and lead your reader to your conclusion. Mary Ann Parker is a war veteran and a student in our class. She is working on a memoir.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). This episode of Writing Class Radio is produced by Matt Cundill (of the Sound Off Media Company), Evan Surminski, Andrea Askowitz and Allison Langer. Mia Pennekamp and Ariel Henley are our media specialists.Theme music is by Ari Herstand. Additional music by Podington Bear.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio).If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, follow us on Patreon. For $10/month Andrea will answer all your publishing questions. For $25/month you can join Allison’s First Draft weekly writers group, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.Join us at The Sanibel Island Writers Conference Oct. 24-25, 2020. The conference (this year) is VIRTUAL and FREE Sat. noon-8 ET and Sun. noon-7 ET. Andrea and Allison teach from 12-1 ET on Sat. Sign up now. Description goes here.

Today’s show is the first in a four-part miniseries called Home. Writing Class Radio helped produce a documentary to help end homelessness for Chapman Partnership, a homeless center in South Florida.  We put out a public call for submissions for stories about home. The call brought so many different and fascinating takes on home. Thank you to all the people who submitted stories. In our series, you’ll hear a story about a woman finally feeling at home in her body, a man who finds home through love with a woman while he’s dealing with addiction, and a woman who finds home in another country less racially divided. Today’s story by Anechy Padron is about being torn between two homes.The writing technique we’re bringing out is about writing that story that doesn’t have a clear ending or resolution. We always want to make a solid point, but sometimes the point is a conflict. The story you’ll hear reveals that conflict.Anechy was born in Cuba. She’s an actress-puppeteer and writer who worked as a clown in a Cuban circus. Anechy writes in English and Spanish and has been published in the Mexican anthology, Cada Loco Con Su Tema. For more Anechy, visit her travel blog anechynotes.blogspot.com and creative blog anechy7.wixsite.com/anechymade.  Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Mia Pennekamp is our media specialist.Theme music is by Ari Herstand. Additional music by Podington Bear.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio). If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, follow us on Patreon. For $10/month you can join Andrea’s submissions conversation. You can ask her any question about publishing. For $25/month you can join Allison’s First Draft weekly writers group, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.Join us at The Sanibel Island Writers Conference Oct. 24-25, 2020. The conference (this year) is VIRTUAL and FREE Sat. noon-8 ET and Sun. noon-7 ET. Andrea and Allison teach from 12-1 ET on Sat. Sign up now.

This episode is about story structure and all things done well in an essay. LiAnne Yu tells a story about watching TV with her Chinese immigrant parents. As a narrator she brings us into her world--dinners in front of the TV with her parents. She uses detail to reveal character--Mork & Mindy, Sex and the City, and Fox News. She follows the five Cs of story structure: context, circumstance, complication, change, consequence.LiAnne Yu is an anthropologist and writer based in San Francisco and Kailua Kona, Hawaii. Her story was originally published in The New York Times, July 17, 2020.Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are. There’s no place in the world like writing class and we want to bring you in.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Mia Pennekamp is our media specialist.Theme music is by Emia. Additional music by Podington Bear and Ari Herstand.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio).If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, we are now on Patreon. For $10/month you can join Andrea’s submissions conversation. We’ll support each other as we try to get our stories published. For $25/month you can join Allison’s weekly writers lunch, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.

This episode is about using a character to express the voice of reason. So often in a story, the narrator is in a bind and can’t see clearly. In the story we bring you today, the narrator’s wife says something that opens the narrator’s mind to a different point of view. The narrator went years believing something that might not be true. In this story, he artfully showed us the moment the story he told himself was called into question. Today’s story is by listener Nicholas Garnett, an adjunct professor of creative writing at Florida International University and Miami Book Fair International. He’s editor of the journal Sliver of Stone. His writing has appeared in Salon.com, The Florida Book Review, and other places including Best Sex Writing of 2013. Most importantly, he’s the co-producer of Lip Service, which is a Knight Foundation award winning live storytelling show in Miami. Andrea produced Lip Service for nine years and Nick was her co-producer for a few years. He’s a super nice guy and a great writer and editor. Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are. There’s no place in the world like writing class and we want to bring you in.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Ariel Henley is our media specialist.Theme music is by Emia. Additional music by Podington Bear and Ari Herstand.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio).If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, we are now on Patreon. For $10/month you can join Andrea’s submissions conversation. We’ll support each other as we try to get our stories published. For $25/month you can join Allison’s weekly writers lunch, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.CALL FOR SUBMISSIONS: Do you have a story you just can’t get right? If you’re brave enough, we’ll edit it on the air. Send a Word doc (1,500 words max) to info@writingclassradio.com. Write HARD EDITS in the subject line.

Today on our show, we’re talking about how every word in a story matters. We have a story to share that illustrates this point so well. Essayist, teacher, and Writing Class Radio listener Amy Paturel submitted her story called “The Other Love of His Life,” which was originally published in Newsweek, April 2009. Amy’s story is a great example of how every word must lead to the final conclusion. Every scene, detail, and description should move the story forward. If not...cut. This got us thinking about how our words matter, not just to move a story along, but also because what we say or don’t say impacts other people. In Episode 81, we spoke to agent Barbara Poelle about getting a literary agent. We left out a crucial part of the conversation about bringing out stories by and about people of color. Listener Taiwo Adesina wrote to us to let us know. We are grateful and sorry.  Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are. There’s no place in the world like writing class and we want to bring you in.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Ariel Henley is our media specialist.Theme music is by Emia. Additional music by Podington Bear.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio). If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, we are now on Patreon. For $10/month you can join Andrea’s submissions conversation. We’ll support each other as we try to get our stories published. For $25/month you can join Allison’s weekly writers lunch, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.

This episode of Writing Class Radio is dedicated to George Floyd, Ahmaud Arbery, and all those who have lost their lives in a senseless murder.The story we share with you on this episode is by student and poet Zorina Frey. Last Saturday, May 30, 2020, Andrea gave students a writing prompt and 14 minutes to write about whatever came to mind. Zorina’s response is helping us sit with the sadness, anger, and grief. It is a story that’s helping us reflect and process everything that’s going on. The prompt was Religion. Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are. There’s no place in the world like writing class and we want to bring you in.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Ariel Henley is our media specialist.Theme music is by Emia. There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio).If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, we are now on Patreon. For $10/month you can join Andrea’s submissions conversation. We’ll support each other as we try to get our stories published. For $25/month you can join Allison’s weekly writers lunch, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.

Today on our show, we share a New York Times Modern Love essay we love by Jessica Strawser, editor-at-large at Writer’s Digest. Her essay caught the attention of literary agent Barbara Poelle, an agent with the Irene Goodman Literary Agency and the author of Funny You Should Ask: Mostly Serious Answers to Mostly Serious Questions About the Publishing Industry. Her book is based on her Writer's Digest column of the same name. On today’s show, we share our conversation with Barbara about how to get an agent.We asked Barbara all kinds of questions: Is now a good time to query? How do I find an agent? Is there such a thing as a dream agent? Do authors even need an agent? What should I do before signing an agent? We also ask the big question: Can we write about certain experiences that aren’t our own? Barbara gives us the insider info. Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are. There’s no place in the world like writing class and we want to bring you in.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Ariel Henley is our media specialist.Theme music is by Emia. Additional music is by Justina Shandler and Poddington Bear.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio). If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, we are now on Patreon. For $10/month you can join Andrea’s submissions conversation. We’ll support each other as we try to get our stories published. For $25/month you can join Allison’s weekly writers lunch, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.

Today on our show, we are talking about what we can’t stop talking about, the coronavirus. Every email, text, call starts with, “How are you holding up?” It’s beautiful and exhausting, so we put out a call for coronavirus stories.We have two stories to share. One is by our own Andrea Askowitz who is still living in Madrid. Madrid is one of the most contagious cities on earth and if you’ve seen her videos of her family dancing on FB, you are aware she’s going a little stir-crazy. Writing has helped calm her. And we have a story by Sari Botton, the essays editor of Longreads. In Sari’s essay, she gives us permission to tell our stories even if they feel petty. We always say, stories matter. And now, stories matter as much as ever. But for those of us too freaked out to write, Sari also gives us permission to take the pressure off producing. We talk a lot on our show about situation and story. The stories you will hear today are both about this coronavirus situation, but they also bring us something more about the human condition. We hope these stories are both comforting and inspiring.Sari Botton’s list of writing resources for anyone interested in writing now:Vanessa Mártir offers many personal essay prompts that she made available for free in 2019 on her Writing Our Lives site.Cookbook author Julia Turshen is offering free food writing workshops via Instagram Live.Rachel McKibbens is offering writing prompts for 30 days in a Twitter thread. (Anyone can access them, but she is asking for donations to The Pink Door, the writers’ retreat for women-identified writers of color.)Weds., 3/25 The Writing Barn is offering a free webinar called “Writing Through Troubled Times.”Nancy Stohlman and Kathy Fish are offering 30 days of free writing prompts.Toby Litt has a free 10-session short story writing workshop online.The Porch Writers’ Collective in Tennessee is offering daily writing prompts on Twitter. They’ll be moving them to email, so sign up here.Barrel House is offering free online write-ins.Anna Polonyi has started Quarantine Quill, via the Paris Institute for Critical Thinking, a podcast on which she offers one writing prompt and one writing tip each day, for the duration of the lockdown in Paris.Stonewall Writers & Readers is hosting free writers’ groups online.Leigh Shulman is offering free online writing workshops next week, and also free writing prompts via email.And one more from Sari: I’ve got an into-level essay writing workshop on Skillshare. If you sign up for it, you can get a two-month free trial that lets you access all the courses on their site. Right now, Skillshare is also offering two months free (without having to give credit-card information) for current K-12 and college students, and others who qualify based on need. (I’m pretty dorky in my video, and I wish I’d thought to like, style my hair that day…? But I stand by the content of it.)Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are. There’s no place in the world like writing class and we want to bring you in.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer. Ariel Henley is our media specialist.Theme music is by Emia. Additional music is by Ari Herstand, Justina Shandler, and Poddington Bear,There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio).If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, we are now on Patreon. For $10/month you can join Andrea’s submissions conversation. We’ll support each other as we try to get our stories published. For $25/month you can join Allison’s weekly writers lunch, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.

Today on our show, we take a look at bringing an obsession into a story. It’s possible to go deep into an obsession that has almost nothing to do with the story you are trying to tell without being distracting. That obsession can deepen the meaning of the story by giving us a peek into you, the narrator. Editors get a lot of stories about cancer, dead dogs, aging parents, etc. We’re not saying, stay away from these topics. We’re saying, writing about an obsession is a way to write about death (or any of these topics) in a new and interesting way. The story you’ll hear is from listener Jackie Ashton. This story was previously published in the March 2019 issue of Real Simple.We also talk about why it’s important to write and read stories about death, because hiding from feelings is never good. This story illustrates what someone who is going through a difficult time might need the most: friends who remind them of joy by experiencing it with them.Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are. There’s no place in the world like writing class and we want to bring you in.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Virginia Lora, Andrea Askowitz and Allison Langer and sponsored by The Launchpad at The University of Miami, which aims to make the practice of entrepreneurship available to all students and alumni. Theme music is by Christine Corey. Additional music is by EMIA, Blue Jay, and Podington Bear.There’s more writing class on our website (www.writingclassradio.com), Facebook (https://www.facebook.com/writingclassradio/), Instagram and Twitter (@wrtgclassradio). If you love the lessons you get on each episode, you can get them ALL in one place--our three-part video series--for $50. Click Video Classes on our website.Writing Class Radio is now open to submissions from our listeners. Go to the submissions page on our website for guidelines. We pay!If you want to be a part of the movement that helps people better understand each other through storytelling, we are now on Patreon. For $10/month you can join Andrea’s submissions conversation. We’ll support each other as we try to get our stories published. For $25/month you can join Allison’s weekly writers lunch, where you can write and share your work. Go to www.Patreon.com/writingclassradio or click here to support us.We’re pinking out and we want you to pinkout with us by supporting one of our cancer charities: https://www.writingclassradio.com/camo-elephant-projectThe Pink Wig Project or 305 Pink Pack.