IndieWire's Filmmaker Toolkit

As a young screenwriter, Lawrence Kasdan saw the special effects magicians at Industrial Light & Magic bring his most spectacular acts of imagination to life. Over 40 years after his work on “The Empire Strikes Back” and “Raiders of the Lost Ark,” Kasdan returned to the world of ILM for “Light & Magic,” a six-part documentary series chronicling the biggest effects developments of the 20th century through the stories of the men and women responsible for them – most of all Kasdan’s first employer, George Lucas. In this episode Kasdan talks about why he left fiction filmmaking behind for documentaries, how Lucas changed the movies forever, the mistakes Kasdan made on his own special effects extravaganza “Dreamcatcher,” and why “Top Gun: Maverick” made him excited about the movies again. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peele knows you'll have questions after seeing 'Nope,' but to what degree did he figure out the the life and history of his new film's alien life form? Peele answers that question, as he breaks down the process of making his UFO cinematically real, and what he learned from filmmakers like Paul Thomas Anderson and Quentin Tarantino.'Nope' is a masterpiece of sound, and in second half of the podcast [19:40], we interview the films sound designer Johnnie Burn. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Filmmaker Toolkit, showrunner Peter Gould and executive producer Vince Gilligan join to talk about the ending of "Better Call Saul." No Season 6 spoilers here, but they discuss the show's writing process, the personnel decisions that have helped elevate the series, how the camerawork has evolved over the course of the show, and some of the storytelling philosophy that has stood them in good stead since "Breaking Bad." Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Filmmaker Toolkit, creator Danny McBride discusses the latest season of "The Righteous Gemstones" and his philosophy for everything from where the humor needs to come from, shooting action comedy, and maximizing his resources on a television schedule and budget. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Filmmaker Toolkit podcast, we speak with show creator David Jenkins and director/star Taika Waititi about their collaboration creating this ambitious comedy for HBO Max. The pair discuss everything from the visual influences that help "Our Flag Means Death" walk a tonal tightrope to the visual effects innovations that made shooting on television schedule possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this edition of IndieWire's Deep Dive: Station Eleven creator Patrick Somerville joins director Jeremy Podeswa, the crafts team, and cast to discuss how the show's timelines and themes come together in Episode 10, "Unbroken Circle" Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Filmmaker Toolkit podcsat, Natasha Lyonne discusses the games that "Russian Doll" Season 2 is playing (of which time-travel via the 6 Train is only one), why this was a Pink Floyd season, how she refined her preparation as both a director and an actor over the pandemic, plus a little love for Sergio Leone. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Filmmaker Toolkit podcast, Bill Hader discusses the latest season of Barry and digs into his directing work on Episode 6, "710N". Hader talks about when and why he embraces generic conventions (and when he doesn't), what he likes about long takes, the benefits of eschewing coverage, and how he constructed a chase sequence in the spirit of Jacques Tati. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Filmmaker Toolkit podcast, we speak with Peter Jackson and his longtime collaborator, editor Jabez Olssen about their work distilling hundreds of hours of audio, dozens of hours of video, and 40 years of mythology about the Beatles' Get Back sessions into a documentary that tries, going day by day, to lay out the experience of the sessions that led to the Beatles' last live performance. Jackson and Olssen discuss what putting visuals to familiar audio changed, how they found ways around seemingly inaudible or unusable material, and why they set out to make a documentary that wasn't a Beatles break up story. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Filmmaker’s Toolkit podcast, showrunner Sterlin Harjo talks about why he could only make (this version) of "Reservation Dogs" in his native Oklahoma, and what opportunities open up to a series when rooting it in a specific place that TV hasn't really seen before – and certainly not from a Native perspective. That, plus the steps in teaching an audience how to laugh at survival humor, the benefits of taking an epic approach to outwardly small stories, the trouble with manufacturing hail, and why the show's mythological elements live very matter-of-factly alongside its teen comedy.  Learn more about your ad choices. Visit megaphone.fm/adchoices