IndieWire's Filmmaker Toolkit

Chris O'Falt
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Nov 10, 2023 • 24min

'Terms of Endearment' Director James L. Brooks

Whether you know it or not, today's guest has probably been involved in a movie or TV show you love. The celebrated director, writer, & producer joins us for the 40th anniversary of his directorial debut Terms of Endearment. Brooks shares memories from working with an all star cast as a first time director, and how his clear vision for the comedic tone made the movie a success. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Oct 26, 2023 • 47min

'Anatomy of a Fall' Director Justine Triet

Justine Triet, director of one of the most talked about movies of the fall, discusses making a courtroom thriller that challenges genre tropes and our obsession with true crime. They explore the influence of Preminger movies and the challenges of shooting in a contained courtroom space. They also discuss the atypical nature of the main character and the unique perspective added by shooting with animals.
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Oct 12, 2023 • 32min

'Our Flag Means Death: Season 2' Director David Jenkins

Today we are joined by the captain himself: show-runner, creator, and now director David Jenkins. We go deep below decks to learn why Jenkins rejects many typical pirate tropes in order to protect the emotional truth of his characters, and how they represent his views on comedy and romance. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Oct 5, 2023 • 34min

'Flora and Son' Director John Carney

The director of Once (2007) and Sing Street (2016) joins Toolkit today to discuss his latest film about creativity, music, and finding connection in Dublin. Listen to hear how classic musicals influence how Carney sees his stories, and even what he thinks of Taylor Swift. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 28, 2023 • 43min

'Physical' Creator Annie Weisman

The creator & showrunner of this darkly funny look at 80s culture and gender roles joined Toolkit to discuss the series' three season arc, the moving final episode, and that cruel inner voice so many of us seem to have. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 14, 2023 • 34min

'Dorktown' Director Jon Bois

Jon Bois talks the many facets of creating the epic nine-hour documentary "The History of The Minnesota Vikings" from the boss chart that anchors the series to unexpected music cues to novel uses for Google Earth. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 7, 2023 • 28min

'Bottoms' Director Emma Seligman

Emma Seligman discusses creating the riotous action comedy "Bottoms" from casting and stunt work to music and production design, and the project of bringing queer characters into timeless high school tropes. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 4, 2023 • 31min

'How To With John Wilson' Director John Wilson

John Wilson discusses his approach to both documentary and comedy, how he keeps track of all his b-roll, and what things he wanted to make sure How To With John Wilson taught audiences before he wrapped the series. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Aug 31, 2023 • 31min

'JFK' Director Oliver Stone

The epic political thriller "JFK" was featured last weekend at the American Cinematheque, and we had the privilege to interview writer & director Oliver Stone live on stage. Stone talks about the impact of this controversial film, and reflects on its legacy today. You'll also hear some of the filmmaker's thoughts on the state of the industry today, and why he's an even angrier, more passionate filmmaker than ever. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Aug 24, 2023 • 1h 3min

'Succession' Composer Nicholas Britell

After seven years of scoring HBO’s “Succession,” Nicholas Britell reflects on completing his first TV series. What did he learn about working in TV? How did the series and his process evolve over the course of four seasons? Would he ever sign on to do another serialized series? Was it helpful for the “Succession” editors to use his previously recorded music to temp new episodes? Did his experience working on Wall Street, before becoming a film & TV composer, inform his understanding of the Roys? Plus, Britell explains why he wrote the last two pieces of “Succession” music (including the choir music used over the final end credits) well before seeing the series finale. Learn more about your ad choices. Visit megaphone.fm/adchoices

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