IndieWire's Filmmaker Toolkit

Director Scott Cooper sat down for a revealing and personal conversation about helming this anticipated and highly scrutinized biopic. Cooper talks about Bruce Springsteen's intense involvement in the film, making a movie that felt as raw as Nebraska sounds, and how telling this story from The Boss's life helped him process his own. Learn more about your ad choices. Visit megaphone.fm/adchoices

An IndieWire favorite, director Kelly Reichardt returns to Toolkit with her new film The Mastermind. Reichardt told us about working with Josh O'Connor, putting her own spin on the heist genre, and the cast-and-crew road trip it took to get the movie made. Learn more about your ad choices. Visit megaphone.fm/adchoices

The creator of one of the hottest shows of the Fall joined IndieWire's Chris O'Falt for a spoiler-packed deep dive deep into the psychology of the characters and how he constructed the perfect seven episode arc. He also shares how Mark Ruffalo and ⁠Tom Pelphrey helped shape the complex men they play.⁠ This is a must listen for fans of the hit crime drama, and for those interested in Brad's career following 'Mare of Easttown.' Learn more about your ad choices. Visit megaphone.fm/adchoices

The creator of 'Reservation Dogs' is back with a new series staring Ethan Hawke as a man investigating crimes and corruption in Oklahoma. Sterlin shared some of the noir stories that inspired him, and explains why he never wants to leave Oklahoma for Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Derek Cianfrance joins IndieWire’s Jim Hemphill to talk about his latest film, “Roofman.” A true story about an escaped criminal who hides out in an abandoned toy store, “Roofman” is a comedy — and thus a departure for the typically serious Cianfrance. He talks about how and why he wanted to make this movie at this moment, and explains the many benefits of shooting on film. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who's a good boy? Indy, the star of this new horror film told entirely from his point of view. Director Ben Leonberg brought Indy into the office for a fun chat about filming a movie in his own home for 3 years, usually about 17 inches off the ground. Listen for how Ben used clever filmmaking to craft a great performance from of a dog who doesn't know he's an actor. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his solo directorial debut after making 'Good Time' and 'Uncut Gems' with his brother Josh, Benny Safdie pushed his signature chaotic style to a deeper, more personal place. From his rigorous authenticity in the ring, shooting the relationship with the same style as the fights, and convincing The Rock of all people to gain muscle, you'll want to hear how Benny went all out for this larger than life true story. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Paul Greengrass shares insights on his latest thriller about the 2018 California Wildfires. He dives into his background as a journalist, which shapes his unique filmmaking style. Discover how he recreates realistic crisis scenes, balancing immersive visuals with practical effects. Greengrass explains the importance of character stakes and authenticity, using real people alongside stars like Matthew McConaughey. He also discusses the extensive planning required for capturing tension and the challenges faced in post-production.

Writer-director Shane Black joins IndieWire’s Jim Hemphill to talk about his latest film, the action-comedy “Play Dirty.” They discuss Black’s approach to adapting author Donald Westlake, why he likes to set action movies at Christmas, and how he finds the right balance between violence, humor, and poignancy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this engaging conversation, Stephanie Jenkins, an archive producer and co-founder of the Archival Producers Alliance, dives into the critical intersection of AI and documentary filmmaking. She highlights the importance of ethical practices and transparency in using generative AI, recounting real-world examples that showcase its potential pitfalls. They discuss the difference between assistive and generative AI, the need for clear labeling, and the evolving guidelines for filmmakers. Additionally, Jenkins stresses the risks of AI replacing archival licensing, emphasizing the balance between creativity and historical accuracy.