Princeton UP Ideas Podcast

As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood.Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership.Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City.Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world.Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South.If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).

In Moscow Monumental: Soviet Skyscrapers and Urban Life in Stalin’s Capital (Princeton University Press, 2021), Professor Katherine Zubovich of the University of Buffalo of the State University of New York takes us into one of the more turbulent eras in the 874-year history of Moscow, the decades long effort to transform Russia’s ancient second city into the triumphant capital of the new socialist state.Before the revolutions of 1917, Moscow was known for its “forty times, forty churches,” and by these distinctive onion-shaped cupolas, which once soared above the two and three-story skyline, Muscovites navigated their city. Today, many of those churches are only distant memories and the new markers of the city’s horizons are seven soaring skyscrapers, affectionately known as “Stalin’s wedding cakes,” or simply as the “vysotniye” or the “tall buildings.” Two are ministries, two are hotels, two are elite residential buildings, and one houses Moscow State University. Zubovich uses these iconic buildings as the skeleton of her story, taking us through the many iterations of the Soviet vision of an idealized capital. Zubovich’s grounding in Art History serves her particularly well in the first half of the book as she examines evolving vision for the new Moscow, including the government’s ambitious plans to construct a massive Palace of Soviets as the hub of the new architectural ensemble. Moscow Monumental is particularly interesting in its carefully researched account of the pre-war Soviet drive to involve Western architects and engineers in the construction projects.Zubovich’s stamina as a field researcher pays off in the second half of the book, as her focus shifts to the human cost of this urban renewal in the post-war era. Here she weaves in narratives of the construction workers who built the skyscrapers, many of them newly released GULAG prisoners, and those of ordinary citizens whose lives were uprooted by the project. These voices of everyday Soviet citizens come to brilliant life through Zubovich’s adroit use of letters sent by ordinary Soviet citizens, petitioning the government for assistance in relocation as neighborhoods are razed to the ground to make way for the new skyscrapers. Zubovich does an excellent job portraying this ostensibly classless society, in which Muscovites are ironically divided between those who are literally moving “up” into elite skyscraper apartments and those who are being forced “out” to the hastily constructed, and barely habitable new neighborhoods of the city’s periphery.Moscow Monumental is a fascinating story of architecture, politics, urban development, and social history, which perfectly captures the aspirational arc of Moscow’s first six decades as the capital of the USSR.Katherine Zubovich is an assistant professor of history at the University of Buffalo, State University of New York. Zubovich is also working on a short book, Making Cities Socialist to be published as part of the Cambridge Elements in Global Urban History series. Follow her on Twitter at @kzubovich.Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.

The era of the Enlightenment, which gave rise to our modern conceptions of freedom and democracy, was also the height of the trans-Atlantic slave trade. America, a nation founded on the principle of liberty, is also a nation built on African slavery, Native American genocide, and systematic racial discrimination. White Freedom traces the complex relationship between freedom and race from the eighteenth century to today, revealing how being free has meant being white.Tyler Stovall explores the intertwined histories of racism and freedom in France and the United States, the two leading nations that have claimed liberty as the heart of their national identities. He explores how French and American thinkers defined freedom in racial terms and conceived of liberty as an aspect and privilege of whiteness. He discusses how the Statue of Liberty—a gift from France to the United States and perhaps the most famous symbol of freedom on Earth—promised both freedom and whiteness to European immigrants. Taking readers from the Age of Revolution to today, Stovall challenges the notion that racism is somehow a paradox or contradiction within the democratic tradition, demonstrating how white identity is intrinsic to Western ideas about liberty. Throughout the history of modern Western liberal democracy, freedom has long been white freedom.A major work of scholarship that is certain to draw a wide readership and transform contemporary debates, White Freedom: The Racial History of an Idea (Princeton UP, 2021) provides vital new perspectives on the inherent racism behind our most cherished beliefs about freedom, liberty, and human rights.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com

The rabbinic corpus begins with a question–“when?”—and is brimming with discussions about time and the relationship between people, God, and the hour. Time and Difference in Rabbinic Judaism (Princeton UP, 2020) explores the rhythms of time that animated the rabbinic world of late antiquity, revealing how rabbis conceptualized time as a way of constructing difference between themselves and imperial Rome, Jews and Christians, men and women, and human and divine.In each chapter, Sarit Kattan Gribetz explores a unique aspect of rabbinic discourse on time. She shows how the ancient rabbinic texts artfully subvert Roman imperialism by offering “rabbinic time” as an alternative to “Roman time.” She examines rabbinic discourse about the Sabbath, demonstrating how the weekly day of rest marked “Jewish time” from “Christian time.” Gribetz looks at gendered daily rituals, showing how rabbis created “men’s time” and “women’s time” by mandating certain rituals for men and others for women. She delves into rabbinic writings that reflect on how God spends time and how God’s use of time relates to human beings, merging “divine time” with “human time.” Finally, she traces the legacies of rabbinic constructions of time in the medieval and modern periods.Sarit Kattan Gribetz is Associate Professor of Jewish Studies at Fordham University, New York.Rachel Adelman is Associate Professor of Hebrew Bible in the rabbinic program at Hebrew College in Boston.

Decades before he wrote his epic work Paradise Lost, John Milton was an active republican and polemicist. How Milton came to espouse such radical views is just one of the key themes of Nicholas McDowell’s Poet of Revolution: The Making of John Milton (Princeton UP, 2020), the first book of a projected two-volume biography of the famous author. The son of a prosperous scrivener, Milton enjoyed the benefits of a quality education heavily influenced by Italian humanism. This extensive instruction in foreign languages and classical authors was viewed by Milton as a necessary requirement for a career as a poet, one to which he dedicated himself during his time at university. Yet as McDowell demonstrates Milton’s Puritan faith also played an important role in his intellectual development, especially as he found his beliefs increasingly at odds with the emerging Laudian influence on the Anglican church. This motivated the young intellectual to write a series of pamphlets after his return from a lengthy trip to France and Italy in 1638-9, works which signaled his growing engagement with politics on the eve of England’s plunge into a devastating civil war in the 1640s.

Since the presidency of Ronald Reagan, John Winthrop's famous phrase, "We shall be as a city upon a hill," has become political creed and rallying cry for American exceptionalism. But for over three centuries the text of Winthrop's "Model of Christian Charity" was largely forgotten in the American textual canon. In a charming book of textual history, the Henry Charles Lea Professor Emeritus at Princeton University, Daniel T. Rodgers, tells a fascinating tale with surprising twists and turns about how an obscure Puritan treatise became indispensable political rhetoric for late-twentieth-century American politics and into the new millennium. As a City on a Hill: The Story of America's Most Famous Lay Sermon (Princeton University Press, 2018) traces Winthrop's model from its seventeenth-century context, through centuries of neglect and forgetfulness, to its unlikely and meteoric rise as a foundational text of the American idea.Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.

The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country’s politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era.Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya’s likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist’s personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya’s late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the “black” paintings.A monumental achievement, Goya: A Portrait of the Artist (Princeton UP, 2020) is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.

What does it mean that our single greatest source of medieval Islamic government documents comes from the attic of a Jewish synagogue in Cairo?This is the seeming paradox that Marina Rustow, director of the renowned Geniza Lab at Princeton University, has been trying to make sense of for years. In 1896, twin sisters and Scottish philologists Agnes Lewis and Margaret Gibson transported fragments from the geniza (or worn text repository) of the Ben Ezra Synagogue in Old Cairo to their dear friend Solomon Schecter, a Talmud scholar at Cambridge University. The Hebrew-language fragments of the Cairo Geniza would go on to revolutionize the study of medieval Jewry: in 1970, German-Jewish Arabist Shelomo Dov Goitein dubbed the Cairo Geniza “the Living Sea Scrolls” for its remarkable insight into the social world of medieval Jews.But flip the documents over, and the world of the Geniza is hardly just a Jewish one. In her new book, The Lost Archive: Traces of a Caliphate in a Cairo Synagogue (Princeton University Press, 2020), Rustow examines the previously neglected lines of Arabic found on some of the Geniza’s Hebrew-language documents: Fatimid-era petitions and decrees that defy the adage that the dynasties of the Islamic Middle East produced few documents and preserved even fewer.No Fatimid state archive exists in the Middle East today. But the Cairo Geniza’s fragments—which passed through the hands of tax collector and chancery secretary, paper pusher and vizier alike—force us to reconsider the longstanding but mistaken consensus that the pre-Ottoman Middle East was defined by weak or informal institutions. Rustow argues that the problem of archives in the medieval Middle East lies not with the region’s administrative culture, but with our failure to fully understand it.Listen in to learn more—and stick around to the end to hear Marina’s favorite fact about daily life in medieval Cairo!Notably mentioned in this episode: Adina Hoffman and Peter Cole, Sacred Trash: The Lost and Found World of the Cairo Geniza (Schocken Books, 2011) Marina Rustow, Heresy and the Politics of Community: The Jews of the Fatimid Caliphate (Cornell University Press, 2008) Nathan Hofer, The Popularisation of Sufism in Ayyubid and Mamluk Egypt, 1173-1325 (Edinburgh University Press, 2015) Shelomo Dov Goitein, A Mediterranean Society: The Jewish Communities of the Arab World as Portrayed in the Documents of the Cairo Geniza, Volumes I-VI (republished with University of California Press, 2000) S. M. Stern, Fāṭimid Decrees: Original Documents from the Fāṭimid Chancery (Faber & Faber, 1964) Geoffrey Khan, Arabic Legal and Administrative Documents from the Cambridge Genizah Collections (Cambridge University Press, 1993) Marina Rustow is the Khedouri A. Zilkha Professor of Jewish Civilization in the Near East at Princeton University, and the director of the Princeton Geniza Lab.Nancy Ko is a PhD student in History at Columbia University, where she works at the intersection of Jewish and Middle East Studies.

Could extinct species, like mammoths and passenger pigeons, be brought back to life? The science says yes. In How to Clone a Mammoth: The Science of De-Extinction (Princeton UP, 2020), Beth Shapiro, evolutionary biologist and pioneer in “ancient DNA” research, walks readers through the astonishing and controversial process of de-extinction. From deciding which species should be restored, to sequencing their genomes, to anticipating how revived populations might be overseen in the wild, Shapiro vividly explores the extraordinary cutting-edge science that is being used—today—to resurrect the past. Journeying to far-flung Siberian locales in search of ice age bones and delving into her own research—as well as those of fellow experts such as Svante Paabo, George Church, and Craig Venter—Shapiro considers de-extinction’s practical benefits and ethical challenges. Would de-extinction change the way we live? Is this really cloning? What are the costs and risks? And what is the ultimate goal?Using DNA collected from remains as a genetic blueprint, scientists aim to engineer extinct traits — traits that evolved by natural selection over thousands of years—into living organisms. But rather than viewing de-extinction as a way to restore one particular species, Shapiro argues that the overarching goal should be the revitalization and stabilization of contemporary ecosystems. For example, elephants with genes modified to express mammoth traits could expand into the Arctic, re-establishing lost productivity to the tundra ecosystem.Looking at the very real and compelling science behind an idea once seen as science fiction, How to Clone a Mammoth demonstrates how de-extinction will redefine conservation’s future.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.