Princeton UP Ideas Podcast

Can classical economics help figure out climate change and support policies that slow global warming? Yale Sterling Professor of Economics William Nordhaus thinks so. In his new book, The Spirit of Green: The Economics of Collisions and Contagions in a Crowded World (Princeton UP, 2021), Nordhaus tackles the "externality" that is pollution and carbon emissions. By making several adjustments to how we treat this externality in economic terms, it can be brought back into the "system" whereby sensible regulation, market relations, and innovation can lead to markedly lower levels of pollution and greenhouse gas emissions. The most important of those adjustments is getting the price of carbon right. In many parts of the world, there is no formal price of carbon. Setting it at $40 per ton (or higher) will not be easy, not least because competing nation-states will need to agree to and abide by a universal carbon tax.   Despite these challenges, Nordhaus ends on an optimistic note. We have the means, we have the technology.... And as an example, he points to how a Covid vaccine was developed in record time after adjustments to the system of incentives and regulations. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are at https://strategicdividendinves...

In this ground-breaking work, Michael Sells (the Barrows Professor Emeritus of the History and Literature of Islam and Professor emeritus of comparative literature at the University of Chicago) translates sixty-one poems that form the Tarjuman al-ashwaq or The Translator of Desires by Muhyiddin Ibn 'Arabi (Princeton University Press, 2021). The poems are presented here both in Arabic and English, and are accompanied by an introduction and commentary. The masterful and accessible translations are truly a thrilling literary experience. Ibn ‘Arabi’s poems evoke numerous themes, such as of flora and fauna, nature, sacred spaces, especially of the Kaaba, love, longing, and grief. For instance, the longing of a lost beloved, which Sufis would have read as the Divine, is a central thematic thread woven throughout the collection of poetry, and is gendered feminine. The collection of poems along with Sells critical introduction and notes provides stunning insights to both the tradition of Arabic love poetry and to the mystical thought and poetic prowess of Ibn 'Arabi. This collection of poems will be of interest to anyone interested in Arabic poetry, Islamic literature, Ibn 'Arabi, Sufism, and much more.Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier.

Privilege and Punishment: How Race and Class Matter in Criminal Court (Princeton UP, 2020) by Matthew Clair is a powerful ethnographic study of the experiences and perspectives of criminal defendants. While many studies have demonstrated the existence of race and class disparities in the criminal justice system, Clair conducted a rare and compelling study that puts heart and emotion into these disparities. As he argues and shows, not only should we care about quantitative inequalities in criminal justice, but "[w]e should [also] be concerned about differences in the quality of the court experience" for so many defendants.Clair did extensive interviews with and observed criminal defendants, defense lawyers, judges, police officers, and others interact with each other in the Boston court system. What he shows is a system that operates differently for people of privilege compared to people without. While many criminal defendants face struggles of alienation from societal structures, the underprivileged often resort to crime out of necessity, whereas privileged defendants were more likely to enter the system because of pleasure-seeking or to avoid pain. Once in courtrooms, underprivileged defendants, especially racial minorities, develop profound mistrust of their court-appointed attorneys. These defendants face, and have often repeatedly been represented by overworked lawyers who often refuse to listen or to develop relationships of trust with their clients, which led many of these defendants to "withdraw," as Clair coins it, from the attorney-client relationship. Some resisted the lawyer or the court: complaining openly about the lack of diligence, asking the court to appoint new counsel, or taking it upon themselves (often with group support) to learn the law and make the arguments their lawyers refused to make. Others developed what Clair calls an attitude of resignation, recognizing the futility of their situation, and essentially giving up the fight. The experience is fundamentally different for privileged defendants. These defendants often have broad social circles that include the police or lawyers. Because of those connections, they are able to obtain counsel of their choice. The payment of fees engenders trust in the relationship. These defendants defer to their lawyers, trust their judgment, and feel genuinely satisfied with the representation.Clair argues that courts punish those defendants who withdraw from their lawyers and reward those who defer to them. He calls on lawyers to develop more trusting relationships with their clients and to work toward a more holistic style of defense that considers more than just the legal issues in the case. He encourages courts to allow defendants to choose their court-appointed attorney and to encourage a more participatory legal system in which defendants are not punished for expressing dissatisfaction with their lawyer. Clair's study is replete with compelling and personal examples. The narrative is what makes this study especially moving. Clair gives voice to those who repeatedly tried, but failed to get their lawyers and courts to listen. Because of Clair's work, we can now hear them.Samuel P. Newton is an Assistant Professor of Law at the University of Idaho.

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers.Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context.After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.

The scene is Turkey in the mid-to-late Seventies. A young male college student hops onto a bus. He sits next to a cute female student from his class, but before they can strike up a conversation, they see a right-wing passenger, walk up to another passenger and hit him on the head with a hammer. The young woman screams. The two students get off the bus, only for the female student to call the male student a “disgusting fascist” and leave in anger.Scenes like this are seen in Turkish Kaleidoscope: Fractured Lives in a Time of Violence (Princeton University Press, 2021) is a graphic novel written by Professor Jenny White and illustrated by Ergün Gündüz. The book combines Jenny’s own experiences in Turkey with insights gleaned from interviews to illustrate Turkey’s political conflict in the late 1970s, between right-wing and left-wing movements.You can watch a promotional video for the book, and the book can be ordered from the Princeton University Press website. Jenny has also put together a Spotify playlist of songs from the era. Those interested in an academic treatment of these ideas can read her 2017 article in The Brown Journal of World Affairs titled “Spindle Autocracy In The New Turkey”.In this interview, I ask Jenny to talk about central figures in her telling of Turkish politics, and how their views developed over time. We talk about that period of Turkish contemporary history and what it was like. And we also discuss her choice of format: why write a graphic novel?Jenny White is a social anthropologist and professor at the Institute for Turkish Studies at Stockholm University. She is former president of the Turkish Studies Association and former president of the American Anthropological Association Middle East Section. She has published four books and numerous articles about contemporary Turkish society and politics. She also has published a series of three novels set in 1880s Istanbul.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Turkish Kaleidoscope. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.

For years, American Jewish philanthropy has been celebrated as the proudest product of Jewish endeavors in the United States, its virtues extending from the local to the global, the Jewish to the non-Jewish, and modest donations to vast endowments. Yet, as Lila Corwin Berman illuminates in The American Jewish Philanthropic Complex: The History of a Multibillion-Dollar Institution (Princeton University Press, 2020), the history of American Jewish philanthropy reveals the far more complicated reality of changing and uneasy relationships among philanthropy, democracy, and capitalism.With a fresh eye and lucid prose, and relying on previously untapped sources, Berman shows that from its nineteenth-century roots to its apex in the late twentieth century, the American Jewish philanthropic complex tied Jewish institutions to the American state. The government’s regulatory efforts―most importantly, tax policies―situated philanthropy at the core of its experiments to maintain the public good without trammeling on the private freedoms of individuals. Jewish philanthropic institutions and leaders gained financial strength, political influence, and state protections within this framework. However, over time, the vast inequalities in resource distribution that marked American state policy became inseparable from philanthropic practice. By the turn of the millennium, Jewish philanthropic institutions reflected the state’s growing investment in capitalism against democratic interests. But well before that, Jewish philanthropy had already entered into a tight relationship with the governing forces of American life, reinforcing and even transforming the nation’s laws and policies.The American Jewish Philanthropic Complex uncovers how capitalism and private interests came to command authority over the public good, in Jewish life and beyond.Lila Corwin Berman is Professor of History at Temple University.Host: Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.

For the Many: American Feminists and the Global Fight for Democratic Equality (Princeton University Press, 2021) presents an inspiring look at how US women and their global allies pushed the nation and the world toward justice and greater equality for all. Reclaiming social democracy as one of the central threads of American feminism, Dorothy Sue Cobble offers a bold rewriting of twentieth-century feminist history and documents how forces, peoples, and ideas worldwide shaped American politics. Cobble follows egalitarian women’s activism from the explosion of democracy movements before World War I to the establishment of the New Deal, through the upheavals in rights and social citizenship at midcentury, to the reassertion of conservatism and the revival of female-led movements today.Cobble brings to life the women who crossed borders of class, race, and nation to build grassroots campaigns, found international institutions, and enact policies dedicated to raising standards of life for everyone. Readers encounter famous figures, including Eleanor Roosevelt, Frances Perkins, and Mary McLeod Bethune, together with less well-known leaders, such as Rose Schneiderman, Maida Springer Kemp, and Esther Peterson. Multiple generations partnered to expand social and economic rights, and despite setbacks, the fight for the many persists, as twenty-first-century activists urgently demand a more caring, inclusive world.Putting women at the center of US political history, For the Many reveals the powerful currents of democratic equality that spurred American feminists to seek a better life for all. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.

Two very thoughtful oddfellows--a labor economist and a Russian literature scholar--take on the world's problems in their newest collaboration, Minds Wide Shut How the New Fundamentalisms Divide Us (Princeton University Press, 2021). Gary Saul Morson and Morton Schapiro bring to bear the remarkably powerful tool of great 19th century Realist literature (and other parts of the Western canon) to define and counter the all-or-nothing fundamentalisms that have come to divide us in recent years. They touch upon politics, religion and economics, as well as great literature itself, and advocate bridging the divides with assertion and dialogue rather than the crude dismissal of opponents based upon absolute, unyielding assumptions.Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are at https://strategicdividendinvestor.com/

Adom Getachew, the Neubauer Family Assistant Professor of Political Science at the University of Chicago, is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (Princeton University Press, 2019). The work has received immense praise from academics and non-specialists alike, winning a plethora of awards, including the Frantz Fanon Prize, the W.E.B. Du Bois Distinguished Book Award, and the J. David Greenstone Book Prize. Getachew renarrates the twentieth-century history of decolonization and shows that African, African American, and Caribbean anticolonial nationalists were not solely nation-builders. Responding to the experience of racialized sovereign inequality, dramatized in the book by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchies and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to secure a right to self-determination within the newly founded United Nations, constitute regional federations in Africa and the Caribbean, and structure a New International Economic Order. Worldmaking after Empire traces the richness and ambition of postwar efforts to reimagine the international order, uncovering a multiplicity of political projects that decolonization entailed. Vladislav Lilic is a doctoral candidate in Modern European History at Vanderbilt University.

Digitization is reshaping creative industries. Old gatekeepers in music, publishing, television, movies, and other industries no longer play such an important role, and digital piracy makes it easy for consumers to avoid paying companies, artists, and writers for what they produce. On the other hand, independents can now cheaply produce and distribute creative works both to niche and mass market audiences.In Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture (Princeton UP, 2020), Economist Joel Waldfogel uses data about the quantity, quality, and mass appeal of these works to make the case that this has on balance made us all better off, resulting in a digital renaissance.In this interview, we discuss the findings in his book and how he arrives at them. I also get his perspective on some developments since his book came out, like the rise of Spotify, non-fungible tokens (NFTs), and the impact of the pandemic on digitization. He also unwittingly gives me the opportunity to tell everyone with an Amazon device in the house to say “Alexa, Beethoven’s pathetic!” and enjoy the result.If you want to buy the NFT for Waldfogel’s famously Scroogey paper “The Deadweight Loss of Christmas,” he is open to bids and promises to donate the proceeds to charity, unlike Scrooge. You can also follow him on Twitter.Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics.