In this episode I speak with my friend Ethan Goodwin. Ethan has the position of “Buyer” in the Set Dressing department and I couldn't do my job with out it. In an industry of "Hurry Up and Wait", we in Set Dressing have to make very quick turnarounds and figure out the logistics of getting everything to set. The buyer has become a vital position and Ethan is the best of the best. Coordinating selections, pickups, paperwork and dressing in the charter of sets.

On this episode I resume my conversation with Production Designer James Pearse Connelly. James has his hands full designing hit shows like "The Masked Singer", "The Voice", "Making It", and many more. We talk about his start int he business and how he now runs his own design company.

On this episode I recap the award season and Art Director Guild awards with Production Designer James Pearce Connelly. We talk through each category and about the Oscar winning Production Design of "Once Upon A Time In Hollywood". "Parasite" "The Marvelous Mrs. Maisel", "Avengers: Endgame", "Chernobyl (https://www.google.com/search?client=safari&rls=en&q=chernobyl&ie=UTF-8&oe=UTF-8)", "The Big Bang Theory", "Drunk History", "Russian doll", "Toy Story 4".

In this episode I am talking with Australian Production Designer Annie Beauchamp. Her work includes Black Mirror, The Lego Movie, On Becoming a God in Central Florida, Top of the Lake: Season Two, Sleeping Beauty and Art Directing on on films like The Quiet American and Moulin Rouge! to name a few. Living and working in Australia, she also traveled to many locations includingSouth Africa, Brazil, Vietnam and the US in New Orleans and Los Angeles. She is currently nominated for an ADG award for her episode “Striking Vipers” in the Black Mirror series.

Currently nominated for an ADG award and a British Film Designers Guild (https://britishfilmdesigners.com/) award for his Production Design of Maleficent: Mistress of Evil, Patrick Tatopoulos is a force in the production design world. His talents have allowed him to work so many positions from illustrator, creature supervisor over to costume designer, producer, director and more. He seems almost too nice of a guy to be in this industry but you can hear his passion and his love to create come through in his amazing stories of films like Independence Day, Bram Stoker's Dracula, Stargate, Batman vs. Superman, Justice League and Maleficent: Mistress of Evil.

On this episode, My interview is with Production Designer John Schaffner who’s work has been consistently on TV for the last 25 years. Have you ever seen Friends? Two and a Half Men?, The Big Bang Theory?? Mom?? You gonna watch The #SAG awards this weekend?… he’s done it. He has such a plethora of long running hit multi camera shows on his resume, I don’t think he has had a break in at least 25 years!

The Good Place is nominated for an ADG award for our work for this last season. I thought it would be fun to get together with Production Designer: Ian Phillips, Art Director: Adam Rowe and Graphic Designer: Graham Radcliff. We have an in depth conversation about the sets and graphics of the show. We talk about the Bad Place and Demon-Con, Janet’s jail, set extensions, how we finally built Mindy’s house on stage and all those funny easter egg graphics that you gotta pause real quick to catch.

Here is part two of my interview with Set Decorator David Smith, and to be honest, the man has so much to say, and it’s all gems! He has such a wonderful career decorating sets for tv and film. We get into some of his specific projects like his first film Shop Girl, working with Nancy Meyers on The Holiday. Working with the same Production Designer for 12 projects, filming on locations for some of his films like Last Holiday and The Vampire’s Apprentice. Being an additional Set Decorator on projects like Argo, Gone Girl, Vice and Unbelievable. We also talk about budgeting and working deals with prop houses and talking over the budget with producers.

In the episode I talk with Set Decorator David Smith. David has a 30 plus year carere which includes films like Crazy Stupid Love, Little Fockers, Imagine That, The Holiday, Shopgirl to name a few. He talks a lot about getting into the New York union and the transition to Los Angeles. His Set Decorating includes TV shows like the recent Unbelievable on Netflix, Parenthood, Army Wives, The Guardian, NYPD Blue, LA Law, Guiding Light and As the World Turns. He has been nominated for three Emmys and 4 Daytime Emmys. He’s a sweet and generous man who has great taste in paisley shirts!

In this part two of my interview with Jeannine Oppewall we talk about her ADG lifetime achievement award, how she picks her projects, how she dreams of wallpaper, working with producers and budgets, and her interaction with writers on projects.