BELOW THE LINE PODCAST

Score Composer Andrew Lockington talks about his work on Taylor Sheridan’s “Special Ops: Lioness” (currently airing on Paramount+), and co-host Louis Weeks (composer, recording artist, and friend of the podcast) provides another layer of insight to our conversation. We discuss Andrew’s work on multiple levels, from the intention behind specifics pieces of score to the larger themes that inform the overall arc of the story.

My guest is Daril Fannin, CEO of Kino Studios. We talk about how Daril’s experiences as an army veteran, writer and executive producer led to the founding of Kino, with the goal of making Hollywood more open, equitable, efficient and diverse. Kino also runs a robust behind-the-scenes program which emphasizes - you guessed it - the contributions of Below the Line talent (www.kino.studio).

2022’s “The Menu” was an intriguing film that defied genre expectations. WIth 14 principle cast members and a tight shooting schedule, it was also a logistical challenge of epic proportions. First Assistant Director Gary Goldman takes us behind the scenes with stories about the cast, the supporting background, and the food. I mean, the FOOD: it was another character, both on and off the set.

“Star Trek: Strange New Worlds” - now in its second season on Paramount+ - continues to make the familiar franchise new again. Director of Photography Benji Bakshi talks about how cinematography contributes to the genre-uniqueness of each episode, and we talk in detail about the recently-aired, first-ever Star Trek musical episode. 

“Teenage Mutant Ninja Turtles: Mutant Mayhem” - in theaters now - is both a cutting-edge computer-animated feature and a really enjoyable film. Head of Cinematography Kent Seki and Art Director Arthur Fong share how an emphasis on the “teenage” element of the title characters informed every aspect of the filmmaking over a course of production spanning more than three years.

The “Hellraiser” film released late last year on Hulu was a creative reimagining of Clive Barker’s 1987 original. Production Designer Kathrin Eder discusses the challenge of rebooting a 35-year-old horror classic, Director David Bruckner’s reliance on practical effects wherever possible, and bringing all of these elements together while filming in Serbia.

“The Flash”, the latest DC superhero to earn a solo outing on the big screen, may be a spectacle of visual effects, but Sound Editors John Marquis and Nancy Nugent Title are here to explain why the movie experience is affected as much by what you hear as what you see. The integration is key, but recognizing the contributions of sound can unlock a completely new understanding of the film.

On June 23rd, the Directors Guild of America ratified a new three-year agreement with the Alliance of Motion Picture and Television Producers (AMPTP); the vote was 87% in favor. Today I’m discussing the agreement with Kevin Koster, who works as a 1st Assistant Director, served as a member of the negotiating committee, and is a returning guest to the podcast.

Costume Designer Helen Huang and Assistant Costume Designer Austin Wittick return to discuss their work on “Beef”, the 2023 Netflix limited series starring Stephen Yeun and Ali Wong. We take the opportunity to discuss not only how costume design contributes to this story behind the scenes but how diversity is important for all the stories that Hollywood wants to tell.

Today we’re talking about 1987’s “A Nightmare on Elm Street 3: Dream Warriors”, and I’m joined by an all-star panel of guests. 1st Assistant Director Dennis Maguire, Production Designer Mick Strawn, and Director of Photography Roy Wagner tell the tale of a difficult shoot that was nonetheless the basis for friendships that have endured for more than 35 years.