

Unstoppable Recording Machine Podcast
Eyal Levi
Wanna level up your recording skills? You came to the right place! Join Eyal Levi as he sits down each week with the best producers in the business to talk shop. You’ll get information, inspiration and most of all actionable insights from every episode. And when you’re ready to hit the books, head over to https://urm.academy to get your learn on!
Episodes
Mentioned books

Apr 17, 2018 • 1h 31min
EP 187 | Andy Marsh
Andy Marsh (Thy Art Is Murder) is a killer guitarist, as well as having branched out behind the scenes with Graphic Nature Management, and the twists and turns his path has taken to get to where he is are fascinating.
While Andy’s path isn’t common (let’s just say it involves rugby and multiple, severe bodily injuries) the mindset and strategies he applies to his work are things that everyone could benefit from applying to their own efforts.
“Some people will get to the limit of their energy and just push through it, and really their just doing themselves a disservice. Have a good night’s sleep. Whatever idea that you’re struggling with for 4 hours from 10pm till 2am, if you just slept you might have come up with it in 5 minutes by the time you wake up.” - Andy Marsh
ON THIS EPISODE, YOU’LL LEARN ABOUT:
5:30 Balancing full time band duties with recording, producing other bands
8:30 Andy’s time management - being upfront with clients, keeping notes and reminders
16:00 How efficiency at airports and travel add up
22:00 File/note sharing, Slack, shared calendars, focus on simple organization, templated folders of tour documents
32:00 John Cleese’s time blocking for creativity, specific environments for work/play, Pomodoro method
40:00 Pushing yourself but knowing your limits, sleep needs and days off
46:00 Andy’s rugby background and injury, finger injury, deciding to pursue guitar
54:00 Learning the ‘rules’ and terminology of guitar and reading tablature before actually picking up a guitar
1:05:00 Joining The Amity Affliction within a few years of picking up guitar
1:14:00 Learning via visualizing, joining Thy Art Is Murder, learning 15 songs in a day
1:19:00 Using Kemper profiles of album tone live, prioritizing a good sound guy, getting guitar tones on ‘Dear Desolation’
1:26:00 Parallel mix bus outside of compression, Kemper/Revalver, Superior Drummer, efficient songwriting
And much, much more
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Apr 5, 2018 • 1h 41min
EP 186 | Marc McClusky
Marc McClusky (Weezer, Motion City Soundtrack, Bad Religion) is here to go deep on the science of music, strategies for successful collaboration, and bringing your unique humanity to productions.
Marc brought a number of inspirational moments to this discussion. The amount of thought that he’s put into how to approach music, production, and life in general comes through loud and clear. If you ever find yourself feeling like you’re just going through the motions with your projects this is definitely an episode you’re going to want to keep handy.
“Nobody succeeds by themselves. Everybody succeeds together. The best records I’ve ever made aren’t because of me, it’s because of all of us. We’re in a room together. We all sat down and nobody had an ego, and everybody’s opinion was valuable.” - Marc McClusky
ON THIS EPISODE, YOU’LL LEARN ABOUT:
2:00 Marc’s childhood as a music lover, his first instruments, and his punk background
5:00 Music and Songs as math and science
15:00 Learning from music you don’t like, understanding the intention, recognize the feeling behind the math
20:00 The art of listening, visualizing an arrangement on the piano roll, the power of simplicity, and John Williams
35:00 Symphonic movie scores, relationship to classical music, and imitation/quoting as fundamental musical building blocks
40:00 Pre-production and songwriting with the mix in mind
45:00 Recording local band demos while working at Starbucks, word of mouth leading to engineering/production work
1:02:00 Being comfortable with ditching/changing parts you wrote, fighting for the ideas that you feel the most passionate about
1:05:00 Working on Weezer - ‘Hurley’, multiple mixers on the same album, mix being guided by decisions made in tracking rather than fighting them
1:13:00 How you can still add to the ‘texture’ of songs you’re mixing or don’t have creative input on.
1:19:00 Knowing your weaknesses and actively work at improving them, finding people who can complement your style
1:27:00 Dealing with entrenched competition or a saturated market
And much, much more
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Mar 20, 2018 • 1h 45min
EP 185 | Tom Knight
Tom Knight joins us this time to dig into how to maintain creative momentum, careers in voice acting, and drumming strategy.
Tom’s approach to creativity, careers, and life is truly inspirational. His path through the audio industry is wide ranging and fearless. If you’re interested in strategically preventing yourself from getting put in a box, this one’s definitely for you.
“I do whatever I do to get past the feeling of loss on a bad day, and sometimes that means not doing anything. Sometimes that means just sucking it up, letting the day go, and starting again tomorrow.” - Tom Knight
ON THIS EPISODE, YOU’LL LEARN ABOUT:
5:00 Imitation as a primary form of learning
13:00 Maintaining productivity
20:00 The power of perspective in judging your recordings
35:00 Why an entitled attitude leads to no work, getting the “Hallows Eve” gig
46:00 Tom becoming the go to drummer for jazz teachers, moving into pop world, Dallas Austin, TLC
55:00 Shifting to the goal of “not being in a band anymore”, creating a demo reel, cold calling in Atlanta
1:01:00 Napoleon Hill’s “Think and Grow Rich”, common attributes of successful people
1:11:00 EPKs, voice acting, self-taught video editing
1:22:00 Fitness, ‘300’ program, muscle-ups, applying focus
1:28:00 (The myth of) Limb independence, playing to a click
1:40:00 Playing MPC-style grooves on acoustic drums
And much, much more
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Mar 10, 2018 • 1h 7min
EP 184 | Dan Korneff
It’s been a long time coming, and we finally have Dan Korneff back to talk dealing with being your own worst enemy, analog setups, and knowing your gear inside and out.
Dan is the definition of renaissance man when it comes to audio. Not only is he a mastermind when it comes to production, but he’s also hands on with creating hardware and plugins. He’s truly inspirational for anyone looking to embody the entrepreneurial spirit.
“At a certain point, you just have to be happy with what you’re doing, and not really care about what anybody else says or what anyone else is doing. Just live in the moment and make whatever you’re working on currently the best thing you’ve ever done.” - Dan Korneff
ON THIS EPISODE, YOU’LL LEARN ABOUT:
3:00 Dan’s Classic PCB venture, starting a business on his own
9:30 Learning coding, hardware design, knowing what’s going on under the hood of your business/product
16:00 Dan’s opinion on analog vs digital processing, being involved in both sides
20:00 Analog SSL console mixing setups
26:00 Not reading YouTube comments
36:00 Dealing with self doubt
51:00 Candiria’s guitar/bass relationship, single coil tones for metal
54:00 Paramore’s ‘Riot’ drum sample release
56:00 Dan’s book recommendation: ‘The Art of Electronics’ by Horowitz and Hill
And much, much more
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Feb 27, 2018 • 1h 13min
EP 183 | Ultimate Drum Production With Matt Brown
Joel brings Matt Brown on board for this special episode to discuss URM Academy’s Ultimate Drum Production.
Curious about what you’ll learn from the Ultimate Drum Production course? You’re in luck. Matt details the course, section by section for us, and provides a bit of insight into how these building blocks can lead to an evolution in your drum productions.
“I just can’t even imagine what some of the people are going to be doing with this information five years from now.” - Joel Wanasek
ON THIS EPISODE, YOU’LL LEARN ABOUT:
4:30 Growing up in the studio environment with father
8:15 Recording drums as the benchmark for engineers
9:45 ‘Speed Mixing’-sized impact on the community
11:00 The anatomy of a Drum overview
14:00 When Joel met Matt the first time
15:30 Drum head importance
24:00 The science and physics of drums
29:00 Ringy snares and overtones
32:00 Paramore Riot! drums
37:00 Tuning and misconceptions about tuning to a note
43:00 Finding the optimum pitch for each individual drum
47:00 The source makeup of drums, mics, room
52:30 How everyone will learn from this class from entry level to seasoned pros
55:20 Cymbals and cymbal choice
58:00 Mixing overview, versatility in different scenarios
And much, much more
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Feb 23, 2018 • 1h 48min
EP 182 | John Douglass
John Douglass returns to the show to discuss how to make yourself an invaluable engineer, communicating with artists, and tips for dealing with Pro Tools.
John always has amazing knowledge to drop, and this talk is no different. He’s really carving out a spot for himself in the industry, and his insight is invaluable for anyone looking to find their own niche.
“Guerrilla recording should be something on people’s minds, because it’s not that hard of a task. You don’t have to have an amazing control room. Just go record.” - John Douglass
ON THIS EPISODE, YOU’LL LEARN ABOUT:
2:57 Making your room look professional
5:00 Introverts and putting yourself out there for success
17:00 Putting in the work and surround yourself with people who are in the business
30:00 Drum and vocal editing as priorities, PT and vocal editing Fast Tracks
33:55 Communicating with performers effectively
38:16 Good starting points for being an effective drum engineer
50:00 Using Nail The Mix raw tracks as quality reference for your own engineering
59:00 Listening to only frequency band at a time for referencing, MasterCheck
1:08:00 Building a vocabulary of techniques from NTM/Fast Track/podcast
1:13:00 John’s experiences with major label artists/celebrities vs other projects
1:17:00 Recent Pro Tools improvements and Evertune
1:32:00 Speeding up editing and not over-editing
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Feb 6, 2018 • 2h 11min
EP 181 | Alex Morgan
We’re going outside the box with photographer and entrepreneur, Alex Morgan, to talk career building, time management, and need to know band photography info.
Not only has Alex photographed bands such as Cannibal Corpse, Gojira, and Daath, but, more importantly, he brings a killer entrepreneurial mindset to everything he does. His approach to and passion for his career are things that everyone can take valuable lessons from.
“There’s something to be said for conditioning yourself to celebrate other people’s success instead of being jealous of them for having it.” - Alex Morgan
ON THIS EPISODE, YOU’LL LEARN ABOUT:
05:20 Providing the “full package” as a new business model
07:09 Why you need to be careful about “specializing”
10:30 Expanding outside your work niche or specific genres
22:00 The importance of in person networking in early career
37:30 Time management and delegation
51:00 Cultivating relationships with Gojira and others
1:04:00 Appreciating others’ success instead of envying
1:25:00 Investing in your own growth, retirement isn’t the goal
1:34:00 Wedding photography - high pressure and risk, flow state
1:45:00 Client/label expectations for band photography
1:55:00 Why bands need experience and self-awareness in image/photo shoots
2:01:30 Go to cameras/lenses, especially for low light
And much, much more
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Jan 30, 2018 • 2h 4min
EP 180 | James Paul Wisner
On this episode, James Paul Wisner (Paramore, Dashboard Confessional, Underoath) joins us for a conversation that goes in a ton of interesting directions, from amazing points related to artistry and mindset and deep into the technical end of things.
This is an extra long one, people. But we needed that added time to get in all the information that’s in this discussion. James is an amazing producer, and not only does he bring his impressive technical know how to the table, he also has philosophies for approaching his work that anyone could benefit from.
“For me, what motivates me, is wanting to get together with a group of talented guys, and bring out what their potential is.” - James Paul Wisner
ON THIS EPISODE, YOU’LL LEARN ABOUT:
The benefits of being a multi-instrumentalist
Doing homework on a band before you get them in the studio
Setting clear goals, and making room for potential setbacks
Managing your personal space and not allowing negative influences to take hold
James’s approach to vocals
And much, much more
TIME STAMPS:
2:30 Discovering recording and the Beatles around age 11, 4 track + 2 track
12:00 Approaching writing from piano vs guitar
14:00 Multi-instrumentalist, thinking like a drummer
17:40 Listening to a mix of the Beatles with drums up and some Lars Ulrich talk
22:00 Learning about a drummer, talking to bands before production
23:14 Eyal’s metronome tip
30:38 Doing homework on bands before entering the studio
33:00 Importance of inter-band communication
35:00 Getting clear on the goal, be committed to it, but have space for potential bad moments
42:06 Developing vision
43:50 Gut check moment: change or nothing’s going to happen
56:30 Getting new clients, placing ads back in the day
1:00:44 Not letting all the potential reasons that things could go wrong get in your way
1:02:57 Actively removing negative influences, managing your personal space
1:12:00 Getting involved with Further Seems Forever, Underoath, Tooth and Nail records
1:17:00 Working with David Bendeth
1:23:04 Conveying to musicians that simpler is better
1:29:06 James’s approach to tracking vocals
1:32:06 The technical side of things: clocking, high resolution audio, power conditioning
1:44:00 Getting drum sounds, tube traps for home studios
1:48:48 Getting clear and powerful vocals
1:50:33 Handling mix notes
1:58:00 Programming, mixing digital sounds with rock productions
2:02:00 James’s biggest piece of advice for vocal production
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Jan 23, 2018 • 1h 22min
EP 179 | Sean O’Keefe
Sean O’keefe (Fall Out Boy, Motion City Soundtrack, Plain White T’s) joins us this time to impart some wisdom about committing, not letting deal specifics get in the way of a project, and Developing his workflow during the transition from analog to digital mixing.
Sean has worked on a number of successful records and with a bunch of amazing bands. Many of the lessons he’s learned that have made him the stellar producer his is stem from working on analog gear when he started, but those lessons are just as important today. Are you creating, or are you just sitting on iteration after iteration of the same song?
“Create. Create something, and do it quickly. Don’t slave. Don’t do revisions. Treat it like it’s an analog console. Create for the purpose of creating. And then move on. And do another one.” - Sean O’Keefe
ON THIS EPISODE, YOU’LL LEARN ABOUT:
Finishing projects and letting them go out into the world
Not letting worrying get in your way
The early days of Sean’s career
The lessons about committing that he learned working on analog gear
Why you shouldn’t be too much of a stickler about deals you’re offered
The process behind his recording with Fall Out Boy and others
And much, much more
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Jan 2, 2018 • 1h 19min
EP 178 | Matt Brown
On this episode we’re talking about the further adventures of drum genius, Matt Brown.
This time we’re delving deeper Matt’s drumming and production career history, how to bounce back when the universe throws you a curveball, and studio construction.
“If you sit there and dwell on something you make that a reality. If I’m going to make my own reality, I’m going to make it what I want it to be.” - Matt Brown
ON THIS EPISODE, YOU’LL LEARN ABOUT:
- Matt’s experience teaching at the URM Summit
- The individual sounds of good drummers
- Matt’s background and how he began drumming and working in audio
- Rebounding from failures and struggles
- Studio construction
- And much, much more
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