The Last Laugh

Director Jake Szymanski came up at Funny or Die and ‘Saturday Night Live,’ but nothing he had ever done in the comedy world could have prepared him to pull off what was essentially a real-life version of ‘The Truman Show,’ with jokes, on ‘Jury Duty.’ In this episode, the director breaks down what went into making the comedy-reality show’s unsuspecting star Ronald Gladden think he was in a documentary about jury duty when he was actually surrounded by actors and improv comedians for three weeks straight. Szymanski reveals how they cast Ronald, the secret maneuvers behind the show’s hilarious Margaritaville episode, and the huge sigh of relief he let out when they finally let the cat out of the bag.  Follow Jake Szymanski on Twitter @szyjake and Instagram @szyjakeFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Paula Poundstone may have essentially invented “crowd work,” as the process of turning conversations with members of an audience into comedy is known today. But she still hates the term. “If I’m  walking down the street and I say hi to somebody, is that street work?” she asks. In this episode, Poundstone opens up about her unlikely path to becoming a comedy icon in the 1980s and ‘90s and how it all nearly came crashing down after her arrest in 2001. She also reflects on her frosty relationship with Johnny Carson, reveals what her own early brush with “cancel culture” made her think about second chances and a lot more. Follow Paula Poundstone on Twitter @paulapoundstone and Instagram @paulapoundstoneFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

For the first 30 years of his career, Alan Ruck was sure he would always be remembered as Ferris Bueller’s sad best friend. Then ‘Succession’ came along and changed everything. In this episode, Ruck shares his thoughts on the end of ‘Succession,’ [SPOILER ALERT!] including what lies ahead for Connor and Willa’s marriage, the story behind filming that “virtual dinner” with Brian Cox, and why creator Jesse Armstrong made the right decision to quit while he was ahead. The actor also reveals why he asked for his character to be killed off in Season 2 and how the role he was waiting his entire career for has forever altered his professional legacy. Follow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

In this preview of our upcoming episode with Alan Ruck, dropping next Tuesday, the actor who brought Connor Roy to life over the last four seasons of HBO’s ‘Succession’ shares his reaction to the series finale and what he thinks might lie ahead for Connor and Willa. Follow The Last Laugh now to hear our full conversation when it’s released next Tuesday, June 6th. Follow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Comedian Amber Ruffin is systematically taking over the entertainment industry. And now she’s bringing her sister Lacey Lamar along for the ride. With two books, and now a new podcast from iHeartMedia and Will Ferrell’s Big Money Players Network, the pair is busier than ever—even as the Writers Guild strike has shut down much of Hollywood. In this episode, Ruffin talks about the state of late-night TV as a whole (and her eponymous Peacock show specifically) and reflects on the ‘Saturday Night Live’ audition that inadvertently brought a generation of Black female comedians together and led Seth Meyers to hire her as the first Black woman to write for a network late-night show. The sisters also reveal how they find humor in “everyday racism” and why they decided to embrace their true, deeply silly selves, on their podcast. Listen to THE AMBER & LACEY, LACEY & AMBER SHOWFollow Amber Ruffin on Twitter @ambermruffin and Instagram @amberruffinFollow Lacey Lamar on Twitter @LaceyLamar1 and Instagram @laceylamar1Follow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Jay Baruchel never intended to be a comedian. But there was a brief moment there in the mid-2000s when he made what he now describes as the “stupid” decision to try and become a movie star. In this episode, the Canadian actor talks about taking on his most dramatic role yet in the new film ‘BlackBerry’ about the rise and fall of the Canadian predecessor to the iPhone. Baruchel also traces the story of how Judd Apatow plucked him from obscurity to star in the short-lived Fox sitcom ‘Undeclared,’ setting off a string of roles in comedy hits like ‘Knocked Up,’ ‘Tropic Thunder’ and ‘This Is the End,’ a movie he was convinced would be a total disaster—not just because of his very real beef with co-star Jonah Hill, both on screen and off—and ended up wildly exceeding his expectations.  Follow Jay Baruchel on Instagram @jonathanadamsaundersbaruchelFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

If there’s anyone in Hollywood who might be immune to criticism, it’s 11-time Emmy-winner and Mark Twain Prize for American Humor recipient Julia Louis-Dreyfus. But as the comedy legend admits in this episode, the rare negative comment about her work still “stings.” That feeling is at the heart of Louis-Dreyfus’ new film ‘You Hurt My Feelings,’ in which she delivers the most emotionally raw performance of her career. During our conversation, the actress reflects on her early struggles as a cast member on ‘Saturday Night Live’ and the catharsis of returning as host. She also reveals what she really thought about the divisive ‘Seinfeld’ finale 25 years later, breaks down the difference between ‘Veep’s’ Selina Meyer and her own “narcissistic” father and a lot more.Listen to Julia Louis-Dreyfus’ podcast Wiser Than MeFollow Julia Louis-Dreyfus on Twitter @OfficialJLD and Instagram @officialjldFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

One week into the WGA strike, it’s time for a closer look at what’s at stake for the writers who entertain us on a daily basis. And there’s no one better to break it all down than ‘Late Night with Seth Meyers’ writer Sal Gentile. In this episode, the man behind Meyers’ “A Closer Look” segments talks about both the immediate and potentially lasting impact of the strike on late-night TV, what it’s been like out there on the picket lines, and how long he thinks this thing could last. Gentile also shares the story behind his unique path from cable news to late-night, reveals how he ended up creating the most consistently funny and informative segment in late-night and recalls the time he got to go “toe-to-toe” with Larry David in a behind-the-scenes sketch.Follow Sal Gentile on Twitter @salgentile and Instagram @salgentileFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Despite playing the often monstrously narcissistic Brooke Dubek on the criminally underrated comedy series ‘The Other Two,’ Heléne Yorke finds herself able to relate to her character more than she would like to admit. In this bonus episode, Yorke previews Season 3 of the show, which returned on HBO Max this week, and reveals how she ended up at the center of the one the funniest shows on TV. She also shares hilarious stories about making the leap from Broadway to the screen on shows like ‘Louie,’ ‘30 Rock’ and ‘High Maintenance’ and that time she almost pooped her pants on stage as Glinda in ‘Wicked.’ Follow Heléne Yorke on Twitter @HeleneYorke and Instagram @heleneyorkeFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

After 27 years as a contributor on ‘The Daily Show,’ Lewis Black is finally getting the chance to host. While the comedian candidly admits that it took Comedy Central long enough to give him a call, he is set to take the reins as guest host for the week of June 20th. In his return to the podcast, Black drops his angry persona and reflects on his comedic legacy. He also talks about why he called his latest stand-up special ‘Tragically, I Need You’—available to stream today on YouTube—and weighs in on misplaced conservative outrage over Bud Light and Fox News’ decision to fire “asshole” Tucker Carlson. Watch Lewis Black’s new special ‘Tragically, I Need You’ on YouTubeFollow Lewis Black on Twitter @TheLewisBlack and Instagram @thelewisblackFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.