This Cultural Life

Violinist Nicola Benedetti reveals her most important cultural influences and experiences that have inspired her to become one of the world’s greatest classical musicians. Having taken up the violin at the age of four, Nicola won the BBC Young Musician of the Year competition at 16. She’s renowned for the passion of her live concerts, her recordings of the great violin concertos, and for her work with contemporary composers, including a Grammy-winning collaboration with composer Wynton Marsalis. She’s also deeply involved in educational programmes that use classical music to transform the lives of young people. For This Cultural Life, Nicola Benedetti recalls her North Ayrshire upbringing and how her Italian parents encouraged her musicality from a young age. She remembers first listening to Brahms’s Violin Concerto on the car journey to school, a piece that inspired her to seriously pursue her ambitions, becoming the leader of the National Children’s Orchestra at the age of just eight. She discusses the influence of the great violinist Yehudi Menuhin, whose school she attended until she was 15, and at whose funeral she performed in 1999. Nicola also talks about her work with the Sistema Scotland project, and her own Benedetti Foundation, which promotes musical education. Determined to promote contemporary classical music as well as the traditional repertoire, she discusses her work with Wynton Marsalis and the young British composer Mark Simpson, both of whom have written violin concertos for her.Producer: Edwina Pitman

Norman Foster discusses the key cultural influences and experiences that led him to become one of the world’s most important living architects. Baron Foster of Thames Bank founded Foster and Partners in 1967, a practise which specialises in urban master-planning, civic, cultural, office and airport developments. His most famous designs include the Great Court of the British Museum, the Reichstag in Berlin, Millau Viaduct in France, the Apple headquarters in California, Wembley Stadium, Beijing Airport, and the London tower known as ‘the Gherkin’. At 87 years old, and still working as executive chairman of his company, Norman Foster looks back to his working class childhood in Manchester when he first became fascinated with the built environment in the post-war years. He recalls taking two books from the local library - on the architects Frank Lloyd Wright and Le Corbusier - which helped focus his early fascination with architecture. After studying at Manchester University’s school of architecture, Norman Foster won a scholarship to study at Yale University in Connecticut. It was there he met Richard Rogers, with whom he became firm friends and started taking long road trip across America to seek out landmark buildings. On return to the UK, Foster and Rogers set up their first architectural practise Team Four, along with their wives Wendy Cheeseman and Su Brumwell. Foster tells This Cultural Life about his continuing fascination with the design process, after a five decade career that has seen him win the most prestigious architecture prizes, including the Pritzker, the Praemium Imperiale Award, and the RIBA Gold Medal.Producer: Edwina Pitman

The author of the multi-million-selling Languedoc trilogy, set amidst religious wars in south-west France and beginning with the bestselling Labyrinth, Kate Mosse has written nine novels and short story collections, and four plays. She is also one of the co-founders of the Women’s Prize For Fiction. Kate Mosse tells John Wilson about first visiting the Festival Theatre in her hometown of Chichester at the age of six and seeing the 19th-century French farce The Italian Straw Hat, an experience that opened her mind to the power of drama. She remembers being among the million and a half visitors to the blockbuster Tutankhamen exhibition at the British Museum in 1972, and explains how her interest in historical narratives can be traced back to the treasures of the boy king. Kate Mosse also chooses two literary influences for This Cultural Life. Having read Emily Bronte’s Wuthering Heights as a teenager, she says the way that Bronte describes the Yorkshire moors as like a character in their own right influenced her own novels in which the Languedoc landscape plays a similar narrative role. Her last big cultural moment is the 1991 Booker Prize for Fiction when an all-male shortlist prompted Kate and other literary figures to create the Women’s Prize for Fiction as a way of shining the spotlight on novels written by women anywhere in the world.Producer: Edwina Pitman

Born Clifford Joseph Price, Goldie was brought up in care homes and with foster families in the west Midlands. After establishing himself as a graffiti artist, he began to make dance music and, with his 1995 debut album Timeless, was a pioneer of the drum’n’bass sounds that dominated club culture throughout the decade. Alongside work as a DJ around the world, Goldie has also taken on various acting roles, including in the James Bond film the World Is Not Enough and, on television, playing a gangster in Eastenders. He was also runner-up in the 2008 reality show Maestro, in which contestants learned to conduct a symphony orchestra. The following year, he was the subject of a television documentary in which he composed a piece of contemporary classical music that was performed at the BBC Proms. Goldie’s choices for This Cultural Life include hearing David Bowie’s 1969 Space Oddity when he was in care, and relating to its theme of isolation and abandonment. He also talks about the huge influence of seeing the 1983 documentary Style Wars, about the emerging hip hop scene in New York in the early 1980s, and the role of graffiti artists in reclaiming the subway trains and the walls of railway yards as their unofficial galleries. Goldie also reveals that the American jazz guitarist and composer Pat Metheny is one of his biggest influences, despite working in a very different musical field.Producer: Edwina Pitman

With a career spanning eight decades, Dame Eileen Atkins is one of the most acclaimed British actors. She is a three-time Olivier Award-winner and has won Emmy and BAFTA Awards for her role in the television series Cranford. A familiar face on screen since making her television debut in 1959, she has starred in shows ranging from Doc Martin to The Crown, and her film roles have included The Dresser, Gosford Park, Cold Mountain and Paddington 2. She also co-created the long-running television series Upstairs Downstairs and The House of Elliot, and wrote the screenplay for the 1997 film of Virginia Woolf's Mrs Dalloway.Dame Eileen talks to John Wilson about her upbringing on a Tottenham council estate and how, under the tutelage of a woman she knew as Madame Yandie, she became Baby Eileen, a child stage performer, singing and dancing in working men’s clubs. She chooses as one of her greatest influences one of her teachers at Latymer School, EJ Burton, who introduced her to literature and theatre. She recalls the impact of joining the company at the Shakespeare Theatre, now the Royal Shakespeare Company, in 1957, after a long struggle to secure stage roles. Dame Eileen also explains how her fascination with Virginia Woolf led to one of her most celebrated stage performances, that of the writer herself, in a one woman show adaptation of A Room Of One’s Own.Producer: Edwina Pitman

Writer Jed Mercurio, the creator of hit television series including Line Of Duty and Bodyguard, talks to John Wilson about the cultural influences and experiences that have inspired his own work. Born into a working class Stafforshire family, Mercurio went to medical school, then trained as an RAF pilot. After responding to an advert for consultants to work on new hospital drama Cardiac Arrest, Mercurio became the script writer for that ground-breaking series, which intended to be a more realistic depiction of the NHS than had been on screen before. He further drew on his medical background for the series Bodies, adapted from his novel of the same name.Jed chooses the 1980s US police TV series Hill Street Blues as a big influence on his own screenwriting, which is characterised by long-running rather than just episodic narratives, and surprising plot twists. He also reveals how the 2005 killing of Jean Charles de Menezes, who was shot by police after being mistakenly identified as a suspect following the London terror attacks, prompted him to develop the idea for a drama about undercover police investigations and corruption. Producer: Edwina Pitman

In a special edition of This Cultural Life from the Hay Festival, Dame Jacqueline Wilson is John Wilson's guest with an audience of readers young and old. One of the best-loved children's writers of all time, she has written more than a hundred books, including The Story of Tracy Beaker and Hetty Feather, both of which were adapted as hugely popular CBBC series. The childhoods depicted by her are usually far from rosy - she's tackled divorce, depression, death, bullying, abuse, abandonment and homelessness. Despite their themes, or maybe because of them, they are huge bestsellers. She reveals the film, play and places that have inspired her work.Presenter: John Wilson Producer: Sarah JohnsonPhoto credit: Tricia Yourkevich

Writer and director Armando Iannucci reveals the most important artistic influences and experiences that have shaped his own work. Armando was the creative force behind Radio 4’s news satire series On The Hour, which moved to television as The Day Today and launched the career of Alan Partridge. He wrote and directed the political comedy series The Thick Of It, and the long-running American TV series Veep. His big screen credits include In The Loop, The Death Of Stalin and The Personal History Of David Copperfield. Armando recalls his Italian-Scottish family upbringing in Glasgow, where his lifelong love of classical music was first forged in Hillhead Public Library. A fan of radio comedy from a young age, he talks about the impact of hearing the 1978 radio comedy The Hitchhikers Guide To the Galaxy by Douglas Adams, whose central character Arthur Dent is, like many of Iannucci’s own comic creations, a man way out of his depth as events spin out of control. The 2003 invasion of Iraq is chosen by Armando as an event that had a big influence on his decision to create political satires The Thick Of It and its big screen spin-off In The Loop, in which government ministers and their advisors struggle to navigate a political path littered with inconvenient facts and rules. Reflecting on his work as a director, Armando Iannucci cites the American filmmaker Sidney Lumet as another major inspiration, with movies including Network, Dog Day Afternoon, Twelve Angry Men and The Verdict.Producer: Edwina Pitman

Sitar player and composer Anoushka Shankar tells John Wilson about the most significant cultural influences and experiences that have shaped her own artistic life. Taught in the Indian classical tradition by her father, the legendary musician Ravi Shankar, Anoushka is renowned as one of the world’s greatest living sitarists. She has been nominated for seven Grammy Awards and, as a composer, has worked in a diverse array of genres, including jazz and electronica, and films scores.Anoushka talks about the huge musical influence that her father had on her. As a child, she went to his concerts not knowing he was her father until her parents began living together when she was seven. He gave her her first sitar and took her on as his pupil amongst the many others that came to their house for his teaching. She describes how seeing Akram Khan’s dance production Kaash - a collaboration with composer Nitin Sawhney and artist Anish Kapoor - inspired new ways of composing. She recalls how the rape and murder of a 23 year old girl in Delhi in 2012 led to her revealing that, as a child, she had been abused by a family friend. Anoushka also explains how the TimesUp movement, campaigning for workplace equality, made her reassess the role of women within music, and inspired the 2020 album Love Letters, which was made with an all-women team of musical collaborators.Producer: Edwina Pitman

Musician and lyricist Jarvis Cocker talks to John Wilson about the most important influences and experiences that shaped his own creativity. He explains how the DIY spirit of punk during his teenage years in Sheffield inspired him to form his band Pulp, and experiment with a distinctive new look forged in that city's jumble sales. Pulp, who went on to become one of the biggest bands to define the Britpop era of the 1990s, made their BBC Radio 1 debut in 1981 on the hugely influential John Peel show, another of Jarvis's choices for this programme. And yet the band didn’t find mainstream success until well over a decade later. Pulp was put on hold while Jarvis studied Film at St Martin’s Art College in London, an experience which widened his cultural horizons and where he met the girl who came from Greece and 'had a thirst for knowledge', later featured in Pulp's biggest hit Common People. He also fondly recalls his musical hero Scott Walker who, after massive pop success with The Walker Bothers in the 1960s, pursued an idiosyncratic and experimental music career, until his death in 2019. Producer: Edwina Pitman