Sir Antonio Pappano is one of the world’s most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l’ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull’aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

John Wilson talks to actor, comedian, broadcaster and writer Sir Michael Palin. A founding member of the hugely influential comedy troupe Monty Python’s Flying Circus, he wrote and performed in its five television series and three feature films including The Life Of Brian. Other big screen credits include A Fish Called Wanda, Brazil, The Missionary and The Death of Stalin. Michael is also a globetrotting documentary presenter and bestselling author.Michael recalls the early influence of listening to radio comedy as a child, especially the absurdist humour of The Goon Show devised by Spike Milligan. Meeting Terry Jones at Oxford University in 1962 proved to be a life-changing event as the two soon started working on sketches together and after graduating were hired for David Frost's satirical television show The Frost Report. It was on this programme that the duo first worked with future Python members John Cleese, Graham Chapman and Eric Idle. Starring in Alan Bleasdale's 1991 ground breaking television drama GBH allowed Michael a departure from comedy but also set the bar high for future acting roles which he increasingly forwent in favour of writing and presenting documentaries, including a particular favourite about the Danish Painter Vilhelm Hammershøi.Producer: Edwina PitmanArchive :A Fish Called Wanda, Charles Crichton, 1988 Take It From Here, BBC Light Programme, 1954 The Goon Show, The Man Who Never Was, BBC Light Programme, 1958 Comic Roots, BBC1, 1983 That Was The Week That Was, BBC, 1963 The Frost Report, BBC1, 1966 Do Not Adjust Your Set, ITV, 1967 Monty Python’s Flying Circus, BBC1, 1969-1970 The Meaning of Life, Terry Jones, 1983 Friday Night, Saturday Morning, BBC2, 1979 The Life of Brian, Terry Jones, 1979 GBH, Alan Bleasdale, Channel 4, 1991 The Death of Stalin, Armando Iannucci, 2017 Michael Palin and the Mystery of Hammershøi, BBC4, 2008

Filmmaker Yorgos Lanthimos first emerged as part the so-called ‘weird wave’ of Greek cinema, and is known for unsettling themes and absurdist humour of his films. He made his mark internationally in 2009 with Dogtooth, which won a Cannes film festival prize and was nominated for an Oscar. Shifting into English language cinema with The Lobster, starring Colin Farrell and Olivia Colman, he continued to win awards and acclaim with The Killing Of A Sacred Deer and his historical comedy drama The Favourite. His most recent film Poor Things, starring Emma Stone, has been nominated for eleven Academy awards, including best film and best director.Yorgos Lanthimos tells John Wilson about his upbringing in Athens, the son of a professional basketball player who was part of the Greek national team, and how, after graduating from film school, he began making commercials and pop videos. He reveals why the work of the American photographer Diane Arbus, renowned for the underlying psychological tension of her portraits, was a major inspiration on the mood of his films. He also cites the influences of the German choreographer Pina Bausch on visual elements in his films, including dance routines seen in The Favourite and Poor Things. The plays of the British writer Sarah Kane, including Blasted and Crave, were also influential on the tone of his darkly humorous films. Producer: Edwina PitmanDiane Arbus' quote is from the documentary film Going Where I've Never Been: The Photography of Diane Arbus (1972), voiced by Mariclare Costello.

French actor Juliette Binoche is known for her portrayal of emotionally complex characters. Over a forty year career, her films have included Three Colours Blue, Les Amants de Pont Neuf, Chocolat, and The English Patient, for which she won her Academy Award. Her most recent film is The Taste of Things, a French drama about a cook and the gourmet she works for, in which she stars opposite Benoît Magimel.Juliette Binoche talks to John Wilson about an early moment of revelation, watching Peter Brookes' production of Alfred Jarry's play Ubu Roi at in Paris in 1977, which first made her realise she wanted to act. She explains the influence of her acting coach Véra Gregh, who helped her to understand the difference between "acting" and "being". She also recalls her experiences working with some of the most acclaimed film directors; Jean-Luc Godard on Hail Mary; Leos Carax on Les Amants du Pont-Neuf; Krzysztof Kieślowski on Three Colours: Blue; and Anthony Minghella on The English Patient.Producer: Edwina Pitman

A rare interview with Frank Auerbach, one of the world’s greatest living painters. At 92 years old, he has been painting for over 70 years and still works every day. A child refugee from Nazi Germany whose parents were killed in Auschwitz, he made his name alongside his friends and fellow painters Francis Bacon, Lucian Freud and Leon Kossoff in the 1950s. He’s well known for the thick layers of the paint used to create his portraits and images of the streets around the studio in Camden Town where he has worked since 1954.Frank Auerbach talks to John Wilson about his fragmentary memories of his early childhood in pre-war Berlin and his education at the boarding school Bunce Court in Kent, where he arrived aged 7. He recalls the huge impression that a black and white reproduction in a children's encyclopaedia of Turner's The Fighting Temeraire made on him as a boy, making him want to "do better and be less superficial". Auerbach also discusses the influence on him of the artist David Bomberg who taught him at London's Borough Polytechnic, and his friend and fellow student Leon Kossoff. He also talks about his friendships with Francis Bacon and Lucian Freud and why he still paints and draws in his studio seven days a week.Producer: Edwina Pitman

Boy George, pop star known for his flamboyant looks and soulful vocals, opens up about his upbringing, meeting David Bowie, and the important influence of club promoter Philip Sallon. He also discusses coping with fame, addiction, and rebuilding his life. The podcast explores his childhood, creative influences, early fame, and growth in the music industry.

Patricia Cornwell’s books have sold over 120 million copies in thirty-six languages in over 120 countries. She’s authored dozens of New York Times bestsellers. For over thirty years her protagonist, the forensic scientist Kay Scarpetta has been investigating murders across America, tracking down criminals by analysing evidence left on the bodies of victims. Cornwell has won the Sherlock Award, the Gold Dagger Award, the RBA Thriller Award, and the Medal of Chevalier of the Order of Arts and Letters for her contributions to literary and artistic development. She's also authored two books on the identity of Jack the Ripper. Her latest Kay Scarpetta novel is Unnatural Death.Patricia talks to John Wilson about her challenging childhood and upbringing in North Carolina. She reveals the influence of two works of literature on her own writing; Uncle Tom's Cabin by Harriet Beecher Stowe, an ancestor of Cornwell's; and William Golding's Lord of the Flies. She also talks about her interest in the Parthenon Sculptures and her fascination with the identity of Jack the Ripper.Producer: Edwina Pitman

Andrew Scott won a BAFTA as the evil Moriarty in Sherlock, but is equally loved for a divine television role as the hot priest in Fleabag. A prolific and versatile stage actor, he has starred in many plays by contemporary dramatists, including Port and Birdland by Simon Stevens. He played Hamlet to great critical acclaim and won an Olivier award for his starring role in Noel Coward’s Present Laughter. His latest film role is All Of Us Strangers, in which he plays a single gay man haunted by the death of his parents. Andrew Scott talks to John Wilson about his suburban Dublin childhood and the early creative influence of his mother, an art teacher. After landing a debut role in an independent Irish film called Korea, Andrew gave up a university place studying drama to pursue an acting career. He remembers small parts playing American soldiers in Steven Spielberg’s Saving Private Ryan and the television series Band Of Brothers. He discusses his love of Shakespeare and his approach to playing the role of Hamlet at the Almeida Theatre in London in 2017, and reveals how the music of Pet Shop Boys, and in particular their 1987 album Actually, are a reminder of a formative time of his life.Producer: Edwina Pitman

John Wilson's guest is the violinist Nigel Kennedy. A prodigy whose childhood talents were nurtured by Yehudi Menuhin, one of the greatest violinist of the 20th century, Kennedy himself became an international star in 1989 with his recording of Vivaldi’s Four Seasons. It sold over three million copies, topping the UK classical charts for a year and went on to be listed as the biggest selling classical album of all time in the Guinness Book Of Records. An unconventional classical musician from the outset, it wasn’t just his wardrobe, accent and attitude that set him apart. As well as recording all the major violin concertos, his repertoire includes jazz standards, folk tunes and Jimi Hendrix. He remains one of the world’s greatest virtuosos. For This Cultural Life, Nigel chooses his two violinist mentors; Yehudi Menuhin and the French musician Stéphane Grappelli with whom he shared a love of jazz and improvisation. Going to New York to study at the prestigious Juilliard School also proved a turning point for Kennedy, not so much for the teaching he received there, but for the legendary jazz musicians like Jimmy Rowles and Ellis Larkins that he sought out in clubs downtown and in Harlem. Nigel also discusses how being a fan of Aston Villa football club has made him think about crowd dynamics in his concerts and reveals the influence of his dog Huxley on his approach to his career. Producer: Edwina Pitman

Judi Dench, one of the greatest classical actors of our times, reflects on her career playing Shakespearean roles and shares intimate insights into her relationship with the work of William Shakespeare. She discusses her pivotal experiences, including her very first professional stage role as Ophelia in Hamlet, her landmark production of Macbeth, and her experience performing with macular degeneration. Dench also explores the lasting significance of Shakespeare in her life and career, including winning an Oscar for a role in a Shakespearean production.