Music for Education & Wellbeing

 In this episode, I talk with Mark Robinson, the founder of Rocksteady Music School, which brings in-school rock band lessons to primary schools across the UK. It’s a new model for music education that combines peripatetic tuition approaches with group rock band tuition and inclusive pedagogy, increasing children’s interest in and uptake of music lessons. Mark’s lightbulb moment was when he realised that children in his lunchtime band workshops were progressing faster than those in one-to-one lessons, and his mission ever since has been to get more children making music by choosing what they want to learn, and learning as part of a band. 

 In this episode, I talk with musicians Carl aka C. Roots, and Grace from Inhouse Records. Inhouse is an award-winning record label for change, working inside and outside of prisons with emerging musicians who are prisoners. The team work to highlight the creative potential of prisoners and to reduce reoffending, focusing on what's strong, not what's wrong.  They’re supported by a range of impressive partners and funders from the Universal Music Group to the Ministry of Justice, and have won awards for their social enterprise work 

In this episode, I talk with Sam Chaplin, community choir leader for The Choir With No Name, workshop leader, singer-songwriter, jazz trumpeter, pianist, composer and arranger. We discuss: how community choir leading is ‘caught rather than taught’; the four Cs of connection, confidence, congratulations and the catharsis of ‘singing it out and the song on Sam’s new album inspired by this; the value of peer mentors as part of advocating for the choir; music more central in everyone’s lives.

 In this episode, I talk with  Rachael Perrin, a co-founder of community music organisation, Soundcastle, which runs projects in the south of England, coaches and trains music practitioners across the UK, and has an online community to support them. We talk about bringing together the music and social care worlds and wanting to find ‘other uses for music’; their Musical Beacons work with families and People’s Music Collectives work with adults on a journey of mental health recovery; the crossovers between coaching, mentoring and community music; the importance of creative autonomy; and wellbeing, the thread that runs through everything from projects to collective decision-making.

 In this episode, I talk with head vocal coach for X Factor and Britain’s Got Talent, Annabel Williams. Annabel talks about her route into vocal coaching, gives some insights into the support given to TV talent show contestants and shares some tips and advice for vocalists. She goes on to talk about her The Vocal Coach app for singers of all levels wanting to develop their voices, or use singing for fun and wellbeing 

In this episode, I’m talking with JB Rose who is a soul vocalist, recording artist, and vocal tutor at three charities (Heart and Soul, Clean Break Theatre Company and Second Wave Youth Arts where she’s also an Associate Director). JB has supported Chaka Khan, and worked with the likes of Coolio, Omar and Junior.  Alongside all of this she also has an impressive scriptwriting and songwriting career. I was particularly interested in her beginnings in youth arts, and the difference that’s made to her progression into the music industry.

In this episode, I talk with Helen Brookes, Head of Whole Class Instrumental Teaching for Services for Education Music Service, Birmingham which leads the music education hub for the city. It’s part of the Services for Education charity, which provides a range of services to schools from school-centred initial teacher training to school improvement consultancy. We talk about the services’s progression model for whole class instrumental teaching; taking that model online during the pandemic; how they bring inclusion into the work in SEN/D and mainstream schools; and managing the balance between partnering with and marketing to schools.

In this episode, I’m talking with pioneering and award-winning jazz musicians, educators, and producers Janine Irons MBE and Gary Crosby OBE, who together run the music education and development charity Tomorrow’s Warriors. We talk about their routes into music and their work addressing barriers to music and the music industry for young people facing barriers to progression in the music industry – in particular black or/and female musicians.

In this episode, I’m talking with Roz De Vile, CEO of Music Masters, a music education charity that runs group music making programmes in five London schools, teacher training, and has developed ‘I’m In’, a diversity tool and process to help music organisations to be more inclusive and better reflect the society we live in. This episode was recorded in December 2020 and before the new January lockdown rules in England.

In this episode, I’m talking with Catherine Birch, who is a senior lecturer in Community Music at York St John University. She is currently researching, how trauma-informed approaches can benefit community music practice, through singing and songwriting work with women prisoners as part of the York St John Prison Partnership.