Music for Education & Wellbeing

 In this episode, I talk with head vocal coach for X Factor and Britain’s Got Talent, Annabel Williams. Annabel talks about her route into vocal coaching, gives some insights into the support given to TV talent show contestants and shares some tips and advice for vocalists. She goes on to talk about her The Vocal Coach app for singers of all levels wanting to develop their voices, or use singing for fun and wellbeing 

In this episode, I’m talking with JB Rose who is a soul vocalist, recording artist, and vocal tutor at three charities (Heart and Soul, Clean Break Theatre Company and Second Wave Youth Arts where she’s also an Associate Director). JB has supported Chaka Khan, and worked with the likes of Coolio, Omar and Junior.  Alongside all of this she also has an impressive scriptwriting and songwriting career. I was particularly interested in her beginnings in youth arts, and the difference that’s made to her progression into the music industry.

In this episode, I talk with Helen Brookes, Head of Whole Class Instrumental Teaching for Services for Education Music Service, Birmingham which leads the music education hub for the city. It’s part of the Services for Education charity, which provides a range of services to schools from school-centred initial teacher training to school improvement consultancy. We talk about the services’s progression model for whole class instrumental teaching; taking that model online during the pandemic; how they bring inclusion into the work in SEN/D and mainstream schools; and managing the balance between partnering with and marketing to schools.

In this episode, I’m talking with pioneering and award-winning jazz musicians, educators, and producers Janine Irons MBE and Gary Crosby OBE, who together run the music education and development charity Tomorrow’s Warriors. We talk about their routes into music and their work addressing barriers to music and the music industry for young people facing barriers to progression in the music industry – in particular black or/and female musicians.

In this episode, I’m talking with Roz De Vile, CEO of Music Masters, a music education charity that runs group music making programmes in five London schools, teacher training, and has developed ‘I’m In’, a diversity tool and process to help music organisations to be more inclusive and better reflect the society we live in. This episode was recorded in December 2020 and before the new January lockdown rules in England.

In this episode, I’m talking with Catherine Birch, who is a senior lecturer in Community Music at York St John University. She is currently researching, how trauma-informed approaches can benefit community music practice, through singing and songwriting work with women prisoners as part of the York St John Prison Partnership.

In this episode, I’m talking with Ije Amaechi, Victoria Port, and Ross Lanning: music tutors working for Hertfordshire Music Service, part of a local authority in the UK. They specialise in working with young people who face barriers to music education, particularly those with social, emotional and behavioural difficulties.

In this episode, I’m talking with Laura Hassler, Founder and Director of Musicians Without Borders. It’s a charity based in Amsterdam that uses the power of music for peacebuilding and social change, particularly in areas of war and conflict ||| There are many reasons why you’ll be interested in Musicians with Borders. From its early beginnings as a bus full of musicians bringing music to refugee camps and communities affected by the Balkan Wars, to its community music work in Palestine, Central Eastern Africa, Central America and Europe and training of music leaders. Laura herself has had a fascinating track record too, having been active in US civil rights and peace movements from an early age. She worked for social change organisations in the US and Europe before moving to the Netherlands to develop a career as a musician and link music to social causes.

In this episode, I’m talking with Ollie Tunmer of Beat Goes On. Ollie teaches STOMP-style body percussion and samba drumming to all ages, including in schools from primary to secondary, and to teachers. In primaries, he’s developed Body Percussion with Literacy, working with literacy specialist Pie Corbett, and his sessions recently moved online during lockdown.

In this episode, I’m talking with Malaki Patterson, who is Gloucestershire-based music producer, community musician, music manager, and creative director. Malaki has helped to achieve much change in the county, to support young people facing barriers in access to music and progression routes into the industry.