New Books in African American Studies

In Black Aliveness, or A Poetics of Being (Duke University Press, 2012), Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world.Dr. Kevin Quashie (he/his) is a professor in the department of English at Brown University. He is the author or editor of four books, including Black Aliveness and The Sovereignty of Quiet: Beyond Resistance in Black Culture (2012). His studying now is organized by the phrase "a book of black ideas."Dr. Lee Pierce (they & she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

It may be difficult to imagine that a consequential black electoral politics evolved in the United States before the Civil War, for as of 1860, the overwhelming majority of African Americans remained in bondage. Yet free black men, many of them escaped slaves, steadily increased their influence in electoral politics over the course of the early American republic. Despite efforts to disfranchise them, black men voted across much of the North, sometimes in numbers sufficient to swing elections. In The First Reconstruction: Black Politics in America from the Revolution to the Civil War (UNC Press, 2021), Van Gosse offers a sweeping reappraisal of the formative era of American democracy from the Constitution's ratification through Abraham Lincoln's election, chronicling the rise of an organized, visible black politics focused on the quest for citizenship, the vote, and power within the free states.Full of untold stories and thorough examinations of political battles, this book traces a First Reconstruction of black political activism following emancipation in the North. From Portland, Maine and New Bedford, Massachusetts to Brooklyn and Cleveland, black men operated as voting blocs, denouncing the notion that skin color could define citizenship.Jessica Georges is a third year history PhD student at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Nostalgia has received increasing attention for its role in shaping contemporary social and political life in the United States. Dr. Badia Ahad-Legardy distinguishes Afro-Nostalgia as a framework to think about the relationship between affect, black historical memory, and joy. Afro-Nostalgia: Feeling Good in Contemporary Black Culture (University of Illinois Press, 2021) mines black aesthetic practices that return to the past to generate good feelings for black audiences and makers. The past is not always available for black people as a site of good feelings, when one considers the realities of slavery, Jim Crow segregation, and racial inequality. Yet, contemporary cultural producers explore nostalgia through the subjects of slavery, food, visual culture, and music. Ahad-Legardy weaves together personal reflections and analyzes an eclectic archive to show how black people can turn to the past as a foundation from which to build hope for the present and future. She shows that despite the real traumas of the past and present for African Americans, nostalgia has the capacity to produce black joy.Dr. Badia Ahad-Legardy is a Professor in the Department of English and Vice Provost for Faculty Affairs at Loyola University Chicago. She is also the author of Freud Upside Down: African American Literature and Psychoanalytic Culture from the University of Illinois Press.Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

More than 70 percent of the 103 pre-Emancipation slave narratives acknowledged using waterways as their method for escaping enslavement. However, much of the scholarship on the Underground Railroad has centered on land routes. Sailing to Freedom: Maritime Dimensions of the Underground Railroad (University of Massachusetts Press, 2021) convincing asserts the role of maritime escapes as part of the Underground Railroad during the antebellum era. The ten essays in this volume bring together scholars at various stages of their careers, examines how enslaved people traveled by sea to seek freedom. This critical volume offers a new component to escape routes, recasting Underground Railroad scholarshipReaders interested in the book may use the promo code MAS022, which is good for 30 percent off the book’s cover price and free shipping when purchased through the University of Massachusetts Press website.N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Unstable Masks: Whiteness and American Superhero Comics (Ohio State UP, 2020), Sean Guynes and Martin Lund have assembled more than fifteen chapters that interrogate our thinking about superheroes, especially those written and created in the United States, and how those heroes participate in reifying the whiteness of American politics, culture, and worldview. Even as we have seen attempts to diversify the representation within the superhero genre, there is a continued reinscribing of the normative whiteness that frames not only the narratives themselves, but the ideas and images conveyed by the authors, artists, and producers of these works. As Lund and Guynes note, much analysis has been done about the superheroes, especially paying attention to those heroes who deviate from the norm in terms of race, gender, and sexuality. But what has been missing in a great deal of the scholarship is an analysis of the predominant whiteness of superheroes and how the constructed narrative of the genre, of defeating a threat to a particular way of life, country, people, continues to reaffirm the overarching whiteness of this genre. As Lund noted in conversation, the marquee superheroes are unhyphenated, they are simply the normal, everyday superhero, and they are also, by default, white. Whereas Black, or LatinX superheroes are classified as such, and they are thus distinguished from the “normal” superhero.It is not only the characters themselves, in the panels, but also the structure of the story that complies with an understanding of whiteness, and a hierarchy that is often racially structured. The superhero is tasked with fighting for the “good” – but who defines that good, and who benefits from that preserved good? This very understanding of the job of the superhero, to fight for “truth, justice, and the American way” builds on the basis that truth is the same for all members of the society, justice is equally distributed, and the American way is quite clear. Except that none of these are accurate depictions of the reality for those living in the United States (or elsewhere). How we discuss the goals that the superheroes pursue is tied into what it is that we anticipate being restored by a superhero who confronts an enemy. The chapters in Unstable Masks explore this dynamic, focusing on the exceptions as well as those who make up the vast majority of this imaginary space, examining how whiteness informs the understanding of the superhero. The contributing authors not only examine different superheroes at different periods, but they also reach back to examine the way that the superhero genre fits within the American cultural and literary tradition of the western, detective fiction, and the conquest of the frontier where individuals imposed “law and order” on “ungoverned” or “unstable” parts of the continent.This is a fascinating collection; taken together, this edited volume an impressive consideration of the superhero genre, those who created these characters, and the audiences who consume and interact with these ideas.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel, When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras (U Illinois Press, 2020), focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Kincraft: The Making of Black Evangelical Sociality (Duke University Press, 2021) by Todne Thomas takes a deep dive into the social and religious lives of two black evangelical churches in the Atlanta metro area. Thomas ethnographically renders the ways in which black evangelicals engage in a process of producing kin or crafting relatedness through bible study, socializing, talking, and forming prayer partnerships. She argues that they produce kincraft or construct themselves as brothers and sisters in Christ. In so doing, they "closed the gap between the presumably 'real' family relationships of biology and those of spiritual kin" (3). Examining the lives and activities of black evangelicals illuminates these communities which are often obscured by evangelicals who are racialized as white and the protestant orientation associated with the black church. Outlining the processes through which black evangelicals make kin, calls into question ideas of fictive kinship, a concept commonly used to characterize kinship ties that are not biological or through marriage. Kincraft locates black evangelicals and their practices of kinship formation at the center of their own story. Todne Thomas is an Assistant Professor of African American Religions in the Harvard Divinity School.Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Shake and Bake is the story of Archie Clark, one of the top playmaking guards in the 1970s pre-merger NBA. While not one of the game’s most recognized superstars, Clark was a seminal player in NBA history who staggered defenders with the game’s greatest crossover dribble (“shake and bake”) and is credited by his peers as the originator of today’s popular step-back move.Signed as the Lakers third-round draft pick in 1966, Clark worked his way into the starting lineup in his rookie year. But Clark was more than a guaranteed double-double whenever he stepped on the floor. He was a deep-thinking trailblazer for players’ rights. Clark often challenged coaches and owners on principle, much to the detriment of his career and NBA legacy, signing on as a named litigant in the seminal Robertson v. NBA antitrust case that smashed the player reserve system and jump-started the modern NBA.Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in September 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 2014 and 2015, students at dozens of colleges and universities held protests demanding increased representation of Black and Latino students and calling for a campus climate that was less hostile to students of color. Their activism recalled an earlier era: in the 1960s and 1970s, widespread campus protest by Black and Latino students contributed to the development of affirmative action and open admissions policies. Yet in the decades since, affirmative action has become a magnet for conservative backlash and in many cases has been completely dismantled.In To Fulfill These Rights: Political Struggle Over Affirmative Action and Open Admissions (Columbia University Press, 2019), Amaka Okechukwu offers a historically informed sociological account of the struggles over affirmative action and open admissions in higher education. Through case studies of policy retrenchment at public universities, she documents the protracted―but not always successful―rollback of inclusive policies in the context of shifting race and class politics. To Fulfill These Rights provides a new analysis of the politics of higher education, centering the changing understandings and practices of race and class in the United States.Amaka Okechukwu is an Assistant Professor of sociology at George Mason University.Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

One year to the day after George Flloyd’s murder, Dr. Jamila Lyiscott discusses her book on racial justice in education: Black Appetite. White Food. Issues of Race, Voice, and Justice Within and Beyond the Classroom (Routledge, 2019) A community-engaged scholar-activist, nationally renowned speaker and spoken word artist, Assistant Professor of Social Justice Education at the University of Massachusetts Amherst, and founding co-director of its new Center for Racial Justice and Youth Engaged Research, Lyiscott—who may also invite you to call her Dr. J, if you’re cool—offers educators support for thinking and acting on issues of race, language, and the colonial logics that maintain white supremacy at the expense of Black wholeness through the lens of what she calls “Vision-Driven Justice.”Personal stories, scholarly citations, original poetry, choice excerpts of literature, and theoretical as well as applied analyses are written in the author’s flow of American Standard English, American Black English, and Carribbean Creolized English to manifest Black Appetite. White Food. The result is a material yet breathing example of what Lyiscott (and others) call fugitive literacies: a book that evades replicating multiple facets of the white supremacy enmeshed in education systems and products. The book invites readers to reflect thoroughly and continuously, but also expects us to move beyond those realms and into action. As Lyiscott writes, “The authority to author new, more equitable social realities belongs to each of us.”Christina Bosch is an assistant professor of special education at California State University at Fresno. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies