New Books in African American Studies

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls’ heroism, and material aid for the Union, made national headlines and influenced Lincoln’s decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics’ Star Wars: Doctor Aphra)—details Smalls’ childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago. Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Rob Franklin, Great Black Hope (Summit Books, 2025) Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU’s Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts. Book Recommendations: Katie Kitamura, Audition Josh Duboff, Early Thirties Alexis Okeowo, Blessings and Disasters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness. Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward. Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Human Toll: Taxation and Slavery in Colonial America (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law, The Human Toll urges us to consider the lessons that fiscal history holds for those working in the reparations movement today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.” Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom. Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A gripping chronicle of the relentless fight for Black educational freedom--and the bold strategies to protect, nourish, and empower Black minds. The Battle for the Black Mind (Legacy Lit, 2025) is an explosive historical account of the struggle for educational justice in America. Drawing on over a decade of archival research, personal reflection, and keen sociological insight, this book traces a century of segregated schooling, examining how early efforts to control Black minds through education systems has laid the foundation for the systemic inequities we still live with today. NAACP Image Award-winning author Dr. Karida L. Brown, takes readers from the rural South to the bustling cities of the North and connects the dots between the experiences of Black students and educators across the nation. From the founding of early Historically Black Colleges and Universities (HBCUs), such as Hampton, Atlanta, and Tuskegee University, to the rise of the Black freedom struggle, The Battle for the Black Mind weaves together the stories of pioneering Black leaders and the institutions they built to educate future generations. Far from dwelling solely on oppression, this book offers powerful insight into how Black people have always fought to create environments where Black minds could thrive. Brown concludes with an urgent and empowering call to action, equipping everyday Americans with practical steps--both big and small--to ensure that Black minds can continue to flourish, even as our education system itself comes under attack. Grounded in both historical rigor and astute social commentary, The Battle for the Black Mind speaks directly to today's national fight over the American classroom, making it clear that the battle for Black minds is far from over. This book will resonate deeply if one understands the transformative power of education and is invested in understanding how education has always played a role in shaping the moral conscience of America. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry. Winner of the 2025 PEN/Voelcker Award for Poetry. A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies