New Books in African American Studies

Lama Rod Owens is an author, activist, and authorized lama in the Karma Kagyu School of Tibetan Buddhism. In his new book, The New Saints: From Broken Hearts to Spiritual Warriors (Sounds True, 2023), he draws from the bodhisattva tradition to rethink the relationship between social liberation and ultimate freedom, putting forth the notion of the New Saint. In the process, he pulls from the wisdom of the Old Saints of Tibetan Buddhism and the legacy of Black liberation movements.In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Owens to discuss why he believes that the apocalypse is an opportunity for awakening, the power of connecting with our ancestors and unseen beings, why the New Saint is not necessarily a good person, and how fierceness can be a form of awakened care.Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here.Tricycle: The Buddhist Review provides a unique and independent public forum for exploring Buddhism, establishing a dialogue between Buddhism and the broader culture, and introducing Buddhist thinking to Western disciplines. This approach has enabled Tricycle to successfully attract readers from all walks of life, many of whom desire to enrich their lives through a deeper knowledge of Buddhist traditions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In Black Scare / Red Scare: Theorizing Capitalist Racism in the United States (U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.Black Scare / Red Scare illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil's Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.The Dialectic Is in the Sea traces the development of Nascimento's thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento's work. This engaging collection includes an essay by Bethânia Gomes, Nascimento's only daughter, who shares illuminating and uniquely personal insights into her mother's life and career.This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This book provides a rigorously researched introduction to the relationship between Christianity, race, and sport in the United States. Christianity, Race, and Sport (Routledge, 2021) examines how Protestant Christianity and race have interacted, often to the detriment of Black bodies, throughout the sporting world over the last century. Important sporting figures and case studies discussed include: the sanctification of baseball player Jackie Robinson; the domestication of Muhammad Ali and George Foreman; religious expressions of athletes in the NFL; treatment of African American tennis player Serena Williams; Colin Kaepernick and his prophetic voice. This accessible and conversational book is essential reading for undergraduate students approaching religion and race or religion and sport for the first time, as well as those working within the sociology of sport, sport studies, history of sport, or philosophy of sport.Jeffrey Scholes is associate professor of religious studies in the Department of Philosophy and the Director of the Center for Religious Diversity and Public Life at the University of Colorado, Colorado Springs, USA.This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In democracies, citizens must accept loss; we can't always be on the winning side. But in the United States, the fundamental civic capacity of being able to lose is not distributed equally. Propped up by white supremacy, whites (as a group) are accustomed to winning; they have generally been able to exercise political rule without having to accept sharing it. Black citizens, on the other hand, are expected to be political heroes whose civic suffering enables progress toward racial justice. In Black Grief/White Grievance: The Politics of Loss (Princeton UP, 2023), Juliet Hooker, a leading thinker on democracy and race, argues that the two most important forces driving racial politics in the United States today are Black grief and white grievance. Black grief is exemplified by current protests against police violence--the latest in a tradition of violent death and subsequent public mourning spurring Black political mobilization. The potent politics of white grievance, meanwhile, which is also not new, imagines the United States as a white country under siege.Drawing on African American political thought, Hooker examines key moments in US racial politics that illuminate the problem of loss in democracy. She connects today's Black Lives Matter protests to the use of lynching photographs to arouse public outrage over post-Reconstruction era racial terror, and she discusses Emmett Till's funeral as a catalyst for the civil rights struggles of the 1950s and 1960s. She also traces the political weaponization of white victimhood during the Obama and Trump presidencies. Calling for an expansion of Black and white political imaginations, Hooker argues that both must learn to sit with loss, for different reasons and to different ends. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the Scale of the World: The Formation of Black Anticolonial Thought (U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of 'assimilation, ' and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, On the Scale of the World shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Immigrant laborers who came to the New South in the late nineteenth and early twentieth centuries found themselves poised uncomfortably between white employers and the Black working class, a liminal and often precarious position. Campaigns to recruit immigrants primarily aimed to suppress Black agency and mobility. If that failed, both planters and industrialists imagined that immigrants might replace Blacks entirely. Thus, white officials, citizens, and employers embraced immigrants when they acted in ways that sustained Jim Crow. However, when they directly challenged established political and economic power structures, immigrant laborers found themselves ostracized, jailed, or worse, by the New South order. Both industrial employers and union officials lauded immigrants' hardworking and noble character when it suited their purposes, and both denigrated and racialized them when immigrant laborers acted independently.Jennifer E. Brooks's Resident Strangers: Immigrant Laborers in New South Alabama (LSU Press, 2022) restores immigrant laborers to their place in the history of the New South, considering especially how various immigrant groups and individuals experienced their time in New South Alabama. Brooks utilizes convict records, censuses, regional and national newspapers, government documents, and oral histories to construct the story of immigrants in New South Alabama. The immigrant groups she focuses on appeared most often as laborers in the records, including the Chinese, southern Italians, and the diverse nationals of the Austro-Hungarian Empire, along with a sprinkling of others. Although recruitment crusades by Alabama's employers and New South boosters typically failed to bring in the vast numbers of immigrants they had envisioned, significant populations from around the world arrived in industries and communities across the state, especially in the coal- and ore-mining district of Birmingham.Resident Strangers reveals that immigrant laborers' presence and individual agency complicated racial categorization, disrupted labor relations, and diversified southern communities. It also presents a New South that was far from isolated from the forces at work across the nation or in the rest of the world. Immigrant laborers brought home to New South Alabama the turbulent world of empire building, deeply embedding the region in national and global networks of finance, trade, and labor migration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

If you don’t know Tina Turner’s spirituality, you don’t know Tina.When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina’s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in ’60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers’ disciplinary and mystical sensibilities. Through critical engagement with Tina’s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself.For those of you interested in the stories and poems of the first Buddhist nuns mentioned in the interview yet not included in the book's footnotes (hey, it's a trade book, so space for footnotes is limited), collected in Therīgāthā, you can find the stories here: Kisāgotamī; Ambapālī; Isidāsī. You can also find a modern recreation of Ambapālī's song here.For a trustworthy, philologically solid, yet still readable translation of Therīgāthā, see here. I also find this translation most useful because of its high-quality but manageable footnotes.Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence’s assertion “that all men are created equal,” Patrick Henry’s cry of “Give me liberty, or give me death!,” and Francis Scott Key’s “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable.For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic’s founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery.Symbols of Freedom: Slavery and Resistance Before the Civil War (NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic’s promise by waging war against slavery.In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue theMatthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies