New Books in African American Studies

In the preface to this book, Keith Gilyard describes his career as 30 years of roaming the areas of rhetoric, composition, sociolinguistics, creative writing, applied linguistics, education theory, literary study, history, and African American studies. That gives some impression of the range of topics covered in this compilation of selected highlights of his work, including several brand new contributions. He goes on to affirm that he is “not great in any of these fields”, but on this evidence he is being too modest. True to the Language Game: African American Discourse, Cultural Politics, and Pedagogy (Routledge, 2011) is an engaging, entertaining and challenging book. Moving from the author’s ‘disciplinary birth’ as a teacher of composition, through an overview of some of the language controversies in the US classroom, to his recent work in literary history, it serves as an introduction not only to Gilyard’s research and ideas but to those of many other educational, cultural and literary theorists. In this interview, we cover a little of this ground. We talk about the importance to society of critical thinking, the role of AAVE in bilingual education, the construction of race as a tool for social progress, and the status of the Black American literary canon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Jerald Walker‘s critical autobiography, Street Shadows: A Memoir of Race, Rebellion, and Redemption (Bantam, 2010), is a sheer pleasure to read. A book-length series of vignettes, reflections that alternate between his present life (he’s currently an English professor at Emerson College) and his life as a wannabe thug and habitual drug user on the streets of Chicago, Walker ponders thorny questions of racial identity in such chapters as “Orientation,” where he decides it’s better to identify with other writers (who happen to be white) than with fellow blacks. However, Walker isn’t always this decisive. Indeed the book is filled with stony ambivalence. But the beauty of Walker’s writing is that he uses sharp, searing prose not to probe but to crack ambivalence in the face and ape its gory middle. Although he ends up at times sounding just like the black neo-conservative Shelby Steele, Walker is much more complicated–since he also sounds sometimes like the black radical, Al Sharpton! Ultimately treating such subjects as interracial dating, adolescent rebellion, disability, dooms-day religious cults, homophobia, college education, myths about black sexual prowess, and, yes, love (if nothing else, you know he unequivocally loves his wife, Brenda), Walker’s Street Shadows is a very good book. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When she emerged triumphant in a legal battle with the Texas beef industry, Oprah Winfrey took to the steps of the Amarillo court house and declared: “Free speech rocks!” She was likely a little less enthusiastic about the First Amendment following the publication of Kitty Kelley‘s unauthorized book Oprah: A Biography, which is now out in paperback. The match-up of the daytime television queen and the unauthorized biographer, Kitty Kelley, is one for the ages. The author of eight books– five of them New York Times number one bestsellers, all of them about living people and none of them authorized– Kelley has spent thirty years writing unflinchingly candid accounts of the most influential celebrities of our age. Even the New Yorker allowed that “A Kitty Kelley biography of Oprah Winfrey is one of those King Kong vs. Godzilla events in celebrity culture.” With the help of over 800 interviews and four years of research, she provides an insightful analysis of Winfrey’s cultural significance, as an African-American woman and a survivor of sexual abuse. But, perhaps the biggest contribution of Oprah: A Biography is that it picks away at the seemingly impenetrable persona Winfrey has presented and paints a nuanced portrait of a woman far more complicated, ambitious and interesting than the one seen on TV. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Daniel Sharfstein‘s The Invisible Line: Three American Families and the Secret Journey from Black to White (Penguin Press, 2011) is the latest and perhaps best book in the growing genre of neo-passing narratives. The Invisible Line easily rests between Philip Roth’s The Human Stain and Blis Broyard’s One Drop, though it is different and in ways richer than both. Part American history, part legal analysis (Sharfstein is a legal scholar), part ethnographic study, it is a wholly gripping and exquisitely written narrative that tracks the racial passing of three black families over several centuries, leading us right up to their living “white” descendents today. You will certainly learn a lot about the history of race in the United States from The Invisible Line and, if you’re like me, you won’t be able to put it down. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Hip-hop has, within a short time span, moved from a free-flowing expression of urban youth to a global–and highly marketable–musical genre. Its influence in culture, fashion, film, and music is ubiquitous, and theories about hip-hop’s importance in the political sphere abound. But what, exactly, is the relationship between hip-hop and politics? Does hip-hop influence the expression and formation of political thought? Does it influence the expression and formation of political action? If the influence exists, what are its boundaries? These are some of the questions tackled in Stare in the Darkness: The Limits of Hip-Hop and Black Politics by Lester K. Spence. Spence traces the concurrent neoliberal turn in hip-hop and American politics and examines the implications of both for the politics of black Americans. He infuses the narrative of neoliberal transformation with empirical examination of hip-hop’s impact on the political attitudes of the hip-hop generation and of urban youth. Analyzing track lyrics, survey data, and original experiments, Spence theorizes the boundaries of the space in black American life that is occupied by both hip-hop and politics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In his new book, The Agony of Masculinity: Race, Gender, and Education in the Age of the “New” Racism and Patriarchy (Peter Lang, 2010), Pierre Orelus analyzes the “heartfelt stories of fifty men of African descent who vary in age, social class, family status, sexual orientation, ethnicity, nationality, and ability” (1). One of the purposes of the book is to allow black men to share how they both perpetuate and are negatively impacted by heteronormativity, that is, the oppression of women and other men on the basis of how well they perform heterosexuality. During my interview with Pierre, I was surprised that he labeled some of the men as closeted bisexuals and homosexuals simply because they did not disclose their sexualities to him. This was surprising since the book itself seeks to undo heteronormativity, which enforces the requirement to announce a heterosexual identity. This announcement is made both by how a man performs his masculinity, and in his actual sex life. Since the bedroom is private (we don’t know who people actually have sex with), one is supposed to feel unrestrained in disclosing his sexual practice by stating that he is heterosexual. If a man doesn’t make this pronouncement, he is deemed non-normative (otherwise, it’s assumed that he would proudly proclaim his straightness). What’s more, Orelus gives the men the choice to remain silent regarding their sexuality, yet when some take the option, it is read as a fear of coming out. This may be an instance when Orelus himself perpetuates the exact crisis he hopes to end. This isn’t a criticism of this good book. Orelus begins by placing himself as a subject of analysis. He states that he has his own ongoing personal struggle with patriarchy, a fact often brought to his attention by his wife. It’s this experience he shares with other black men that prompted him to write the book. Please, listen in to our discussion of it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There are beautiful sports photos, and dramatic sports photos. There are sports photos that are funny, and others that are poignant. There are photos that capture athletic brilliance, and tenacity, and passion. But there are few images from the modern history of sports that have transcended the games, photos that have inspired and provoked those with little interest in athletics. Perhaps the only image to have had such a far-reaching effect is that of Tommie Smith and John Carlos on the medal stand at the 1968 Mexico City Olympics. But some would object–and many did in 1968–that what Smith and Carlos did on the medal stand after the 200-meter finals was not a sports moment. It was a political moment, a protest, and therefore it was outside the boundary of athletics. Smith and Carlos had violated a fundamental principle of sport by mixing it with politics. But those who made that criticism in 1968 likely did not denounce George Foreman ten days later, when he waved the American flag in the ring after winning the boxing gold medal. Likewise, fans who objected to NBA player Steve Nash’s criticism of Arizona’s law on illegal immigrants likely did not oppose the prominent military presence in NFL commemorations of the 9/11 terrorist attacks, or the contributions that sports owners make to political parties and candidates. As sports journalist Dave Zirin notes in our interview, politics are always present in sports. People get upset, though, when their sports are mixed with somebody else’s politics. And in 1968–and the years that followed–people were furious with the politics of Smith and Carlos. Dave Zirin has written a number of books on sports in U.S. history and contemporary society, and he comments regularly on sports and politics for The Nation and the weekly Sirius XM program, Edge of Sports Radio. As co-author of The John Carlos Story: The Sports Moment That Changed the World (Haymarket Books, 2011), he helps tell the story of an extraordinary athlete and activist. In the interview, we talk of Carlos’ youth in Harlem, the events that led him and teammate Tommie Smith to make their shocking protest, and the burdens that Carlos endured after 1968. And we talk about the hard work of telling another man’s life, of trying to convey not only his experiences but also his motivations, his commitments, and the way he understands the legacy of one transcendent act. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In his new bookActing White: The Curious History of a Racial Slur (Thomas Dunne Books, 2010), former White House aide Ron Christie recounts the history of the pejorative term “acting white.” He traces its lineage from the present day through the Black Power movement back to Uncle Tom’s Cabin, unraveling a fascinating history in the process. In our interview, we talked about Ron’s experiences as an African-American Republican, his ambitious vow to eradicate the term “acting white,” and his hopes for the future of America’s African-American community. Read all about it, and more, in Christie’s thought-provoking new book. Please become a fan of “New Books in Public Policy” on Facebook, if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

With the NBA in the midst of a labor disagreement, players from the world’s premier basketball league are scattering in different directions to maintain their skills (and get paid). This past summer, a number of NBA players returned to their roots, so to speak, by playing in summer leagues in places like DC, LA, New York, and Baltimore. For many black players who grew up in big cities, summer leagues were the place where they first learned basketball, under the watchful eyes of older men who had also played the game–and made names for themselves–on the same courts. Scott Brooks spent four years coaching youth basketball in one of these leagues in South Philadelphia, bringing the perspective of a sociologist to this institution of inner-city neighborhoods. The book based on his experiences and his research, Black Men Can’t Shoot (University of Chicago Press, 2009), follows two of the league’s young players, Jermaine and Ray, as they learn the game, develop their skills, and work to “get known” in the world of Philadelphia basketball. As Scott explains in the interview, “getting known” is a complicated and demanding process of gaining status on the court and in the community. Like athletes in other sports, young basketball players like Jermaine and Ray seek to get the attention of scouts and recruiters by participating in multiple leagues, traveling teams, and regional tournaments. But “getting known” in South Philly basketball is about much more than a coveted college scholarship. Being a known player brings social prestige at school and the protection and patronage of older men in the neighborhood, the chorus of elders known as “old heads.” Attaining this status, Scott explains, is not a matter of simple ability, the so-called natural athleticism of blacks. Instead, it is the product of disciplined work, careful networking, and study of the game. Scott’s book is not about the hoop dreams of Jermaine and Ray. Instead, it is about hoop reality–about basketball as part of the social fabric of an inner-city neighborhood and the ways that black men, young and old, use the game to improve their personal situations and better their communities. If you enjoy the New Books in Sports podcast, be sure to subscribe on the iTunes store and link to our Facebook page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When I was an undergraduate, I noticed that there were certain books that seemed to be unavoidable (at least at my liberal arts college). They were assigned in many classes, and they were discussed in many others. Reading them seemed to be a secret requirement for graduation. These “liberal-arts essentials” included Plato’s Republic, Rousseau’s Social Contract, Lockes’ Two Treatises on Government (especially the second), Kant’s Prolegomena to Any Future Metaphysics, Marx and Engels’ The Communist Manifesto, Freud’s Civilization and its Discontents, and John Bergers’ Ways of Seeing. Another was William Sheridan Allen’s The Nazi Seizure of Power: The Experience of a Single German Town, 1922-1945 (Quadrangle Books, 1965). It explained the rise of National Socialism in a new and revealing way: from the bottom up. In Sheridan Allen’s story, the local politicians, shopkeepers, and housewives of Northeim (Hanover) moved to the fore, while Hitler, Goering, and Goebbels remained in the background. Here the locals “made history,” and they did so ways that we would all recognize from our own local communities. Charles McKinney, Jr has written a similar book, though one with a much happier ending. Greater Freedom: The Evolution of the Civil Rights Struggle in Wilson, North Carolina (UPA, 2010) tells the tale of how one small city in the South negotiated the rough transition from Jim Crow to Civil Rights and beyond. In McKinney’s telling, the people of Wilson (North Carolina) make history; Martin Luther King, et al. remain off stage. These common folks–both Black and White–discuss, argue, protest, sue, threaten, fight, organize, lobby, and vote their way to a “greater freedom” over the course of many decades. In the pages of McKinney’s fine book, we see how Civil Rights actually happened “on the ground.” I hope it becomes required reading as Sheridan Allen’s book once was. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies