New Books in African American Studies

The dialectical configuration of black inclusion/Chinese exclusion is at the center of Edlie Wong‘s book Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship (New York University Press, 2015). At the end of the 19th century, the southern United States was experimenting with a transition from a dependency on uncompensated, coerced labor in the form of black chattel slavery, to a system of (nominally) voluntary, wage labor i.e. Chinese contract labor (coolieism), modeled most prominently in nearby colonial Cuba. Wong poses the important question of whether coolieism constituted a form of slavery or was indeed, a transition to free labor. In so doing, Racial Reconstruction explores the implications of mutually constitutive African American and Chinese American racialized identity formations, the Chinese Question, and the Negro Problem being coterminous: Chinese exclusion–the exception that proved the rule–helped America define itself as a free nation in the wake of racial slavery. Wong’s use of unusual documentary sources such as the underexamined archive of Anglo-American Cuban travelogues and invasion fiction by both African and European Americans, limns the changing racial landscape of Reconstruction-era immigration policies and conceptions of citizenship that shaped Asian-American cultural politics and impacted African American life. NB: Professor Wong’s next project, mentioned toward the end of the interview, concerns apprenticeship and not indenture as indicated. Mireille Djenno is the Librarian for African, African American and Diaspora Studies at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Most scholars of popular music use songs, artists, and clubs as the key texts and sites in their exploration of the social, cultural, political, and economic effects of music. Laurent Dubois‘ new book looks at the history of an instrument, the banjo, to help us better understand American history and culture. Dubois also helps readers understand the banjo as part of an Afro-Atlantic musical heritage. In The Banjo: Americas African Instrument (Harvard University Press, 2015), Dubois examines how the banjo came into existence in the Americas and what it reveals about debates about American culture. Dubois book starts in Africa with a wide range of instruments that shaped the banjo. He then follows these instruments as they cross the Atlantic in the Middle Passage, winding up in the Caribbean and in North America. Sifting through travelers accounts and documents in archives, Dubois shows how the banjo brought together African peoples in the Americas, creating a familiar but new instrument and sound. He describes the banjo as the product of parallel development in which many enslaved musicians deployed similar instrument-making strategies to create what we now know as the banjo. The story, however, does not stop there. The banjo came to represent authentic Africa American and American culture and became a key symbol in abolitionist rhetoric and minstrelsy. As a result, the banjo was not simply an instrument but a powerful marker of identity within American culture. Dubois traces how the banjo played a significant role in jazz, country, bluegrass, and folk music, symbolizing a diverse set of values and politics. From the minstrel Joel Walker Sweeney to the political activist Pete Seeger, the history of the banjo is the history of American popular culture. Laurent Dubois is Marcello Lotti Professor of Romance Studies and History at Duke University. He is also the author of Avengers of the New World: The Story of the Haitian Revolution and Haiti: The Aftershocks of History. More information about his work on the banjo can be found at Banjology and Musical Passage. Richard Schur, Professor of English at Drury University, is the host for this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning (Lexington Books, 2015), Alfred Frankowski, an Assistant Professor of Philosophy at Northeastern Illinois University, makes clear this central tension at the heart of contemporary American life. The re-election of Barack Obama and the murder of Trayvon Martin form the backdrop to Frankowski’s exploration of both the philosophical aesthetics and the practical manifestations of race in America today. From these two events the book moves to consider examples from Kantian aesthetic theory, through the history of memorials and museums, to examples from music, to illustrate how, in memorializing the past, we may forget both lessons and insights into current social struggles. The first book in a new series on the Philosophy of Race, The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning will be of interests to philosophers and cultural theorists, as well as those considering questions of race in society. Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Jazz is often dubbed the greatest American original art form. This claim might be difficult to contend. But a close exploration of the folks who created, listened, and participated in jazz environments can also tell us lot about the religious history of those people. In his new book, Spirits Rejoice! Jazz and American Religion (Oxford University Press, 2015), Jason Bivins, Professor in the Department of Philosophy and Religious Studies at NC State University, argues that Jazz is a unique and under-explored venue for investigating American religious history. Bivins explores Jazz through common components of religious communities and traditions, including as forms of ritual, institutional structures, practices of healing, and jazz cosmologies. He begins with an outline of the deep connections between jazz musicians and their relationships with specific religious traditions, including Islam, the Black church, Bah’ ethics, Buddhism, and Scientology. He also outlines how artists engage in historical self-reflection and the production of religious narratives. In our conversations we discussed analyzing religion in music, the difficulties and opportunities of examining wordless artifacts, spaces of religio-musical practice, the role of performative and improvisational aspects of jazz, the sonic architecture of metaphysical worlds, egolessness and the divine, racial imaginaries, and forms of American spirituality. Of course, we talked about a lot of wonderful musicians too, including John Carter, Albert Ayler, Sun Ra, Duke Ellington, Wynton Marselies, John Coltrane, Mary Lou Williams, and Ornette Coleman. And when you are done listening to our conversation check out the listening guide, which has music video playlists for all the chapters of the book. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Jonathon S. Kahn is an associate professor of religion at Vassar College. He is co-editor with Vincent W. Lloyd of a collection of essays entitled Race and Secularism in America (Columbia University Press, 2016). Eleven scholars forward the argument that secularism in America has been a project that manages, or excludes, difference by control over both religion and race. The introduction demonstrates how Martin Luther King Jr., both a religious and black leader, was stripped of both his race and his religion to represent a homogenous white secularism. Secularism is dependent on managing not just the intertwined racial and religious discourse but the practices and bodies of ordinary people. Secularism thus becomes white and springs from a managed Protestantism. The abolitionist movement in the nineteenth century and the Civil Rights movement in the twentieth are historical examples of resistance to a secularist white consensus. The volume explores the many ways religion and race are circumscribed, how they are entwined, and the ways their management has been refused. In the process, the authors recover the transformative potential of racial and religious discourse in imagining worlds of possibilities and justice. Lilian Calles Barger is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Betina Cutaia Wilkinson is the author of Partners or Rivals? Power and Latino, Black, and White Relations in the Twenty-First Century (University of Virginia Press 2015). Wilkinson is assistant professor of politics and international affairs at Wake Forest University. In Partners or Rivals, Wilkinson relies on national survey and focus group data to examine how social interaction; feelings of identification with members of their own group and others; and individuals sense of power as established by their racial, economic, and political surroundings impact interracial attitudes. She finds that the complex racial dynamics are not easily reducible to simple formulae, yet they have strong implications for the formation of interracial coalitions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Lester K. Spence is the author of Knocking the Hustle: Against the Neoliberal Turn in Black Politics (Punctum Books, 2016). Spence is associate professor of political science and Africana Studies at Johns Hopkins University. In Knocking the Hustle, Spence links the rising prominence of neoliberal ideas to the transformation of African American communities. The book, a combination of political history and policy analysis, argues that the Nixon and Reagan administrations advanced the neoliberal policy-making agenda and contributed to the associated rise in economic inequality, especially for African Americans. At the same time, African American communities and institutions are transformed by this neoliberal turn and its underlying, and surprising compatibility, with hustle. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Is there a figure in sports more admired and beloved than Muhammad Ali? Widely revered not only as one of boxing’s greatest champions but also as one of the rare athletes to speak out on political issues, Ali holds a place at the pinnacle of sports heroes. In their new book Blood Brothers: The Fatal Friendship Between Muhammad Ali and Malcolm X (Basic Books, 2016), historians Randy Roberts and Johnny Smith take the bold step of viewing Muhammad Ali not as hero but as human. Randy and Johnny focus on the young contender Cassius Clay as he trains in Miami, rises through the heavyweight ranks, and hones his persona as an athlete and celebrity. At the heart of the book is the boxer’s friendship with Malcolm X and their respective ties to Nation of Islam founder Elijah Muhammad. The two subjects are extraordinary figures in the history of the 1960s, and they have been subjects of several books. As Randy and Johnny explain in the interview, they offer a fresh perspective by taking a meticulous approach to sources old and new, even plotting out — day by day — where Clay and Malcolm were and what they did in the years leading up to February 1964, when Clay defeated Sonny Liston for the heavyweight title, and February 1965, when Malcolm was assassinated. This fresh perspective yields a picture of Clay/Ali somewhat at odds with the reverential view commonly held today. It is a picture of a young man still finding his place in the world, before he became its king. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Few social justice struggles have captivated recent political history like the broad Black Lives Matter movement. From the streets of Ferguson and Baltimore to campaign rally interruptions of leading politicians, we have seen people speak up in outrage about injustices of policing, racist violence, wealth inequality and much more. What does this cycle of struggle have to do with the history of capitalism? In addition to these questions, our guest today, Keeanga-Yamahtta Taylor, asks “Can the conditions created by institutional racism be transformed within the existing capitalist order?. Keeanga-Yamahtta Taylor is an Assistant Professor in the Department of African American Studies at Princeton University. Her book From #BlackLivesMatter to Black Liberation was recently published by Haymarket Books. Republished with permission from Betsy Beasley and David Stein’s Who Makes Cents?: A History of Capitalism Podcast, Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies