New Books in African American Studies

Harold Washington’s election as mayor of Chicago in 1983 sent a shockwave through the politics of America’s third largest city, one that reverberated for decades afterward. Yet as Roger Biles describes in his book Mayor Harold Washington: Champion of Race and Reform in Chicago (University of Illinois Press, 2018), Washington’s promise as mayor was in many respects unfulfilled. The son of parents who moved to the city during the Great Migration of the early 20th century, Washington was involved in politics from an early age. Though a member of the powerful party organization led by Richard J. Daley, Washington demonstrated an independent streak during his time in the Illinois state legislature. After an initial attempt to succeed Daley fizzled in 1977, Washington won the office six years later thanks to a remarkable coalition of interests and an unprecedented voter mobilization of the African American populace. As mayor Washington quickly found many of his efforts to implement a progressive agenda thwarted by the hostile remnants of the Daley organization, who enjoyed a majority on the city council throughout most of his first term. While Washington overcame their opposition, the heightened expectations of his supporters were frustrated by his sudden death just months after winning a second term in 1987. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

We recently marked the 50th Anniversary of Terry vs. Ohio, the US Supreme Court case that dramatically expanded the scope under which agents of the state could stop people and search them. Taking advantage of a North Carolina law that required the collection of demographic data on those detained by the police during routine traffic stops, Frank Baumgartner and his colleagues analyzed twenty million such stops from 2002-2016. They present the results of this research in Suspect Citizens: What 20 Million Traffic Stops Tell Us about Policing and Race (Cambridge University Press, 2018). Join us as we speak with Baumgartner about what they found—and what we can do to reduce the most discriminatory features of the practice. Stephen Pimpare is Senior Lecturer in the Politics and Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The contemporary moment has brought to the forefront the question of what constitutes an American citizen. The legal question in popular understanding stems from the Fourteenth Amendment and its use of birthright citizenship as a central identifier of what makes a citizen. In Dr. Martha S. Jones’ newest book, Birthright Citizens: A History of Race and Rights in Antebellum America (Cambridge University Press, 2018) skillfully demonstrates that by the time the amendment was passed, Black Baltimoreans had already personally conceived of themselves as birthright citizens because of their lived experiences in the antebellum era. By using the country’s largest free Black population as a proxy to discuss the performance of citizenship by Black Baltimoreans, Dr. Jones re-conceptualizes our understanding of what the politics of belonging meant for this very important antebellum Black community. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The sit-in movement that swept the Southern states in 1960 was one of the iconic moments of the post-World War II civil rights movement. Yet the images of students patiently sitting at “whites-only” lunch counters conveys only one facet of a complex series of events. In The Sit-Ins: Protest and Legal Change in the Civil Rights Era (University of Chicago Press, 2018), Christopher W. Schmidt chronicles the movement and its impact on the political and legal struggle for civil rights for African Americans. As Schmidt explains, prior to the sit-ins the main civil rights organizations were fighting segregation primarily through the courts. The incremental pace of change frustrated younger activists, with four students at North Carolina A&T ultimately deciding to fight segregation through direct protest. Yet the lunch counter protests they inspired were viewed with considerable ambivalence by the civil rights leadership, who were doubtful that the counters could be compelled to accept black patrons under existing law. Their uncertainly was reflected on the Supreme Court, where the justices’ division on the legality of segregation in privately-run facilities ultimately left the matter to be resolved by Congress in the 1964 Civil Rights Act. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The award-winning author Jacqueline Jones is the Ellen C. Temple Chair in Women’s History at the University of Texas. Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical (Basic Books, 2017) is a biography of the riveting life of Lucy Parsons. As an activist, writer and speaker, Parsons embodied the most radical expression of the battle for labor rights in American history, yet her life remains a mystery. Born an enslaved woman in 1851 of mixed lineage, the circumstances of her birth and early life are unknown. Exceedingly beautiful and articulate, she met and married Albert Parsons, a confederate army veteran, in Waco, Texas in 1872. Their politics shifted from loyal Republicans to socialism and finally to anarchism advocating for white labor in Chicago. As a dynamic and radical duo engaged in extensive writing, charismatic speaking and alliances across multiple labor organizations, they became symbols of unrelenting agitation against industrial capitalism. Their call for armed resistance and involvement with the Haymarket bombing and trial, led to the execution of Albert leaving Lucy Parsons to carry their mutual legacy alone. Jones has brought to life an enigmatic figure whose compelling presence left a mark on the history of the radical movement for labor rights. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: An Intellectual History of Liberation Theology, forthcoming in August, 2018 from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women’s literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how folk spirituals composed by enslaved people but transformed for the stage became the core repertoire for the emerging black entertainment industry after 1865. She begins by telling the familiar story of the Fisk Jubilee Singers who first popularized the concert spiritual during their successful tours of the United States and Europe in the 1870s. She expands this narrative, however, by including the crucial contributions of choirs that followed in Fisk’s footsteps especially the Hampton Institute Singers and the Tennesseans. The truly ground-breaking work in the monograph, however, is her study of commercial spirituals and the performers who popularized them in all-black minstrel shows and, at the end of the nineteenth century, in plays with music, such as Uncle Tom’s Cabin, and black musicals such as Out of Bondage. These productions helped convince white audiences to embrace real African American entertainers, although their performances were constrained by stereotypes about black people first presented onstage in blackface minstrelsy. Graham brings her narrative to life by introducing her readers to composers, singers, and actors that were famous at the end of the nineteenth century but have since disappeared from our national consciousness. Her book’s website provides a wealth of information on jubilee choirs and their personnel, as well as excerpts from some of the early twentieth-century recordings she references in the text. The complicated interplay between black performers, the white men who generally managed and directed them, and the integrated audiences who enjoyed their work in this period solidified the racial politics that continues to shape popular entertainment today.  Sandra Jean Graham is an Associate Professor in the Arts and Humanities Division at Babson College in Wellesley, Massachusetts. Graham is also the Faculty Director of the Sorenson Center for the Arts at Babson. An ethnomusicologist by training, Graham studies African American music and blackface minstrelsy in nineteenth-century America. Her work on spirituals and minstrelsy has appeared in books and journals including the Journal for the Society of American Music and American Music. Along with Chad Runyon, she produced a website on the nineteenth-century black actor and musician Sam Lucas. In addition to her scholarly activities, Graham is currently serving as the President of the Society for American Music. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Several weeks ago, we had Professor Lilliana Mason on the podcast talking about her book about the process of social sorting that has deepened divides between citizens by aligning race, religion, and region. Mason argues that social sorting acts on a psychological-level, shaping how not just how people view policy but also political opponents. This week on the podcast, Matt Blackwell and Maya Sen extend this conversation back into history. In Deep Roots: How Slavery Still Shapes Southern Politics (Princeton University Press, 2018), the authors (with Avidit Acharya) argue that views on race have deeply historical roots, passed on across generations through cultural practices and other institutional mechanisms. They call this behavioral path dependence. Using sophisticated statistical analysis, they find that the long, disturbing legacy of slavery can be observed in the variation of attitudes of those living in different southern communities. In counties where slavery thrived in the 1860s (compared to similar counties in the south where slavery was less prevalent), white citizens hold significantly more hostile views of African Americans and express less support for race-related public policies. Interestingly, when they compare residents in those same two types of southern counties, their non-race views on other conservative issues, such as abortion, are essentially the same. Thus, the legacy of slavery is not in general conservative beliefs, but in specific and negative views on race. Avidit Acharya is assistant professor of political science at Stanford University. Matthew Blackwell is assistant professor of government at Harvard University. Maya Sen is associate professor of public policy at the John F. Kennedy School of Government at Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies