New Books in African American Studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa’s work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón’s literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Sarah Derbew’s new book Untangling Blackness in Greek Antiquity (Cambridge UP, 2022) asks how should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.Get 20% off a copy of Untangling Blackness in Greek Antiquity using promo code UBGA2022 at Cambridge University Press (valid until February 2023).Keep up with Sarah’s work on Twitter @BlackAntiquity and on her website.@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Vividly written and exhaustively researched, Jonathan Eig's King: A Life (FSG, 2023) is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation's most mourned martyr.In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.Jonathan Eig is a former senior special writer for The Wall Street Journal. He is the author of several books, including two highly acclaimed bestsellers, Luckiest Man: The Life and Death of Lou Gehrig and Opening Day: The Story of Jackie Robinson’s First Season. Visit him at JonathanEig.com. Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

H. C. C. Astwood: minister and missionary, diplomat and politician, enigma in the annals of US history. In Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation (Duke UP, 2024), Christina Cecelia Davidson explores Astwood’s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men’s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond. Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. Kiana’s Webpage Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth. In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.In Anthony Benezet: Quaker, Abolitionist, Anti-Racist (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Anteaesthetics: Black Aesthesis and the Critique of Form (Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Transformed American Opera (Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, The Martyr, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Entangled Alliances is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation. Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny. The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord. Entangled Alliances is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century. You can find Dr. Ronald Angelo Johnson at the Baylor University website. Find host Sullivan Summer at her website, on Instagram, and on Substack where she and the author continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies